What If Your Drink Could Fly Itself Across the Room to You

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Smart home technology has reshaped how we think about convenience, but most of it still assumes you’re the one who has to reach for things. Appliances respond to voice commands, lights adjust to your mood, and thermostats learn your schedule. Yet the objects we grab dozens of times a day, from a glass of water to the TV remote, still sit wherever you last left them.

Designer Ivana Nedeljkovska’s ORBIA concept takes a different angle on this problem. Rather than adding another smart feature to a home setup, it asks a more fundamental question about object design itself: why do objects have to stay still? ORBIA is envisioned as an autonomous flying serving tray that moves through space, navigates around obstacles, and delivers objects directly to wherever the user happens to be.

Designer: Ivana Nedeljkovska

It’s a concept that doesn’t fit neatly into any existing product category. The design is built around an intelligent navigation system that enables ORBIA to understand its surroundings, read the space it moves through, and adjust its path in real time. That capability is what separates it from the static, fixed-in-place gadgets that populate most homes today, no matter how sophisticated those gadgets might be.

Think about a quiet evening at home. You’re in the middle of something, and your drink is across the room. With ORBIA, you wouldn’t need to interrupt what you’re doing. The concept is designed to respond to a call without requiring any physical contact, operating quietly and precisely, functioning as a kind of unobtrusive assistant that simply appears when needed and retreats when it’s done.

The same thinking applies in a hospitality setting, where service efficiency has always been a balancing act. In a restaurant or lounge, ORBIA could handle the routine deliveries that currently require constant back-and-forth from staff, moving between spaces with the same quiet precision it brings to a living room. The system reads its surroundings continuously, adjusting course around obstacles and adapting to different spatial conditions in real time.

Where the concept gets particularly compelling is accessibility. For someone with limited mobility, having to rely on others to bring everyday objects can quietly erode a sense of independence. ORBIA is designed with that in mind, offering support that lets people access things around them on their own terms, without having to wait or ask someone else for help each time.

Visually, ORBIA doesn’t try to announce itself. The form is clean and minimal, built around a large oval tray surface with a brushed matte finish, carried by a quad-rotor body whose contours flow outward in smooth, organic curves. Blue LED lighting runs along the underside and rotor housings, giving the whole thing a quiet, purposeful glow that integrates naturally into a contemporary interior.

There’s still a long way between this concept and something you could buy, and the engineering involved is genuinely complex. But ORBIA isn’t trying to be a product announcement. It’s a design argument, one that makes the case for a future where objects go beyond being smarter to becoming fundamentally more active, bringing things to you rather than waiting to be carried.

The post What If Your Drink Could Fly Itself Across the Room to You first appeared on Yanko Design.

G-Shock Just Dropped a Coca-Cola Watch for Its 140th Anniversary

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There are some things that you know are fundamentally bad for you, but you can’t resist consuming them. Coke (the soft drink) is one such commodity, and especially during the summer season, it has become more of a necessity than an indulgence. The brand itself has been around for 140 years and has built itself into something that virtually everyone recognizes, from its logos and visual cues to its timeless ad campaigns. It has become a cultural artifact for well over a century, transcending beverage culture to become one of the most iconic brands in history.

To celebrate this milestone, Coca-Cola has partnered with another recognizable global brand, G-Shock, to create a limited-edition collaboration. The GA-2100CC-3A is the first-ever Coca-Cola watch built on the analog-digital GA-2100 base, which has its own massive cult following in the watch community. Enthusiasts affectionately nicknamed the GA-2100 the “CasiOak,” a nod to its resemblance to the luxury Audemars Piguet Royal Oak, making it one of the most talked-about G-Shock models of the modern era.

Designer: G-Shock x Coca-Cola

You would think that a Coca-Cola collaboration would have red and white splashed all over, but G-Shock took a more refined, classic approach. Instead of leaning into the brand’s signature bold palette, the design focuses on a translucent green bio-based resin that is directly reminiscent of Coca-Cola’s iconic vintage contour glass bottle. You do get minimalist splashes of red throughout the design, as it is of course the color most associated with the brand, but it’s tasteful rather than overwhelming. Instead of just slapping the logo on this wearable, you get smart design easter eggs that will delight the most die-hard of Coke fans.

Both the bezel and band come in the aforementioned translucent green, with the dial receiving Coca-Cola-toned hues as well as printed graphics evoking the iconic bubbles from the soft drink’s fizz. At the 9 o’clock position, the date indicator hand is shaped like the brand’s beloved fluted glass bottle. That same bottle motif is carried over into the band loop as well, keeping the design cohesive and intentional. Flip the watch over and you’ll find the case back engraved with a bottle cap-inspired design, a subtle but brilliant finishing touch. The entire watch also arrives in exclusive special-edition packaging specifically created to commemorate the brand’s 140th anniversary, making it a complete collector’s package from the moment you open the box.

It’s also worth noting that the use of bio-based resin is not just a stylistic choice. It reflects a growing commitment to more sustainable materials in watchmaking. The GA-2100 series adopted bio-based resin in 2024, and it carries forward seamlessly into this collaboration, giving the watch a modern, eco-conscious edge that feels right at home in 2026.

In terms of technical specifications, you still get all the great hallmarks of the GA-2100 base, which has made it one of the more popular G-Shock models. It is shock resistant as well as water resistant for up to 200 meters. It comes equipped with the usual functions including a timer, stopwatch, and Double LED light, with an approximate battery life of 3 years. The case measures 48.5 × 45.4 × 11.8 mm and weighs in at 51g, slim and lightweight for a G-Shock, which has always been a big part of the GA-2100’s appeal.

The GA-2100CC-3A is priced at ¥27,500 JPY (approximately $175 USD) and is set to release in May 2026 via the Casio webstore. Given that this is a limited-edition piece tied to a once-in-a-generation anniversary, it’s the kind of watch that won’t sit on shelves for long.

Whether you’re a G-Shock collector, a Coca-Cola memorabilia enthusiast, or simply someone who appreciates thoughtful design collaborations, the GA-2100CC-3A checks every box. It’s nostalgic yet modern, playful yet polished, and honestly, much like the drink it celebrates, it’s the kind of thing you didn’t know you needed until it’s right in front of you.

The post G-Shock Just Dropped a Coca-Cola Watch for Its 140th Anniversary first appeared on Yanko Design.

YouTube is testing an AI search mode that ‘feels more like a conversation’

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Google is determined to impose AI search onto as many of its products as possible, and the latest, er, victim is YouTube. A new feature called "Ask YouTube" will let you pose complex questions and receive "comprehensive results that include video and text, then ask follow ups to dive deeper," Google explained on its YouTube Labs page. The experimental feature is available starting today until June 8 for Premium US subscribers 18 and older. 

To use it, first, enable the feature in your account. Then, click on the new "Ask YouTube" button in the search bar and you'll see prompt suggestions, or you can enter your own, like "plan a 3-day road trip between San Francisco and Santa Barbara." After getting the results, you can try follow-up questions or choose from suggested prompts to explore in more detail. 

As shown in The Verge's quick test, the prompt "short history of Apollo 11 moon landing" brought up a summary of the mission, along with videos and time stamps for relevant information. Follow-up questions yielded similar results, but some queries just showed a list of videos like you'd see in a classic YouTube search. As happens with AI, one of the searches (around a Steam Controller) yielded factually inaccurate information, according to The Verge's Jay Peters. 

Tech companies love AI a lot more than the public, and YouTube users are particularly passionate about hating AI-generated slop. YouTube's AI search function may fare better with subscribers, but only if it helps them find quality content more quickly. 

This article originally appeared on Engadget at https://www.engadget.com/apps/youtube-is-testing-an-ai-search-mode-that-feels-more-like-a-conversation-075057461.html?src=rss

The G512 X is Logitech’s most advanced and customizable gaming keyboard yet

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Thanks to the adoption of features like rapid triggers, analog switches and TMR sensors, the tech in fancy gaming keyboards has changed surprisingly quickly in the past few years. So to keep up with the pace of development, Logitech is putting a bunch of advanced components in its latest flagship offering — the G512 X — to create what may be its most configurable keyboard to date. 

Available in both 75 and 98 percent layouts, the G512 X is based on a novel design that supports both mechanical and analog switches. Out of the box, every key features PBT keycaps and uses one of Logitech's MX mechanical switches. However, for important buttons like WASD, users can swap in up to nine bundled Gateron KS-20 magnetic analog switches. This means that when combined with the keyboard's 39 tunneling magnetoresistance (TMR) switch beds, users can enable support for customizable rapid triggers and multipoint actuation, complete with five bundled second actuation pressure point (SAPP) rings in case you need even more control over every keystroke. The one potential downside is that Logitech only added TMR switch beds to the left side of the keyboard, so if you prefer more unusual keybinds, you won't have quite as many configuration options. 

The 39 TMR sensors on the left of the keyboard are the ones that support the included TMR switches.
The 39 TMR sensors on the left of the keyboard are the ones that support the included TMR switches.
Logitech

Meanwhile, to meet the demands of competitive gamers who need lightning-fast response times, Logitech added an 8K polling rate. This includes both 8K reporting and processing to deliver input times of just 0.125 milliseconds. Elsewhere, the G512 X comes with dual dials, a large RGB lightbar and game mode presets — all of which can be tweaked in Logitech's G Hub app. 

However, the coolest thing about the G512 X might be all the handy little details scattered across the keyboard. For example, its adjustable feet serve double duty as keycap and switch pullers, so when you want to adjust your layout, you won't need to go searching elsewhere for the right tool. On top of that, there is built-in storage for the nine included magnetic analog switches and five SAPP rings, so you'll always have them on hand if you want to make changes. Finally, while it is an optional accessory, Logitech created a transparent palm rest with a laser-etched surface that will enhance the G512 X's onboard RGB lighting. 

Logitech's optional palm rest really boosts the output of the Logitech G512 X's front-mounted RGB lightbar.
Logitech

Unfortunately, at $180 for the 75 percent layout or $200 for the 98 percent model, the G512 X is a bit pricey. And unlike some other members of Logitech's G5 family, there's no option for a wireless variant. But if you want a keyboard with practically all the latest tech and a ton of customizability (including the ability to select linear, tactile or clicky switches), the G512 X is a very intriguing option for demanding gamers.  

The G512 X is available directly from Logitech today, with wider availability slated for May 2.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/the-g512-x-is-logitechs-most-advanced-and-customizable-gaming-keyboard-yet-070100610.html?src=rss

This Wine Cooler Scans the Label and Sets Its Own Temperature for You

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Wine culture has never been more accessible, with good bottles showing up at rooftop dinners, backyard gatherings, and weekend trips just as often as they do at restaurant tables. What hasn’t quite kept up, though, is how we actually serve them once we’re there. Temperature is the detail that most people overlook, and it’s arguably one of the most important variables in how a wine actually tastes.

That’s the gap that Porta is designed to fill. It’s a smart, portable wine cooler that keeps a bottle at the right serving temperature without ice, without a power outlet, and without any of the fuss that usually comes with trying to manage these things outside of a dedicated wine space. It’s compact, rechargeable, and built for the kind of drinking occasions that happen well beyond the kitchen.

Designer: Metaproi

Click Here to Buy Now: $249 $599 (58% off). Hurry, only 363/500 off. Raised over $57,000.

A bottle can come from a great producer, be stored perfectly, and still taste flat if it’s poured too warm or too cold. Serve a red too warm, and the alcohol starts to overwhelm everything else. Too cold, and the aromas shut down. There’s a narrow window where the flavors actually show up the way they were intended, and that window closes faster than most people realize.

Cellars and wine fridges solve the storage part just fine. But once the bottle comes out and ends up on the dinner table, or worse, goes into an ice bucket, the situation changes pretty quickly. An ice bucket drops the temperature too far and strips the wine of the very character you chose it for. Porta addresses that moment specifically, which is where it actually matters.

The companion app is where Porta’s smarter side comes in. Pair it with your phone, point the camera at the label, and the app identifies the grape variety and sets the chiller to an appropriate temperature automatically. You can also adjust manually, log wines, add tasting notes, and build a personal wine list, making it quite useful for something that just sits quietly on your table.

There’s also a decanting timer built into the workflow, a small detail that makes a real difference. Once you open the bottle and let it breathe, Porta tracks the time and lets you know when it’s ready to pour. It removes the guesswork from a process that casual drinkers tend to skip entirely, adding a bit of structure to the ritual without making it feel like homework.

What makes Porta genuinely interesting as a design object, though, is how cordless it actually is. It runs on an internal 10,000 mAh battery good for up to eight hours of sustained cooling, and charges via USB in about three and a half hours. That makes it as useful on a terrace or a picnic blanket as it is at a formal dinner table.

The cooling itself is handled by a thermoelectric system that operates without any mechanical movement, which keeps things quiet and vibration-free. The interior circulates chilled air around the bottle while a cork-filled insulating frame holds the temperature steady, even when the ambient conditions outside change. It can bring wine down to 46°F and sustain those conditions throughout a meal without needing you to fuss over it.

Two angular wine coolers on a table, one holding a green bottle, with a glass of red wine and a blurred person in the background.

The design itself is worth noting separately. Porta comes in Champagne Gold and Matte Black, with a faceted, geometric silhouette that tends to draw attention at the table. That’s intentional. The front window keeps the label visible while the bottle chills, turning it into part of the setting rather than something to be tucked away. It’s the kind of object that actually belongs where the drinking happens.

Click Here to Buy Now: $249 $599 (58% off). Hurry, only 363/500 off. Raised over $57,000.

The post This Wine Cooler Scans the Label and Sets Its Own Temperature for You first appeared on Yanko Design.

This Wireless Gaming Controller Splits Apart To Reveal Its Cartridge Slot

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Imagine a Nintendo Switch without a screen. Just two Joy-Cons that click together for wireless gaming. Now imagine that was it. That was the product. That’s what the Clicon gaming controller/console is pitching itself has. Handheld wireless gaming with anything you want as the screen. Split the controller apart and a cartridge fits into it, sandwiched between the two halves. Click the halves shut and you’ve effectively ‘loaded’ a game. Now pick a screen and game on it.

Spiritually, it feels exactly like what I’d expect from an indie company trying to be the next Nintendo. Out-lite the Switch Lite by ditching the screen altogether. The 2-part controller looks gorgeous, is portable, and ends up acting as a cartridge holder just by virtue of its design. Plus, the Duracell colorway definitely gives it a funky touch that’s hard to ignore!

Designers: Yasuaki Iijima & Jason Chen

This format is easily the first in the handheld gaming segment and that’s perhaps the one thing that excites me the most. Seeing a design so fairly radical it grabs your attention for a second, making you question how it works, and whether it would work, plausibly. The Clicon is still conceptual, obviously, but the designers are apparently working on a prototype.

The renders show a basic arcade-style cartridge that is housed inside the controllers, sitting just within their parting line and jutting out the middle the way your AirPods jut out when you flip the lid. This means no mano-a-mano gaming the way you would on a Switch. This entire thing is just one console, and doesn’t work when split apart. Lock it together and you’ve got something akin to the SNES controller with a pill-shaped design that feels decent enough to hold for hours at a stretch.

Meanwhile, as controls go, the Clicon packs them all, action buttons, arrow keys, two sets of shoulder buttons, the works. A home button and +/- buttons on the front, another transparent button on the top, and a USB-C port to charge the device as well as potentially stream content via cable. It would also make sense to assume that wireless streaming is a possibility.

Designers Yasuaki Iijima & Jason Chen are apparently working on a prototype. Their instagrams show 3D prints of mock-ups, even with bare-basics circuitry. It’s way too early to even ask for things like a timeline, specs, pricing, etc. but what we can do is judge the design for what it is. And hope that a feasibility run doesn’t result in too much of the design changing in the process! Heck, is it possible we see a ‘Nintendo Switch Lite Lite’ before GTA 6?

The post This Wireless Gaming Controller Splits Apart To Reveal Its Cartridge Slot first appeared on Yanko Design.

This Tiny Home Has No Wheels and That’s Exactly the Point

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Craft House’s latest model arrives without wheels and makes no apology for it. The obsession with portability is slowly giving way to something more intentional, and the Lukas makes a strong case for planting roots.

The Lukas is not towable. It has no wheels, and it arrives at its destination by truck. For anyone dreaming of nomadic living, that might sound like a dealbreaker. But step inside, and the trade becomes immediately clear. What Lukas gives up in mobility, it returns in space, comfort, and a roomy interior that genuinely feels like a proper apartment.

Designer: Craft House

At 10 meters long and 3.5 meters wide, the Lukas sits in an interesting middle ground. It is compact enough to earn the tiny home label with a straight face, yet generous enough to sleep four people comfortably. That is no small feat for a structure of this scale, and Craft House pulls it off without compromising the refined design language that has come to define the brand across its previous models.

The exterior reads clean and considered. Engineered wood and standing seam aluminum make up the cladding, a material pairing that signals permanence without heaviness. It shares visual DNA with earlier Craft House models like the Katrin, though the Lukas carries a quieter confidence that comes from not needing to justify its footprint.

Inside, light does a lot of the work. Generous glazing runs throughout, and multiple skylights flood the space with natural brightness that makes the interior feel larger than its dimensions suggest. The kitchen is a genuine highlight, offering real cabinetry and a breakfast bar for two. This is not a kitchenette tucked into a corner. It is a proper cooking space built for everyday use, and it shows that Craft House understands what people actually need when they downsize.

Like other models in the Craft House lineup, the Lukas is built to order, which means buyers can shape it to their needs. An outdoor terrace is available as an optional extra, and those wanting full independence from the grid can opt for a complete off-grid package, making it viable as a permanent, fully independent residence in almost any location.

Pricing starts at roughly $88,000 USD. For a structure of this quality, finish, and livability, that number is competitive. Delivery timelines are not publicly listed at this time, so those seriously interested are encouraged to reach out to Craft House directly to discuss lead times and configuration options. The Lukas will not suit everyone. But for those willing to let go of the fantasy of endless movement, it offers something arguably more valuable: a small home that actually feels like one.

The post This Tiny Home Has No Wheels and That’s Exactly the Point first appeared on Yanko Design.

The Bike Saddle 3D-Printed and Hand-Stitched in France

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Most conversations about technology and craft follow the same script. Technology is fast, scalable, cold. Craft is slow, precious, warm. The two might share a showroom floor or a mood board, but they rarely share a philosophy. Mahdi Naïm’s AERIS bicycle saddle disagrees with that entire premise, and the disagreement is worth paying attention to.

AERIS is not a bicycle saddle that happens to look interesting. It is a bicycle saddle built around a single, demanding question: what if 3D printing and traditional craft weren’t layered on top of each other, but designed together from the very first sketch? That shift in thinking, from assembly to co-authorship, is what separates AERIS from the dozen other “tech meets heritage” products that surface at design fairs every season.

Designer: Mahdi Naim

The structure is built on a lattice produced through high-precision photopolymerization, specifically SLA and DLP printing, in high-performance elastomer resin. The geometry is not decorative. It is functional in the most literal sense: the lattice density changes across three zones of the saddle, denser where firm support is needed under an aerodynamic riding position, progressively softer through the transition zone, and open at the perineal relief zone to minimize pressure. No foam. No padding added to compensate for poor design thinking. The structure itself is the comfort system.

That kind of discipline is rare, and I say that as someone who has watched a lot of product design lean on material additions to solve problems that should have been solved earlier. Foam is easy. Getting the geometry right from the start is not. It takes conviction to design without a fallback.

The second layer, and I do mean the second design logic rather than a second material slapped on afterward, is where a French master saddler comes in. Full-grain vegetable-tanned leather, hand-stitched. The studio is clear that this is not an aesthetic decision. The leather works mechanically with the resin, distributing pressure and shear forces in ways that neither foam nor synthetic materials can match at equivalent weight. The interface between the two materials was designed during the modelling phase, not decided once the print came out of the machine.

This is the part I keep coming back to. The leather isn’t a finish. It isn’t branding. It is the second structural argument in the same conversation, and the conversation started before any material was touched. That level of intentionality is genuinely unusual, even among products that wear the word “craft” proudly on their labels.

Mahdi Naïm himself is worth knowing, if you don’t already. He is an industrial designer, a Grand Maître Artisan, and a German Design Award laureate who runs his studio between Lyon and Casablanca. His practice sits at the intersection of French engineering and Moroccan craftsmanship, and AERIS reads like a project that could only come from someone fluent in both languages. The saddle doesn’t feel like a technology demonstration with craft applied on top, or a heritage object with a 3D-printed frame underneath. It feels like one object, made by two disciplines that had to agree on every decision before anything was built.

AERIS is still in active development and moving toward small-series production. The studio is in conversation with industrial partners in additive manufacturing and premium cycling. That means this isn’t a concept in the gallery-piece sense, displayed under glass and admired from a distance. It is a product that intends to be ridden.

Whether you cycle or not, whether you follow product design closely or just occasionally land on something that makes you stop scrolling, AERIS is the kind of object that rewards a second look. Not because it is visually striking, though it is, but because the thinking behind it is genuinely coherent. The lattice, the leather, the hand-stitching, the parametric modelling: none of it is decoration. All of it is argument. That is harder to pull off than it looks, and considerably rarer than the design world likes to admit.

The post The Bike Saddle 3D-Printed and Hand-Stitched in France first appeared on Yanko Design.

Someone Finally Built the Hollywood Sign Out of LEGO and It Actually Slaps

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Every year, roughly ten million tourists visit Los Angeles specifically to photograph a sign they will never get closer than a few hundred meters to. There are no public trails to the Hollywood Sign’s base. The entire surrounding area is fenced, monitored, and actively defended against the kinds of people who once scaled those letters for a prank or a protest or a particularly committed selfie (remember the Hollyweed prank from 2017?) It is, by design, a landmark you admire from a distance. Which makes a LEGO version of it feel surprisingly appropriate.

Builder imaxedlp has rendered the sign and its Mount Lee surroundings in 496 pieces, and the result is genuinely charming. The build captures the hillside as a full landscape: tiered sandy slopes, clusters of miniature palms, a clapperboard lying open mid-scene, a vintage camera set up as if waiting for action. The broadcast tower rising behind the letters is an accurate detail that most people probably forget exists. All of it lands on a compact diorama footprint that earns its shelf space.

Designer: imaxedlp

The terraced hillside, built up in warm tan with angled slope bricks stepping from the base to the letter line, gives the model genuine topographic depth from every viewing angle. The nine letters are rendered in light gray with visible stud detailing and subtle column supports underneath, closely echoing the real sign’s steel-frame mounting system. A couple lean at a slight angle, mirroring how the actual letters sit unevenly on the hillside. The clapperboard lying open on the slope, mid-scene, as if a crew just called cut and walked away, is my favorite detail. Small, but it does a lot of narrative work.

The vintage film camera on the right flank, built from dark gray cylindrical pieces with a twin-lens silhouette, grounds the whole scene in old Hollywood specifically. The popcorn bucket on the left pulls in the audience side of the equation. The broadcast antenna tower rising above the D at the far right is the detail that will genuinely surprise people who have only ever seen the sign in photographs cropped to exclude everything but the letters.

imaxedlp’s Hollywood Sign is currently sitting just under 1,000 supporters on LEGO Ideas, where fan-designed builds need 10,000 votes to trigger an official LEGO review for potential production as a retail set. You can head to the LEGO Ideas page here and cast your vote.

The post Someone Finally Built the Hollywood Sign Out of LEGO and It Actually Slaps first appeared on Yanko Design.

Zempire Stealth-Jet two-burner camp stove is incredibly slim at 2-inch thick

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When you’re packing for a family camping trip, you have to be extra cautious about the amount of space your essential gear will take up. There are portable and transportable options for everything from furniture to tents and fittingly, now you have stoves capable of sliding under the flip seat of your rig or fit the back pocket of the driver’s seat. Zempire in the US is creating a Stealth-Jet camping stove series, targeted ideally at people who want to camp light, without compromising their cooking experience.

The ultra-thin profile of the Zempire stoves is definitely among the slimmest in the industry. Measuring only 2 inches thick, these dual-burner stoves are designed to travel easily and have enough heat to boil water in a breeze. Featuring two high-power burners with up to 10,000 BTUs of heat per burner, Stealth-Jet stoves, the company claims, are designed to be ultimate camping companions for cooking family meals or catering to large groups at the campsite.

Designer: Zempire

While the Zempire Stealth-Jet camp stoves are designed to cater to the cooking needs of a group of people outdoors, these can double as emergency backup for power outages at home. While this is only an extension service, the main USP of the ultra-low-profile stove is definitely the industry-defining slimness. This allows the stove – made from powder-coated pressed steel – to pack down flat for convenient transportation. Interestingly, the stoves arrive in a carry case with a handle and latch closure, which makes them incredibly portable and effortless to carry.

Accompanying the slimness of the stove is its extra-wide surface. While the former offers portability, the latter ensures the stove can accommodate large pans and pots for cooking large meal portions. Providing campers with an extra cooking surface to work with, the stoves feature high-power twin burners. Reportedly, each of them offers up to 10,000 BTUs of heat per burner. Relatively, for a single burner, the total BTU output is low, but if you consider the total output and the fact that you can easily accommodate a large pan and a pot side by side, you will spend less time cooking and more time relaxing at the camp.

The Stealth-Jet stoves come with wind blockers on the back and sides, offering consistent flame without hindrance in the outdoors. The stoves run off both propane and butane, ignited by two pull-start piezo knobs each (the Solo model, of course, has one adjustable gas knob). The Zempire provides its camping stove series unit with a propane canister hose connector in the box. The carry case, however, has to be purchased separately.

Stealth-Jet camp stoves are offered in three different sizes (slimness, however, is the same 2-inch or 5 cm in all of them): Stealth-Jet Wide, Twin, and Solo Camp Stoves. Starting at $210, the Stealth-Jet Wide Camp Stove is the largest of the trio, measuring 23.2 x 12.0 x 2.0 inches when packed. It weighs 4.9 kg. The Twin stove is slightly smaller at 18.5 x 12.0 x 2.0 inches, which also means it weighs slightly lighter at 3.82 kg only. It is priced at $170. The single-burner Solo stove weighs 2.6 kg and offers up to 10,000 BTUs of heat. It will cost you $130.

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