1 Cork Frame Just Solved the Sticky Note Problem for Good

Every once in a while, a design comes along that makes you wonder why it didn’t exist sooner. Contour, by Budapest-based industrial designer Adam Miklosi, is exactly that kind of object. It’s a corkboard for your monitor, and no, I didn’t realize I needed one until I saw it.

The concept is straightforward. Contour attaches to an iMac and sits about 20mm behind the plane of the screen, creating a slim frame of natural cork that lives at the periphery of your display. It’s not trying to take over your desk or demand attention. It’s just quietly there, ready to hold a note, a reminder, a printed photo, or whatever small piece of the physical world you want to keep close while you work.

Designer: Adam Miklosi

I’ll admit my first reaction was mild skepticism. Sticky notes have been doing this job for decades, and they don’t require a dedicated product or any installation. But the more I thought about it, the more Contour started to make sense in a way that sticky notes never quite do. The problem with sticky notes on a monitor bezel is that you’re always fighting the format. The adhesive strip dictates placement, the neon yellow screams at you, and after a few days, they curl at the corners and look like your workstation gave up on itself. Contour eliminates the visual chaos without eliminating the function.

Miklosi frames the piece as more than just a note-holder. His description positions it as a monitor-mounted focus screen designed to create calmer, more personal workspaces. The idea is that the cork border, sitting just slightly behind your screen, helps block out ambient movement and background activity without fully closing you off from your environment. Whether you buy into that framing completely is up to you. I think calling it a focus screen might be stretching it, but the underlying instinct is worth taking seriously: the visual noise around a screen matters, and a warm ring of cork does read as quieter and more intentional than bare plastic or the aggressive glow of multiple open windows.

There’s also a material conversation happening here that deserves some attention. Cork has been having something of a design moment for a while now, showing up in furniture, accessories, and architectural applications as a sustainable, tactile alternative to synthetics. It’s warm, slightly textural, naturally antimicrobial, and it ages well. For a product designed to sit inches from your face for eight hours a day, those qualities aren’t trivial. Contour isn’t just a functional object. It’s a considered one, and the choice of cork over, say, plastic or silicone changes the feeling of the thing entirely.

Miklosi is producing Contour through Corkway, a B2B manufacturer specializing in cork objects that partners with designers as project-based fabricators or development partners. That kind of intentional, small-scale production relationship often shows up in the quality and specificity of the final object, and I’d expect Contour to carry that same sense of care.

Does it solve a problem most people would call urgent? Not exactly. Your desk isn’t going to fall apart without it. But design doesn’t always have to be emergency-level necessary to be worth caring about. Sometimes the best products are the ones that make a small, familiar friction disappear so quietly you barely notice the moment it’s gone. The sticky note that used to curl off your monitor bezel at 3pm is now a pinned index card on a clean strip of cork. That’s a minor upgrade, technically. But it’s the kind of minor upgrade that changes the texture of your day in ways that compound over time.

Contour sits at the intersection of analog and digital in a way that feels genuinely thoughtful. It’s not trying to replace your technology or make a statement about screens. It’s just making peace with the fact that some of us still need a little bit of physical, tactile space right next to all that glass and light.

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Finally a power bank you can split into two halves, share with your nerdy pals

Power banks have long been quite boring, just building on dated designs and old-school functionality. There has not been much innovation in daily driving utility beyond faster charging speeds, port versatility for multi-device support, and larger capacity. That I say because Nimble has created a very clever power bank which solves a very basic problem every one of us has come across. Sharing the accessory with your buddies while compromising your own gadget charging needs.

This is the SharePower battery bank designed to split into two halves, literally. The benefit? Well, quite obviously, the freedom to share the accessory with your pals without having to worry about any inherent compromises. Additionally, if you’re sure only a single half of the 5,000mAh-rated battery bank would be enough for lighter use, you have to carry around less bulk. The two-in-one charger is held together magnetically and measures just 3.05 inches by 2.75 inches with a thickness of under one inch.

Designer: Nimble

In the normal mode, the 10,000 mAh battery bank has two USB-C connectors and two USB-C ports. When it is split up, the braided lanyard opens up to be a USB-C cable on one half, while the other half has a USB-C connector port folded inside. When you share it with someone, they’ll need their standalone battery indicator. Therefore, one half has the customary battery percentage display, while for the other half, the four LEDs (otherwise used to indicate the ports in use) do this task. Power management in the two modes is also handled tactfully for maximum utility. When the unit is joined together, SharePower delivers a charging speed of 35W, while in the split mode, the two separate halves have a 20W charging speed for a single charging gadget, and 15W for two devices being charged.

Quite frankly, I’m not much into power banks, as my charging needs are not that aggressive. Still, this portable accessory seems like a good prospect. At least you have the luxury of a 5,000mAh reserve sitting in the backpack just in case you’re travelling or have a gaming spree on the go. The setup is ultra-flexible to top off things, which makes it highly utilitarian in everyday situations compared to conventional options that are quite bulky.

Nimble SharePower will come in all white finish, along with two translucent Liquid Crystal Edition hues – blue and pink – for the uber nostalgic feel. The power bank sits flush in the category of gadgets where the first thought is “why didn’t anyone think of this before?” Priced at $80, the useful accessory is one for every nerd, and surely on my Wishlist as well. You can buy it right away from the official online store, as well as Apple stores.

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The Modular Table That Actually Works for Public Spaces

A table is arguably the most taken-for-granted object in design. Four legs, a flat surface, repeat. We have been manufacturing and sitting around tables in essentially the same configuration for centuries, and most of us have never once stopped to ask whether the table itself is actually working for us. Fengfan Yang clearly did.

Yang is a Stuttgart-based industrial designer who recently collaborated with Danish furniture brand +Halle on a project called Hang On, and the result is one of those rare designs that makes you feel a little embarrassed for not questioning it sooner. The concept is deceptively simple: strip the table back to its most essential structural elements, then let everything else hang. Literally.

Designers: Fengfan Yang + Halle

The premise behind Hang On is that the conventional table carries a lot of unnecessary baggage. Fixed components, bulky frames, surfaces that are either too large or too rigid for the spaces they occupy. Anyone who has ever tried to clean under one in a busy canteen, or rearranged furniture at a festival venue, or watched an airport food court struggle to seat an unpredictable surge of travelers knows exactly how inflexible the standard table can be. Yang noticed this, and instead of making a prettier version of what already existed, he went back to the architecture of the object itself.

The system works through an extruded profile structure, where the table’s add-ons, things like tabletop surfaces and functional accessories, simply hang onto a core frame. Assembly is quick, disassembly is just as fast, and the whole setup is customizable depending on what a space actually needs at any given moment. That “hanging” action is not just a clever name. It is the entire design logic, and it holds up beautifully.

What makes Hang On genuinely exciting is not the novelty of modularity, because modular furniture has been a design buzzword for years. It is the specificity of the problem Yang chose to solve. This was never meant to be a living room conversation piece or a collector’s item. It was designed for the messy, high-traffic realities of restaurants, markets, airports, canteens, outdoor festivals, and shopping centers. Spaces that demand flexibility, easy cleaning, and fast reconfiguration. Public furniture has historically been treated as an afterthought, chosen for durability over intelligence. Hang On treats it as a design challenge worth solving properly.

The collaboration with +Halle makes sense here. The Danish brand has a reputation for thoughtful, durable furniture built for communal environments, and that sensibility aligns well with Yang’s approach. The extruded profile construction also means the piece is cost-efficient to produce and more sustainable than a comparably functional table that relies on complex manufacturing. The design was longlisted for Dezeen Awards 2025 in the furniture category, which tells you that the broader design industry has taken notice.

What speaks most loudly about Hang On is the restraint of it. Designers are often tempted to make their mark through addition, by piling on features or leaning into visual drama. Yang did the opposite. He removed, simplified, and reduced until what was left was just the logic of the thing. The name is both a literal description and, depending on how you read it, a small instruction to pay attention.

Public space design rarely gets the careful, considered treatment reserved for residential or high-end commercial interiors. We tolerate wobbly café tables and undersized airport counters because we have always tolerated them. Hang On is a quiet argument that we do not have to. That the furniture serving crowds of strangers every day might actually deserve the same level of thoughtful design as anything you would put in your own home. And that sometimes, reimagining something as fundamental as a table starts simply by asking why it was built that way in the first place.

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