Most Portable Monitors Are Rigid Slabs, This $1,299 One Folds

Posted on by

Portable monitors have become a legitimate part of the modern mobile workspace, with countless options available across every price range. But almost all of them share one fundamental constraint: they’re flat, rigid panels in protective cases, indistinguishable from each other in form even when they vary in quality. The screen that travels in your bag looks exactly the same as it did before you packed it.

Foldable display technology has been reshaping the smartphone market for years, but making it work meaningfully for laptop accessories has proven far more complicated. Aura Displays’ Single Flex Pro Gen 1 is a portable monitor that does exactly that, introducing FlexMatrix™ technology that lets the screen bend, fold, and adapt to angles and surfaces that no rigid display can match.

Designer: Aura Displays

Consider what it actually means to carry a second screen around all day. With conventional portable monitors, you’re always working with the same fixed rectangle, propped up at the same angle, regardless of the surface. A display that folds to just 6.1 by 9.3 inches and opens flat in seconds turns that into a fundamentally different proposition: the form factor adapts to the space, not the other way around.

The actual display is a 13.3-inch AMOLED panel with a 1536×2048 resolution at a 3:4 aspect ratio, meaning it’s portrait-oriented rather than the standard widescreen format. That’s a deliberate choice for someone editing a document, annotating a PDF, or reviewing design layouts in a vertical workflow. The screen covers 117% of the NTSC color gamut, with a 2ms response time and touch input support built in.

AMOLED as a panel technology brings practical advantages worth noting. Contrast is technically infinite since each pixel generates its own light and can switch off entirely, so blacks are genuinely black rather than a deep gray approximation. For anyone reviewing color-critical artwork or working on dark-themed interfaces for long stretches, those aren’t trivial differences; they affect how accurately you read what’s on screen throughout the day.

The physical construction is built around pro-grade hinges and a premium aluminum chassis, keeping the whole unit to 1.54lb despite the structural complexity of a panel that needs to flex repeatedly without degrading. Folded, the monitor is just about 0.63 inches thick; unfolded, it drops to 0.31 inches. Connectivity runs entirely through USB-C, plug-and-play, with no drivers or software installations needed before you can start using it.

There’s also a 17-inch version in the works, currently in pre-production and expected to arrive in June 2026. That suggests Aura isn’t treating this as a one-off experiment but as the beginning of a product line built around this flexible form factor. The Gen 1 name further implies future revisions, which is a reasonable expectation for a product type that genuinely hasn’t existed before now.

The Single Flex Pro Gen 1 is on sale at $1,299, down from its regular $1,499 price, available in Midnight Black. It ships with a USB-C to USB-C cable and a USB-C to USB-A adapter, backed by a one-year warranty. For something claiming a genuine category first, that price reflects both the novelty of the technology inside and the engineering required to keep a flexible AMOLED panel reliable through daily use.

The post Most Portable Monitors Are Rigid Slabs, This $1,299 One Folds first appeared on Yanko Design.

SCUF Omega Adds 11 Buttons to the PS5 Controller and One Fewer Excuse

Posted on by

The PlayStation 5’s DualSense controller is genuinely excellent for most kinds of gaming. Haptic feedback and adaptive triggers have added a new layer of immersion to mainstream titles, and the ergonomics are comfortable enough for long sessions. But competitive gaming operates by a different set of priorities, where fractions of a second matter more than vibrating triggers, and the standard pad wasn’t designed with that crowd in mind.

That’s the gap SCUF has been filling for 15 years across multiple platforms, and the Omega marks the first time it’s done so with an officially licensed PS5 controller. Built on feedback from professional players and championship-level esports teams, it doesn’t try to replicate the DualSense so much as rethink the PS5 controller from the ground up for a very specific type of player.

Designer: SCUF Gaming x Sony

The most immediately striking feature is the sheer number of additional inputs. Beyond the standard button layout, the Omega adds four remappable rear paddles at the back, two SAX (Side Action) buttons on the sides of the grip, and five G-Keys near the bottom of the controller, all fully programmable. That’s 11 extra inputs, each of which can be mapped to any action through the SCUF Mobile App.

The rear paddles are the most critical of these for shooters. The whole point is to keep your thumbs planted on the thumbsticks while still executing jumps, crouches, or reloads through the paddles. In a close-range firefight, lifting a thumb to reach a face button even briefly can mean losing the engagement. The SAX buttons expand on this idea further, accessible without shifting your grip even slightly.

Adjustable Instant Triggers give the Omega another competitive edge. Each trigger toggles between a hair-trigger click mode designed for rapid FPS inputs and a full analog range for games that use throttle or feathered inputs. Swapping between those modes takes seconds and doesn’t require a tool. This alone makes the controller feel meaningfully different from the DualSense, not just cosmetically different.

There’s a notable tradeoff, though. The Omega drops adaptive triggers and haptic feedback entirely. Sony’s DualSense Edge made a similar call, only with the adaptive triggers. For SCUF, removing vibration also reduces weight and eliminates the buzz that can subtly disrupt stick control mid-game. The face plate is magnetic and swappable, and the controller connects wirelessly via Bluetooth or USB-A dongle, or wired via USB-C.

The SCUF Omega retails for $219.99 in the US and £209.99 in the UK. It works across PS5, PS5 Pro, PC, Mac, iOS, and Android, so the investment follows you across platforms. It costs more than the DualSense Edge’s closest equivalent, but the extra inputs, swappable face plate, and TMR sticks make a reasonable argument for the premium.

The post SCUF Omega Adds 11 Buttons to the PS5 Controller and One Fewer Excuse first appeared on Yanko Design.

NVIDIA Launches New AI Model Focused on Maximum Efficiency

Posted on by
NVIDIA Launches New AI Model Focused on Maximum Efficiency Performance benchmarks comparing NVIDIA's new AI to Gwen 3 Omni

NVIDIA’s latest AI model Nemotron 3 Nano Omnia, featuring an impressive 30 billion parameters, is designed to excel in multimodal processing, handling images, video and audio with remarkable efficiency. Highlighted by Two Minute Papers, this system achieves exceptional throughput, processing nearly 10 hours of video per hour, a speed 10 times faster than real-time playback. […]

The post NVIDIA Launches New AI Model Focused on Maximum Efficiency appeared first on Geeky Gadgets.

Posted in Uncategorized

The Best Hidden Features in the iOS 26.5 Update

Posted on by
The Best Hidden Features in the iOS 26.5 Update New customizable wallpaper color options on an iPhone screen

Apple’s iOS 16.5 update introduces a variety of features and improvements aimed at enhancing your iPhone experience. With a focus on personalization, privacy, and usability, this update ensures your device remains both functional and secure. From expanded customization options to improved messaging security and streamlined accessory pairing, iOS 16.5 offers practical enhancements designed to meet […]

The post The Best Hidden Features in the iOS 26.5 Update appeared first on Geeky Gadgets.

Posted in Uncategorized

Share Photos Instantly: How to Master AirDrop on Your iPhone & iPad

Posted on by
Share Photos Instantly: How to Master AirDrop on Your iPhone & iPad Entering an AirDrop code on an iPhone running iOS 26

AirDrop is a highly efficient method for sharing files, photos, and videos between Apple devices. By using both Wi-Fi and Bluetooth, it allows for seamless transfers without requiring internet access or third-party applications. Whether you’re sharing with someone in your contacts or a new acquaintance, understanding how to set up and use AirDrop ensures a […]

The post Share Photos Instantly: How to Master AirDrop on Your iPhone & iPad appeared first on Geeky Gadgets.

Posted in Uncategorized

This Portable Keyboard Has a 13-Inch 4K Touchscreen Built In, and It Fits in Your Laptop Sleeve

Posted on by

Closed, the VitaLink looks like a very flat book, silver, about the footprint of a large paperback, with nothing to suggest it carries a 4K display inside. At 20mm thick with a CNC-machined aluminum shell, it weighs 1200 grams and travels the way a slim notebook does; it fits in a laptop sleeve, takes up a predictable corner of a bag, and requires no dedicated case beyond what you already carry. Then it unfolds at 180 degrees. The screen lifts above the keyboard, the whole unit settles into a 34 by 15 centimeter footprint, and what you have is a self-contained dual-screen workspace that happened to be a thin slab a moment ago.

The keyboard is the part that usually betrays products like this. Portable keyboards compress key spacing to save millimeters, shorten travel to save thickness, and leave you typing on something that feels like a shallow membrane rather than actual keys. VitaLink went in the opposite direction, widening key spacing to 3.27mm and setting travel at 0.8mm, with scissor switches tuned for speed and quiet actuation. The display above it runs at 3840×1600 with a 2.4:1 aspect ratio, a cinematic proportion that gives the screen an unusually wide horizontal span, well-suited to keeping a reference panel open alongside a working document without feeling like you’re squinting at either side.

Designer: VitaLink

Click Here to Buy Now: $299 $658 (55% off). Hurry, only 379/600 left! Raised over $286,000.

The resolution translates to 298 pixels per inch, which puts it in the same territory as Apple’s Retina displays and well above the pixel density of most portable monitors in this category. Text holds sharp at native scaling, fine details in images stay crisp, and the 60Hz refresh rate keeps touch input feeling immediate. Ten-point multitouch means gestures respond the way they do on a tablet, with swipes, pinches, and drags registering without lag. The screen covers 100 percent of the sRGB color gamut, which makes it viable for color-sensitive work where you need confidence that what you see on the display matches what the final output will deliver. That 2.4:1 ratio keeps showing up as the design’s defining decision; it gives you enough horizontal real estate to run a code editor with a console window beside it, or a timeline with a preview panel, without either side feeling like it’s been compressed into a narrow strip.

Typing on the VitaLink is designed to feel deliberate in a way that most travel keyboards do not. The 0.8mm of key travel sits in a range where the keys actuate fast but still give tactile confirmation that you pressed them, a balance that makes a difference during long writing sessions where you need speed without sacrificing accuracy. The 3.27mm key spacing is wider than what most compact keyboards offer, eliminating that cramped sensation where your fingers feel like they’re hunting for keys in tight quarters. RGB backlighting runs through three modes, activated with function key shortcuts: a breathing gradient, a solid single-color backlight, and a rainbow wave that ripples across the keys as you type. The backlighting does actual work in low-light environments, but the rainbow mode leans more toward visual flair than strict utility.

CNC machining means the aluminum body starts as a solid block and gets precision-carved, producing the kind of structural rigidity that protects the screen during transit and prevents flex when you’re typing hard. The 180-degree hinge lets the unit lay completely flat, which matters both for stability on uneven surfaces and for low-angle use when you’re working on a cramped airplane tray table or a café counter. Dual USB-C ports handle video, data, and power delivery up to 65W, so a single cable from your laptop, tablet, or phone brings the display to life with no drivers to install. Compatibility spans Windows, macOS, Linux, and Android, with plug-and-play recognition across all of them. Connect a Steam Deck or a Nintendo Switch via USB-C, and the VitaLink becomes a 13-inch 4K external display for handheld gaming, turning a small console screen into something considerably more immersive.

VitaLink offers eight keyboard layout options, covering US Windows (the default), US Mac, German QWERTZ, Japanese JIS, UK, French AZERTY, Nordic, Italian, and Spanish. The standard US Windows layout ships at no extra cost; upgrading to US Mac adds ten dollars, German or Japanese layouts add twenty, and UK, French, Nordic, Italian, or Spanish layouts add thirty. The layouts require specific laser engraving and dedicated production runs, so they’re available as optional add-ons rather than default configurations. You select your preferred layout during checkout or in a post-campaign survey if you miss it the first time.

VitaLink is currently available on Kickstarter starting at $299, down from a retail price of $658. The package includes the VitaLink keyboard and display unit plus two USB-C cables. Eight keyboard layout options are available as add-ons, including US Mac, German QWERTZ, Japanese JIS, UK, French AZERTY, Nordic, Italian, and Spanish, with upgrade fees ranging from $10 to $30 depending on the layout. Shipping is scheduled for September 2026, with delivery fees ranging from approximately $18 to $33 depending on region. VitaLink covers all taxes and customs duties, so the listed shipping fee is the only additional cost beyond the pledge amount.

Click Here to Buy Now: $299 $658 (55% off). Hurry, only 379/600 left! Raised over $286,000.

The post This Portable Keyboard Has a 13-Inch 4K Touchscreen Built In, and It Fits in Your Laptop Sleeve first appeared on Yanko Design.

Remember When Rose Gold Took Over Everything? Apple Is Trying That Again With Dark Cherry

Posted on by

Rose Gold did not just sell iPhones. It rewired the consumer electronics industry’s entire relationship with color, spawning a decade of blush-tinted Samsung flagships, Beats headphones, Dell XPS laptops, Dyson hairdryers, and KitchenAid stand mixers that are still arriving on shelves today. Apple introduced it in 2015 with the iPhone 6s, and within eighteen months every major manufacturer had a rose-gold SKU, not because the color was revolutionary but because the sales data was undeniable. Cosmic Orange pulled off a smaller version of that trick with the iPhone 17 Pro, becoming the de facto personality colorway of the lineup and reportedly outperforming expectations at retail. Apple noticed, and for the iPhone 18 Pro, they are reaching for lightning in a bottle again with a finish called Dark Cherry.

Dark Cherry is a deep, wine-red hue that leaked camera cover prototypes have now confirmed as the hero color of the 18 Pro and 18 Pro Max lineup, sitting alongside the more conservative Light Blue, Dark Gray, and Silver. The timing carries its own irony given that a segment of Cosmic Orange iPhone 17 Pro owners have been reporting their units gradually shifting toward a reddish cherry tone over time, which makes Apple’s new colorway feel less like a creative pivot and more like an accidental preview. Whether Dark Cherry becomes the next Rose Gold, something every Android manufacturer from Samsung to OnePlus rushes to clone by mid-2027, will depend entirely on how the color reads in the real world rather than in leaked silicone covers.

Designer: Apple

The same leaks that confirmed Dark Cherry also tell us that the rear camera layout holds steady from the 17 Pro generation, with a slightly thicker camera plateau accommodating the new primary sensor. That sensor is a 48MP variable aperture unit, a meaningful upgrade that gives the 18 Pro genuine optical flexibility rather than the fixed-aperture approach every iPhone before it has used. The thicker module is a reasonable trade-off for what variable aperture actually delivers in low light and in bright outdoor conditions, and the accompanying iOS 27 camera app, reportedly rebuilt from the ground up as a pro-grade tool, suggests Apple is treating the entire capture pipeline as a system rather than isolated hardware specs.

We’ve addressed the speculation around the changes on the front too. The Dynamic Island is allegedly shrinking by approximately 25 percent, a reduction that sounds modest until you factor in how much screen real estate that cutout currently consumes on the 17 Pro. Tighter bezels are also in the mix, pushing the display closer to the edges and giving the front face a density that the current generation does not quite achieve. These are the kinds of incremental refinements that read as minor in a spec comparison but register immediately when you pick the phone up.

Underneath all of it sits the 2nm A20 Pro chip, Apple’s first processor built on TSMC’s second-generation 2nm process node. The performance and efficiency gains from moving to 2nm are expected to be substantial, particularly for the on-device Apple Intelligence workloads that Siri’s expanded capabilities will demand. Apple has been positioning its silicon advantage as the reason to stay in the ecosystem, and the A20 Pro is the clearest expression of that argument yet.

The one narrative the iPhone 18 Pro cannot fully control is the company sharing a stage with the foldable iPhone Ultra at the same September event. A first-generation foldable from Apple will absorb the room’s attention regardless of what the Pro brings, which means Dark Cherry has real work to do as a visual hook. If the color lands the way Cosmic Orange did, and if the Rose Gold instinct proves correct, the 18 Pro will find its audience on color alone while the spec sheet closes the deal.

The post Remember When Rose Gold Took Over Everything? Apple Is Trying That Again With Dark Cherry first appeared on Yanko Design.

Mass Timber, Passive House, & a Curving Roof: This Canadian Community Centre Is the Civic Building Other Cities Should Be Copying

Posted on by

There’s a version of a public building that checks all the sustainability boxes and still feels cold, institutional, and somehow indifferent to the people it’s meant to serve. The new Marpole Community Centre is not that building. Designed by Diamond Schmitt for the City of Vancouver and the Vancouver Board of Parks and Recreation, it’s nearing completion in Oak Park. It quietly resets expectations for what a civic facility can be.

The project replaces a well-loved but outgrown facility with a two-storey structure nearly double its size, measuring 5,000 square metres. The program is generous: a gymnasium, fitness centre, field house, multi-purpose rooms for seniors and youth, and a 74-space childcare facility. Underground parking is tucked beneath the building to protect the surrounding natural vegetation, letting Oak Park remain exactly that — a park.

Design: Diamond Schmitt

What makes the architecture worth paying attention to is the mass timber. Rather than limiting wood to the roof structure, as institutional buildings often do, the Marpole Community Centre uses a comprehensive mass timber frame — glulam columns and beams, a CLT floor system, and a long-span upper roof built from steel wide flange beams and a CLT deck. The result is a structure that reads as warm and considered, not engineered into submission. Exposed throughout the interior, the timber gives the building a human scale that concrete rarely allows.

The signature move is the gently curving roof. The doubly curved cantilever form, supported by long-span steel beams, required close coordination between the design team and contractors — but the payoff is an exterior that feels unified without being monotonous, and an interior where the ceiling becomes the experience. Strategic glazing pulls the landscape in, connecting occupants to Oak Park’s natural setting without sacrificing energy performance.

On the sustainability front, the numbers are serious. The building targets Passive House and LEED Gold certifications and has achieved a 41% reduction in embodied carbon. It’s also a pilot project for the City of Vancouver’s Embodied Carbon Guidelines, meaning lessons learned here will directly shape future civic buildings across the city. The project is also pursuing the CAGBC’s Zero Carbon Building Design Standard.

Beyond the technical performance, the centre was designed with inclusion, equity, and Indigenous cultural representation as core principles — not afterthoughts bolted on at the end. For a neighbourhood as diverse as Marpole, that intentionality matters. A community centre tends to be the most democratic building a city can build. This one makes a strong case that it can also be among its most thoughtful.

The post Mass Timber, Passive House, & a Curving Roof: This Canadian Community Centre Is the Civic Building Other Cities Should Be Copying first appeared on Yanko Design.