RedMagic built its reputation by shoving desktop grade cooling into devices that had no business needing it, starting with fans strapped onto gaming phones back when that idea still seemed ridiculous. The company’s 11 Pro phone proved a miniaturized liquid cooling loop could fit inside something you carry in a pocket. Now that same engineering obsession has scaled up into the Astra 2, a tablet that treats visible liquid cooling as its main selling point rather than a novelty. Most tablet makers spend their engineering budget on thinner bezels and lighter frames. RedMagic spent its on keeping the thing from overheating under real, sustained gaming load. That choice alone says a lot about who this tablet is actually built for.
The Astra 2 measures 9.06 inches, close enough to an iPad mini that the comparison writes itself, yet it runs hot enough inside to need actual liquid moving through it. RedMagic says the screen refreshes at up to 185Hz and gets bright enough to use comfortably outdoors, numbers most tablets never bother chasing. Battery life gets a boost too, backed by fast charging that promises short waits between long sessions. Pricing in the US starts at $750, climbing higher for more storage and memory. RedMagic already sells this tablet in China under a different name, and a global release is set for August 26.
Designer: RedMagic
RedMagic runs an actual liquid loop through the chassis, moving heat away from the processor the same way a gaming desktop does, just shrunk down to fit a slab you hold with two hands. A large vapor chamber spreads that heat across a wider surface before it ever gets a chance to build up in one spot. Layered on top is something RedMagic calls Liquid Metal 3.0, a thermal compound that conducts heat far better than the paste most devices settle for. None of this needs to work perfectly to feel like a genuine design statement. Just seeing the concept committed to at this scale is the interesting part.
Powering all that heat generation is Qualcomm’s Snapdragon 8 Elite Gen 5, paired with RedMagic’s own RedCore R4 chip built specifically to keep frame rates steady during long sessions. That combination explains why the cooling system needed to grow up in the first place. A 9.06 inch OLED panel adds its own heat on top, running at up to 185Hz with brightness RedMagic rates at 1,600 nits, figures that would turn heads on a laptop, let alone a tablet. An 8,300mAh battery and 75W fast charging round things out, aimed squarely at people who game for hours rather than minutes.
Apple and Samsung have spent years convincing buyers that tablets should stay quiet, sealed, and forgettable on the inside. RedMagic is betting there’s an audience that wants the opposite, a device that shows its work and treats visible engineering as a feature rather than a flaw. Whether that logic holds up once the Astra 2 ships in August remains the real test, but the idea itself is hard to ignore.
There’s something about the start of a new semester that makes you want to be more organized than you actually are. The folders, the planners, the fresh notebooks- most of it is forgotten by October. The stationery that survives a school year isn’t the cheapest or the most colorful. It’s the piece you reach for every morning without thinking, the one that fits your hand and your routine like it was built for both.
This list leans Japanese, not because it’s a trend, but because Japanese stationery culture takes the design of everyday objects more seriously than anywhere else. Every piece here comes from Japan or was designed in conversation with that same philosophy: that a notebook is not just paper, that a pen is not just ink, and that the objects you carry to class every day deserve more thought than they usually get.
1. Inseparable Notebook Pen
The most common desk frustration is not the work itself. It’s the pen that isn’t where it should be. The Inseparable Notebook and Pen solves this with the kind of restraint that good design always defaults to. The pen lives with the notebook, held in place by a mechanism that doesn’t feel like an afterthought. It’s a single object now, not two things that keep losing each other. Pick it up, and both are already in hand.
What makes this relevant for back to school isn’t novelty. It’s the reduction of one small daily friction, the kind that compounds quietly across an entire semester until you realize you’ve wasted ten minutes a week chasing a pen that should have been right there. The notebook is designed with the same intention: clean pages, a form factor that sits flat on a desk without fighting you, and a cover that holds its shape through a bag that sees daily use.
The pen-and-notebook pairing solves a real problem without adding hardware or bulk
Genuinely useful as a bag or desk companion that earns its place through the whole year
What we dislike
Commits you to one pen choice, which won’t suit writers with strong preferences about their writing instrument
Better suited as a secondary notebook than a primary daily journal
2. Classiky Chestnut Postcard Case
Classiky is a Japanese paper goods brand that works best when it’s working small. The Chestnut Postcard Case is exactly the kind of object the brand does well: a holder designed for postcards, loose notes, and small cards, with a quiet authority the category doesn’t usually earn. The chestnut colorway isn’t brown in the way most things are brown. It’s the specific warmth of something that ages into itself, a piece you’ll handle daily and find better for it six months from now.
For back to school, the use case is broader than it sounds. Business cards from professors, research source cards, index cards you’ve actually written something useful on, transit cards, anything that matters enough to keep but gets lost in a wallet. The postcard case keeps these things accessible and flat, in a form that sits comfortably in a bag’s outer pocket. It’s a solution to a problem most people don’t realize they have until they stop losing things.
What we like
The chestnut colorway ages gracefully and won’t feel wrong on a desk six months into the year
Compact and structured enough to keep cards flat and accessible without adding bulk to a bag
What we dislike
Specialized enough that it only earns its place if you actually carry cards regularly
Sized for postcards, so it won’t accommodate folded A5 paper or larger loose sheets
3. Clearslide Box Opener
The box opener is one of those objects that lives in a junk drawer until someone designs it properly. The Clearslide is that version: a compact, refined take on something that’s usually made from whatever’s cheapest and shoved somewhere to live out its days next to a rubber band and a dead battery. The form factor is clean, the mechanism works without drama, and it sits on a desk without looking like a mistake.
Back to school means packages. Textbooks from online retailers, desk organization orders, care packages from home- opening them all becomes a daily task by October. The Clearslide turns that into a cleaner experience. It’s the kind of thing that earns its desk space not by doing something unusual, but by doing one thing better than anything else in the room. The sliding mechanism keeps the cutting edge protected when the tool is not in use, which is most of the time.
Kokuyo is one of Japan’s largest office supplies companies, and the Harinacs is the product that best captures what happens when engineering turns its attention to something everyone else stopped thinking about. Instead of a metal staple, the Compact Alpha cuts a small tab from the paper itself, folds it back through a slit, and binds up to five sheets cleanly. The result is permanent, metal-free, and fully recyclable without any extra steps.
For a student environment, this is more useful than it sounds. Lecture notes, assignment printouts, research papers that need to stay together- the Harinacs handles all of it without a supply chain. You never run out of staples because there are no staples. The white compact body is quiet on a desk, light enough to carry in a pencil case, and precise enough that the binding holds through a semester’s worth of daily bag use. Under ten dollars.
What we like
The staple-free mechanism is genuinely clever and holds as well as a metal staple for everyday tasks
Fully recyclable binding means no extra sorting: the bound packet goes into paper recycling as is
What we dislike
Five-sheet limit is the real constraint; for thicker documents it simply won’t work
The tab binding is functional but not as formally neat as a metal staple when presentation matters
5. Hobonichi Techo Original A6
The Hobonichi Techo has been running in Japan since 2002, and the Original A6 English edition looks almost identical to the one made in the first year. That’s either a sign of a design that was never quite finished or one that was finished immediately. The Tomoe River paper is the main event: impossibly thin, fountain pen friendly, and resistant to bleed-through in a way that heavier papers often aren’t. One page per day, a 4mm graph grid, no motivational quotes.
The A6 size, roughly 4 by 6 inches, is the decision that makes this work for a student. It’s small enough to carry everywhere but generous enough to actually write in. The book opens completely flat, which sounds minor until you’re writing on a desk that’s too small and need both hands free. The English edition is printed in full on Hobonichi’s own Tomoe River stock, sourced and manufactured in Japan, and sold direct from the brand’s English store.
What we like
Tomoe River paper handles fountain pens, fine liners, and brush pens without ghosting
The flat-open binding makes it the most consistently usable daily planner in this category
What we dislike
The book is sold without a cover, and a cover adds high cost to the full setup
Certain editions sell out early; ordering in summer for the January start date is the safer move
6. Magboard Clipboard
The clipboard is a category that design forgot. Most of them are pressed hardboard with a spring clip that loosens within a month and leaves rust marks on paper by the third. The Magboard replaces all of that with a magnetic closure that holds paper firmly, quietly, and without a mechanism that wears out. It’s flat, it’s clean, and it works the same on the last day of the semester as it does on the first.
For anyone who works between a desk and a lecture hall, the Magboard earns its place in that transition. Notes stay where you put them, the surface is rigid enough to write on without a hard surface underneath, and the form factor is slim enough to slide into a bag alongside a notebook without adding the thickness of a traditional clipboard. It also functions as a desk organizer when it’s not in transit, holding loose sheets vertically or flat depending on what the week requires. The magnetic closure is the detail that separates it from every alternative, a single design decision that removes the only part of a clipboard that ever fails.
The magnetic closure holds consistently without the loosening or rusting that comes with spring-clip alternatives
Slim enough to function as both a portable writing surface and a desk-side sheet organizer
What we dislike
Not suited for very thick stacks of paper; the magnetic hold is firm for daily notes, not a semester’s worth of documents at once
The flat minimal aesthetic shows wear from a full bag faster than a traditional hardboard clipboard would
7. Stalogy 365 Days Notebook A5
Stalogy is made by Nitoms, a Japanese industrial company that makes adhesives and functional materials for a living. The 365 Days Notebook is what happens when a company with no background in lifestyle products decides to make a notebook strictly on engineering terms. The paper is 52 gsm and fountain pen-friendly without being precious about it. The binding is Smyth-sewn, meaning the book opens completely flat at any page without cracking. The cover is matte black with near-zero branding. A small year-at-a-glance calendar sits at the front. After that, it’s 368 pages of 4mm grid, each one numbered and dated so you know exactly where you are.
For a school year, the dated structure is the feature that justifies the format. Every page already knows what day it belongs to, which removes the planning step that most blank notebooks push onto the writer. You open to today’s date and start. The A5 size is generous enough for long-form notes and detailed diagrams but compact enough to carry daily without making the decision feel burdensome. This is the notebook that tends to outlast every other system a student tries in September, not because it’s the most exciting object in the bag but because it has already solved every problem before you thought to have it.
What we like
Dated pages remove the friction of setting up a daily note system, making it immediately useful without a learning curve
Smyth-sewn binding opens flat at every page, including the first and last, which most notebooks can’t claim
What we dislike
The black cover and minimal branding read as intentionally anonymous, which suits some desks and feels cold on others
Dated format means unused pages feel like wasted money if your semester doesn’t follow a consistent daily rhythm
The Best School Supplies Are the Ones You’re Still Using in December
Every piece on this list does one thing well and stays out of the way the rest of the time. That’s the standard Japanese stationery holds itself to, and it’s the reason the best of it survives a year of daily use while the rest of what you bought in September ends up at the bottom of a drawer by November. None of these objects ask you to change your habits. They work inside the ones you already have, just more quietly and more precisely than whatever they replace.
The back-to-school moment is usually about buying things that signal a version of yourself you haven’t become yet. These are the things that help you actually get there.
Nobody has ever looked at the red squiggle under a misspelled word and thought, “that should be a wall hook.” Nobody, apparently, except four designers from Korea who looked at the most universally annoying symbol in digital life and decided it deserved better. The result is Redy, a 2025 ambient product series by Jiwon Kim, JeongWoo Eom, Davina Jeon, and Seunghyun Nam, and it might be the most fun a design concept has had with a single visual idea in a while.
The premise is straightforward: take the red underline, strip away the judgment, and rebuild it as a physical object that quietly signals what needs your attention before you head out. But the concept only gets you so far. What makes Redy genuinely worth paying attention to is how committed the design is, across every piece, to making that idea look really good.
Start with the color. That specific red-orange is not subtle, and it’s not trying to be. It’s the same energy as a correction mark on a page: urgent, graphic, impossible to miss. But then the inner surfaces of every piece are lined in pale blush-pink or off-white, and that contrast completely changes the mood. The two-tone treatment adds depth to the forms, softens the intensity of the exterior, and highlights the negative spaces in a way that feels far more considered than a simple colorway decision. It’s the detail that makes the whole series feel designed rather than just styled.
The Hanger is where the concept lands most cleanly. It mounts to a wall as a single continuous tubular form that loops up and down in a curving wave profile, with four downward-pointing hook tips at the base of each arc. In silhouette, it is unmistakably the red underline in three dimensions. Each hook tip is smoothly rounded and capped with a small flush-mounted LED indicator, sitting at the very end of the tube like a tiny lit eye. When one activates to signal a reminder, it reads as a design detail first and a functional alert second. That’s a hard balance to get right. Redy gets it right.
The desk organizer takes the squiggle in a different direction. Its rectangular base sprouts wave-form dividers that create open slots for cards, notebooks, and flat objects. Seen head-on it looks almost typographic, like a letterform you can’t quite name. From the side it reads closer to ceramics than product design. It’s the quietest piece in the series and the one most likely to confuse someone who doesn’t know what they’re looking at, which is frankly part of its appeal.
Then there’s the umbrella stand, which takes the most creative liberty with the motif. Instead of one continuous wave, it clusters cylindrical columns together, with the gaps between them curling into S-shapes that echo the underline’s profile. It’s the most abstract piece, and because of that, the most interesting to study up close. Empty, it reads as a sculptural object. With a single umbrella dropped into it, it still looks like it belongs somewhere considered. Most umbrella stands cannot say that.
The thing that elevates Redy from clever concept to genuinely impressive design work is the consistency of the language across three objects that do completely different things. Wall, desk, floor: the series covers an entire entryway without repeating itself or losing coherence. Each piece is fully resolved on its own. Together they make a space feel like someone actually thought about it, which is rarer than it should be.
Redy is still a concept, currently featured in Behance’s curated product design gallery. But it has that specific quality of feeling like it already exists somewhere and you just haven’t found the right store yet. The red underline spent decades telling us we got something wrong. Turns out, all it needed was the right designers to finally get it right.
Long gaming sessions often bring the unavoidable problem of sweaty palms. As stress levels rise during competitive gameplay, grip can become slippery, affecting both comfort and precision. While ergonomic gaming mice have evolved with lightweight designs and faster sensors, active cooling has remained a rarity. Pulsar wants to change that with the Feinmann F01 Noctua Edition, a gaming mouse developed in collaboration with cooling specialist Noctua.
First showcased at Computex 2025, the mouse has undergone several refinements before its official launch. It is scheduled to go on sale on July 21, although pricing has not yet been announced. Since the standard Feinmann F01 retails for around $179, the Noctua Edition is expected to command a premium.
Feinmann F01 Noctua Edition stands out with a ventilated carbon-composite shell that accommodates a 40mm Noctua NF-A4x10 5V PWM fan. Instead of relying solely on perforations for passive airflow, the integrated fan actively pushes air through the mouse to keep the user’s palm cool during extended gaming sessions. The fan features five adjustable speed levels, allowing users to balance cooling performance with battery life and noise based on their preference.
Despite housing an internal cooling system, the wireless mouse weighs only 73 grams, making it considerably lighter than many high-end gaming mice. The standard Feinmann F01 weighs 46 grams, so the added weight is a reasonable trade-off for users who prioritize comfort during marathon gaming sessions. While active-cooled gaming mice are not entirely new, the Zephyr Pro introduced a similar concept years ago. Very few manufacturers have explored the idea further, making Pulsar’s latest effort a notable exception.
Beyond the cooling system, the mouse packs flagship-grade hardware. It is equipped with the XS-2 optical sensor capable of tracking up to 42,000 DPI, an 8,000Hz polling rate for reduced latency, and the 54L15 MCU to process inputs efficiently. Optical switches promise quicker actuation while offering a rated lifespan of 80 million clicks, ensuring durability for competitive players.
This interesting collaboration with Noctua extends beyond the internal fan. The mouse adopts the cooling brand’s instantly recognizable beige-and-brown color scheme, paired with a matching dark brown charging dock that gives it a distinctive look among the sea of black gaming peripherals. While the retro-inspired color palette may divide opinions, it clearly signals the partnership between the two companies.
With its combination of flagship gaming specifications and an integrated active cooling solution, the Pulsar Feinmann F01 Noctua Edition is for players who value long-session comfort as much as raw performance. Whether the built-in fan becomes a genuine competitive advantage or simply a niche luxury remains to be seen, but it is undoubtedly one of the most unconventional gaming mice to arrive this year.
