Samsung has officially launched its highly anticipated One UI 8.5 update, introducing a range of enhancements aimed at refining the user experience. The rollout began on May 6, 2026, in South Korea, with plans to expand to other regions, including the United States, Europe and Germany, in the coming weeks. This update focuses on improving […]
The post Samsung One UI 8.5 is Here: The One Feature That Changes Everything appeared first on Geeky Gadgets.
The George Foreman Grill sold more than a hundred million units, which tells you everything about how badly people want to cook without the setup, the smoke, and the outdoor requirement. What that number fails to explain is why, after thirty years of competing products, the fundamental problem remains unsolved. Every electric contact grill since 1994 has operated on the same basic principle: a hot plate pressing food against another hot plate, dripping grease onto a heating element, producing varying degrees of smoke and varying degrees of disappointment. The category has iterated endlessly on that geometry, adding digital timers and non-stick coatings and fold-flat designs, without ever questioning the physics underneath. Hong Kong startup COZYTIME is questioning them with the LUMO, a grill that cooks with focused far-infrared light instead of contact heat, and the approach changes the smoke problem by addressing it at the source.
Four precision reflectors focus infrared energy at food from multiple angles simultaneously, creating 360-degree heat coverage that cooks evenly from edge to center while retaining moisture, unlike hot-air convection heating, which dehydrates food. The side-mounted heating elements keep grease physically separated from any heat source, so drippings fall into a grease tray rather than the heating tube, preventing smoke from forming at the source. No filters, no fans, no workarounds. An AI system called CookPilot uses AI Vision and two built-in sensors to automatically detect food type, thickness, surface area, temperature, and weight, then selects the ideal cooking program from a library covering over 40 food types. A swappable Flavor Module lets you add authentic smoked taste to any cook by loading pellet fuels into the module, inserting it into the LUMO, and switching to Indoor Smoker Mode, where the enclosed chamber traps and circulates smoke around the food while a tight seal keeps the home clean. COZYTIME is pricing the LUMO at $329, against a retail price of $499. This pricing is exclusively available to crowdfunding backers, and the campaign will end on May 23! If you’re interested in LUMO, pledge now before it’s gone!
Designer: COZYTIME
Click Here to Buy Now: $329 $499 (34% off). Hurry, only 159/500 left! Raised over $344,000.
We covered LUMO hands-on at CES 2026 and came away calling it “genuinely novel in a category that’s seen mostly incremental tweaks for decades.” Far-infrared radiation transfers energy directly into food molecules rather than heating surrounding air first, which is how the LUMO reaches cooking temperature in a fraction of a second, using four precision reflectors to deliver full surround heating from multiple angles, cooking up to 4x faster than traditional appliances, without long preheat times or outdoor setups. Traditional contact grills heat the plate and then conduct that energy into the protein surface, a fundamentally different thermal pathway that drives more moisture out of food in the process. COZYTIME claims the infrared approach locks in 76.6 percent of natural food juices compared to conventional methods, a figure that, if it holds in real kitchen conditions, represents an actual cooking outcome improvement rather than a specification exercise. The four-reflector geometry is the physical enabler: each reflector focuses infrared energy at the food surface from a distinct angle, eliminating cold zones and removing any need to flip.
The unit handles thick steaks, skewers, quick snacks, large dinners, and even pizza, thanks to its TriForma StateShift System that allows for three different grill modes. In Indoor Smoker Mode, enclosed heating circulates warmth evenly to a maximum of 230°C (446°F), mimicking a full oven capable of pizza, casseroles, and slow-roasted steaks, and pairs with the Flavor Module for authentic smoked dishes like tender beef brisket. Fast Grill Mode hits a maximum of 270°C (518°F), where the semi-open lid concentrates heat for rapid grilling and juice-locking, delivering steakhouse-quality flavor in minutes, ideal for weeknight meals when time is short but standards aren’t. Flat Grill Mode opens to 180 degrees, creating two independent heating zones, so you can grill steaks on one side at high heat while roasting vegetables on the other, with no batch cooking and no waiting, which makes it particularly suited to dinner parties. Two heat zones running independently in a single countertop footprint is the kind of practical design decision that sounds obvious in retrospect but rarely makes it into a consumer appliance.
LUMO’s most compelling trick may be how seriously it treats flavor, because this is one of the more thoughtful attempts yet at bringing authentic charcoal-style cooking indoors. Plenty of indoor grills promise grill marks, very few deal convincingly with the taste itself. COZYTIME approaches that problem with a dedicated Flavor Module that burns pellets inside the unit’s enclosed chamber, allowing smoke to circulate around the food while the side-heat architecture keeps grease from hitting the heating elements and creating unwanted kitchen smoke. That separation is what makes the idea work. You get the smoky, grilled character people actually associate with charcoal cooking, without turning the room into part of the process. With the Flavor Module attached, the Heat Slider heats wood pellets to release rich smoky flavor during cooking, and when slid out with the griddle plate, it doubles as a high-heat searing surface for deep browning, crisp crusts, and smaller tasks like melting cheese or simmering sauces. LUMO also uses AI Vision to recognize different meats and automatically adjust heat and cooking time to match preferred doneness, from blue rare to well-done. Food-contact surfaces are made exclusively of premium food-grade stainless steel.
The LUMO app adds a layer of control that makes the grill feel more like a connected cooking platform than a standalone appliance. It offers three recipe paths, including curated official recipes from a cloud library, fully custom recipes with adjustable time and temperature for each step, and one-click AI-generated recipes created by CookPilot, with any recipe shareable through a code or posted to the LUMO community. From the app, users can track cooking progress and food status in real time, adjust temperature and timing remotely, and get notified when food is ready. That flexibility extends to the accessory ecosystem too. COZYTIME currently offers nine add-ons in total, including six cooking accessories and three additional accessories designed to broaden what the LUMO can do day to day. On the cooking side, there’s a wireless meat thermometer for real-time core temperature tracking, flavorwood pellets for smoke infusion through the Flavor Module, an extra stainless grill grate for back-to-back cooking, a fine mesh grill grate for smaller foods like shrimp and asparagus, and a Heat Slider griddle plate for intense high-heat searing up to 450°C.
Outside the cooking accessories, COZYTIME also offers a travel bag for transport and storage, plus extended coverage options for added peace of mind. Cleanup remains refreshingly low-friction, with food only touching stainless grill grates and grease trays that lift out for a quick wipe or rinse, while detachable parts are dishwasher-safe and the side-heat architecture keeps grease away from chamber walls, minimizing residue elsewhere in the unit. At 14.3 pounds, the LUMO is still portable enough to move between kitchen counter, balcony, and dining table without feeling like a project.
Retail pricing sits at $499, with the current order price at $329 – that’s a 34% reduction off the MSRP.Every unit ships with the LUMO itself with built-in Heat Slider, a region-appropriate power cord, a user manual, two stainless steel grill grates, the Flavor Module, two detachable grease trays, and a grill grate lifter. Shipping is free across the United States (excluding PR, HI, and AK), Canada, Mexico, Singapore, South Korea, Japan, Hong Kong, Australia, New Zealand, and most of Europe starting July 2026.
Click Here to Buy Now: $329 $499 (34% off). Hurry, only 159/500 left! Raised over $344,000.
The post The LUMO Grill Cooks With Light, Heats in Seconds, and Brings Charcoal Flavor Without the Smoke first appeared on Yanko Design.
Image credit: Armani Casa
After years dominated by pale oak, soft minimalism, and rounded silhouettes, Salone del Mobile 2026 signaled a clear shift toward richer and more expressive interiors. Held at Milan’s Rho Fiera fairgrounds from April 21 to April 26, 2026, the exhibition integrated Art Deco-inspired details such as chevrons, polished brass, chrome finishes, fan-shaped arches, and jewel-toned velvet upholstery, bringing glamour and structure back into contemporary furniture design.
Across Milan Design Week 2026, designers moved toward layered materials, geometric forms, and statement-making interiors. Instead of feeling nostalgic, the aesthetic appeared refined and updated for modern living. The resurgence also aligns with broader trend forecasts. Pinterest Predicts 2026 identified neo deco as one of the year’s defining interior styles, which is a cleaner, moodier reinterpretation of 1920s luxury.
Throughout Salone del Mobile 2026, recurring Deco-inspired forms and materials across installations and showroom launches pointed to a wider and more intentional design shift, reinforcing the growing influence of Art Deco furniture 2026 trends.
This shift is best understood by tracing how Neo Deco diverges from its historical origin.
While both styles celebrate glamor and craftsmanship, Neo Deco reinterprets classic Art Deco for a more modern and livable aesthetic.
Seen throughout Salone del Mobile 2026, neo deco keeps the elegance of classic Art Deco furniture but simplifies it for contemporary living. Additionally, Neo Deco keeps the glamour of classic Art Deco furniture while adapting it to modern interiors that prioritize comfort, simplicity, and sculptural design. This theoretical shift becomes most visible when translated into contemporary objects and reissued icons. Take a look at our pick of the top 7 Neo Deco pieces from Salone del Mobile Milan Design Week 2026.
Image credit: Armani Casa
Image credit: Armani Casa
The Borgonuovo’s games table blends understated luxury with meticulous craftsmanship through a refined neo-deco design language. Crafted from ebony wood and topped with taupe leather, the piece conceals a rotating chess-and-checkers surface in ebony and maple wood. Satin-finished brass accents, sculptural triangular legs, discreet pull-out cup holders, and hidden storage drawers introduce geometric elegance and multifunctional sophistication without overwhelming the design.
Image credit: Armani Casa
Named after the Milan street once home to Giorgio Armani, the table reflects the restrained yet luxurious aesthetic of Armani Casa. Its clean forms and rich material palette also reference the timeless influence of Jean-Michel Frank, whose minimalist approach to luxury continues to shape the brand’s furniture and interior collections.
Image Credit: Promemoria
Image Credit: Promemoria
The Delfi Madia Cabinet by Promemoria expresses a refined neo deco aesthetic through its architectural proportions, geometric detailing and restrained use of ornamentation. Unlike traditional Art Deco, which often emphasized dramatic symmetry and lavish decoration, this contemporary interpretation feels quieter and more sculptural. Defined by a solid wood frame and a recessed central groove that creates a strong vertical axis, the cabinet balances precision with softness, while subtle perimeter lighting enhances its sculptural presence with a warm ambient glow.
Image Credit: Promemoria
Image Credit: Promemoria
The cabinet doors become the focal point of the design, featuring layered wood veneers and repetitive patterns in varying tones that create a delicate three-dimensional effect. This interplay of geometry, texture, and craftsmanship recalls classic Deco influences but reworks them in a cleaner and more contemporary way. Functional yet expressive, the piece can shift from kitchen storage to an intimate bar setting.
Image credit: Tacchini
Image credit: Tacchini
Image credit: Tacchini
The ‘Pigreco’ chair by Tobia Scarpa for Tacchini reinterprets neo deco through a refined balance of gloss, geometry, and sculptural elegance. Echoing the glamour of classic Art Deco furniture, the design pairs soft upholstery with lacquered structural elements that wrap around the chair like a polished architectural frame.
Image credit: Tacchini
Image credit: Tacchini
The reflective surfaces introduce depth and luminosity, transforming lacquer from a simple finish into a defining visual feature. Instead of embracing the excess of traditional Deco interiors, Pigreco adopts a more restrained and contemporary approach. Its silhouette moves fluidly between curves and sharp lines, while the careful balance of solids and voids gives the chair a sense of rhythm and precision.
Image Credit: Elie Saab
Image Credit: Elie Saab
Image Credit: Elie Saab
The billiards table by Elie Saab in collaboration with Impatia transforms a traditional game table into a striking expression of neo-deco design. This functional furniture piece interprets the Neo Deco style through sculptural geometry, luxurious materials, and refined detailing. Transparent glass elements lighten the structure visually, while a concealed slate core preserves performance.
Image Credit: Elie Saab
Image Credit: Elie Saab
Its Deco influence appears through layered material contrasts and architectural rhythm. A dark bronze metal frame provides structure, while ribbed glass panels reference geometric repetition. Beige leather edging softens the composition, while Patagonia marble rail tops introduce crystalline textures.
Image Credit: Louis Vuitton
Image Credit: Louis Vuitton
Louis Vuitton returned to Milan Design Week 2026 with a refined presentation of Objets Nomades, staged as a dialogue between archival design and contemporary craftsmanship. The showcase revisited early Art Deco furniture principles, not as nostalgia, but as a structural language rooted in proportion, geometry, and material clarity.
Image Credit: Louis Vuitton
A key highlight was the reissued Omega Table, originally designed by Pierre Legrain in 1921. Its distinctive curved profile remained intact, maintaining the tension between fluid line and architectural discipline that defined the original composition. Recrafted in lacquered wood and Nomade leather, the surface finish deepens its visual continuity, allowing the form to read as a piece of furniture alongside a sculptural object. The result preserves its historical identity while aligning it with a more contemporary sensibility of refined restraint and material precision.
Image Credit: Boca do Lobo
Image Credit: Boca do Lobo
The Diamond sideboard distils neo deco into a precise study of form, where geometry replaces ornament as the primary visual language. The design steps beyond decorative layering and is built around faceted surfaces that break light and shadow into controlled shifts across the object’s volume.
Image Credit: Boca do Lobo
Image Credit: Boca do Lobo
Its high-gloss exterior intensifies this effect, creating a reflective depth that changes with viewing angle and ambient light. The deep chocolate palette anchors the piece, introducing warmth and visual weight against its angular composition. Beneath its sculptural exterior, the craftsmanship remains tightly controlled, positioning the sideboard not as a decorative object, but as a structured, collectible form defined by clarity, precision, and material intensity.
Image Credit: Ralph Lauren Home
Image Credit: Ralph Lauren Home
The Beacon bar cabinet by Ralph Lauren Home operates at the intersection of architectural discipline and decorative refinement, expressed through a grounded yet sculptural oak structure within a Neo Deco sensibility. Its form is defined by strong vertical and horizontal logic, where proportion becomes the primary expressive tool rather than surface detailing.
Image Credit: Ralph Lauren Home
Behind its restrained exterior lies a carefully orchestrated system of concealed storage and engineered joinery, allowing functionality to disappear seamlessly into form. Subtle Deco influence appears through controlled symmetry and measured rhythm in its construction. The warmth of oak introduces a tactile counterbalance to its structural clarity, resulting in a piece that feels substantial and understated, anchored in material honesty and architectural calm.
Beyond individual objects, Neo Deco is also defined through its material language
A return defined by materiality
Fluted wood, lacquer, burl veneer, brushed brass, and velvet have returned together within the neo deco revival. Their resurgence is driven by materiality itself and how surfaces hold light, absorb shadow, and create depth through texture rather than decoration.
Fluted wood creates rhythm through light
Fluted wood introduces quiet repetition and structure. Its grooves shift with light and shadow, giving surfaces a subtle architectural rhythm without visual heaviness.
Lacquer sharpens reflection and clarity
Lacquer brings a smooth, reflective finish that heightens colour and edge definition. It adds precision and a controlled luminosity to otherwise solid forms.
Burl veneer adds natural irregularity
Burl veneer introduces organic movement through its unpredictable grain. It softens geometry with a layered, expressive surface that feels distinctly unique.
Brushed brass introduces warmth and restraint
Brushed brass offers a muted metallic glow that grounds compositions. Its softened sheen balances richer materials without overpowering them.
Velvet brings depth and tactility
Velvet enriches interiors with softness, density, and colour saturation. It absorbs light, adding warmth and a more intimate spatial quality.
Why did they return together
In neo deco, these materials work through contrast via matte and gloss, soft and structured, natural and refined characteristics.
Pinterest search patterns show Neo Deco as a move toward complete spatial moods and not just isolated décor trends. Users are gravitating toward sculptural silhouettes, arched forms, and layered material compositions, suggesting interiors are now being imagined as unified architectural statements. This directly aligns with Milan Design Week 2026, where geometry, brass, lacquer, and Deco references appeared as part of the structure and not just surface styling.
To understand why this shift is happening now, it must be placed within the wider fatigue of minimalism-led interiors
The rise of Neo Deco follows clear fatigue with Scandi-led minimalism. After years of soft oak, muted tones, and rounded neutrality, interiors have reached a point of visual saturation. Since 2024, designers have been signaling a shift toward more defined, expressive environments, marking a recalibration toward structure, contrast, and material presence.
Taken together, these signals point to a deeper change in how interiors are being conceived. What many interpretations miss is that Neo Deco is not a surface trend but is structural. The emphasis has moved from finishes and colour palettes to silhouette, proportion, and joinery. Furniture now operates as spatial architecture, shaping rhythm and atmosphere within a room. The logic is simple but decisive: the shift is no longer about what you apply to a space, but how the space is formed.
As a result, Neo Deco is not a revival of ornament but is a return to structure, where form itself becomes the new language of luxury.
The post Art Deco Furniture Is Back – and Salone 2026 Made It Official first appeared on Yanko Design.
If you’ve ever watched your Roomba bump helplessly into a chair leg for the third time and thought, “I deserve better from my robots,” you’re not alone. And apparently, neither did Colin Angle. The co-founder of iRobot, the man who essentially put a hockey puck-shaped vacuum in millions of homes, left the company in 2024 with a new question rattling around in his head: what if a robot could actually feel like it cares about you? The answer is the Familiar, the first prototype from his new startup, Familiar Machines & Magic. And it is not your average robot.
Picture a creature somewhere between a soft-eared dog and a round, slightly abstract bear. It has four legs, huge paws, and doe eyes that make it immediately charming in a way that no Roomba ever attempted to be. It’s furry, expressive, and was designed with the help of former Disney Imagineers, which explains why it looks like it belongs in an animated feature rather than a tech showcase. The Familiar has 23 degrees of freedom, meaning it can wiggle its ears, tilt its head, and wag a small nub of a tail with the kind of fluidity that feels less mechanical and more… alive. Its coat is touch-sensitive, built specifically to encourage physical interaction between you and it.
Designer: Familiar Machines & Magic
It also doesn’t talk. That detail feels deliberate and, to me, very smart. Voice assistants have trained us to think of robots as tools we command. The Familiar is going for something completely different. It’s designed to read your tone of voice, your body language, your overall energy, and respond accordingly. Angle calls it “Consumer Physical AI,” and while the label sounds like something off a product white paper, the idea behind it is genuinely compelling.
The name itself is worth noting. A “familiar” in folklore refers to the supernatural animal companion of a witch or magical figure, a creature bonded to a person not through ownership but through genuine connection. Angle’s team chose that name deliberately, and I think it sets the tone for what they’re trying to build. The goal isn’t to sell you a novelty gadget. It’s to create a new kind of relationship between humans and machines, one built on trust, attentiveness, and something approaching care.
Now, I’ll be upfront: I have feelings about this. Part of me finds it genuinely beautiful as a design concept. The Familiar was clearly approached the way good industrial design should be, with deep thought about how an object makes you feel, not just what it does. The choice to make it animal-like rather than humanoid is interesting, too. There’s far less of the uncanny valley unease that tends to follow humanoid robots around, and more of the universal warmth that most people already extend toward animals.
But another part of me wonders about the emotional stakes here. We’re already watching people form attachments to AI chatbots. A touch-sensitive, furry, expressive robot that mirrors your emotional state is a much more potent version of that. Angle has said he wants it to feel like the machine actually cares about him. That’s a lovely vision. It’s also a design brief that puts enormous responsibility on the creators to get it right, because the flip side of emotional bonding is emotional dependence.
Still, I’d be lying if I said the Familiar didn’t make me curious in the best possible way. The prototype images are almost disarmingly sweet. It looks like something you’d want sitting on the couch next to you while you read, or settled quietly in the corner while you work. If any robot was ever designed to move through your life rather than just function within it, this might be it.
The Familiar is still in the prototype stage, with no confirmed price or release date. But as debut concepts go, it’s a strong one. Whether or not it ever makes it into our homes, it raises questions about what we actually want from the machines we live with. And those questions feel well overdue.
The post The Roomba Guy Just Built a Robot Pet You Might Actually Love first appeared on Yanko Design.
Brand collaborations are everywhere these days, but every once in a while, one lands so perfectly that you have to stop and appreciate the logic behind it. The UNO x Vrbo partnership is exactly that kind of collab. Not because it’s flashy or trying to be something it’s not, but because it genuinely makes sense.
Starting May 15, Mattel and Vrbo are opening bookings for six limited-time vacation home stays built entirely around the spirit of game night. Six properties across the U.S., two tiers of experience, and one very clever price point: $4 per night. That last part is a deliberate nod to UNO’s iconic Draw 4 card (which can make or break relationships), and it’s the kind of detail that makes you smile whether you’re a brand person or not.
Designers: UNO x Vrbo
The stays are divided into two experiences. At the top end sit the two “Wild Card” homes, located in the Hollywood Hills and Texas Hill Country. These are the full production: UNO-themed décor, organized game nights, and an in-home dining experience. They’re designed for groups of up to 10 guests who want the whole immersive package, the kind of weekend that’s more curated getaway than casual vacation. Then there are the four “Play It Your Way” stays in Winter Park, Colorado; Palm Desert, California; Panama City Beach, Florida; and Atlanta, Georgia. These are a little more relaxed, but still come with a co-branded UNO x Vrbo Welcome Kit, a game room, and either a pool or hot tub. Essentially, they’re the version for people who want the fun without the fuss. All six properties are bookable for one three-night stay, Friday to Monday, on a first-come, first-served basis. Bookings open May 15 at 1 PM ET. I’ll be honest: at $4 a night, they are going to go fast.
What makes this collaboration genuinely interesting, beyond the price tag, is the attention that went into the actual product. A custom UNO deck was commissioned for this collab, illustrated by Pietari Posti, with artwork inspired by travel destinations and vacation themes. It also comes with an exclusive rule called the “Vacation Rental Swap,” which lets players swap hands with anyone at the table. It’s a small thing, but it shows that the two brands weren’t just slapping logos on a vacation home and calling it a day. They put real creative thought into what the collaboration could actually feel like to experience.
That’s the part that tends to separate a genuinely good brand collab from a lazy one. Anyone can license a logo and stick it on merchandise. Fewer brands take the time to ask what the experience should feel like from the inside, and build something around that answer. UNO, at its core, is a game about chaos and connection. You play it with people you like and you inevitably end up yelling at them. It’s social in the most fundamental way. Vrbo, meanwhile, is about giving groups a private space to actually be together without the interruptions of a hotel. Put those two things in the same room and you get something that doesn’t need to be explained.
It also helps that this collab is part of a growing relationship between Mattel and Expedia Group, Vrbo’s parent company. Mattel already appeared in an Expedia Super Bowl commercial earlier this year through the Barbie universe. So this isn’t a one-off stunt; it reads more like two brands actively figuring out how to build something together over time. For anyone who grew up playing UNO at a kitchen table, there’s an undeniable nostalgia pull here. But the campaign doesn’t lean into nostalgia as a crutch. It uses the game’s identity as a starting point and builds forward from it, which is ultimately why it works. The best collaborations don’t just remind you of something you loved. They give you a new reason to love it again.
The post UNO and Vrbo Are Renting Vacation Homes for $4 a Night first appeared on Yanko Design.
The split air conditioner is one of the least loved objects in any home, which is a strange thing to say about something most people couldn’t live without. It works, technically, but it tends to make its presence known in all the wrong ways. The air is too direct, the noise is a constant background irritant, and the plastic box on the wall rarely belongs in any thoughtfully designed interior.
From that frustration comes WellFlow, a concept that reframes what air conditioning is supposed to do for the people living around it. Rather than engineering a better cooling box, the designers built something closer to a wellness device. It’s a concept that received validation through the iF Design Award in 2026 and was first revealed at IFA Berlin 2025.
Designer: Merve Nur Sökmen, Zehra Sarıarslan
The most immediate shift is in how air actually moves. Conventional units push output in one direction, landing directly on whoever is in the room. WellFlow uses four-way diffusion to spread conditioned air from all sides without targeting anyone in particular. Sensors also monitor occupancy and steer airflow accordingly, so the unit quietly adapts to the room rather than expecting the room to tolerate it.
Beyond airflow, the system also handles humidity, air purity, ambient lighting, and sound. A built-in humidifier balances moisture levels rather than leaving the air artificially dry, which is one of the most common complaints about running a conventional unit through the night. Circadian lighting and integrated speakers complete the picture, creating conditions that support sleeping, concentrating, or quietly winding down, depending on what the moment calls for.
All of this adjusts automatically. The system continuously monitors temperature, humidity, and air quality, then fine-tunes its output without any manual input. A baby’s room needs different conditions than a home office or a gym corner, and WellFlow is designed to recognize those differences. Its behavior was shaped through user research spanning new parents, older adults, and people with respiratory sensitivities, groups that conventional air conditioners routinely fail to address.
The physical form is just as deliberate as the behavior. Most air conditioners are conspicuously technical, with plastic housings that fight against any interior aesthetic. WellFlow uses a woven textile front panel with rounded corners and a matte finish, giving it a material quality far more associated with furniture than appliances. An ambient light halo behind the unit softly signals its presence on the wall without demanding any attention.
A pull-out front filter makes maintenance visible and intuitive, addressing something the design team identified as a recurring trust issue with conventional units. People often aren’t sure when or how to clean their filters, and that uncertainty quietly chips away at confidence in the device. WellFlow removes that ambiguity. For a machine designed around human comfort, even that seemingly small detail ends up mattering quite a lot.
The post This AC Does 5 Jobs at Once and Looks Like Furniture on Your Wall first appeared on Yanko Design.
Apple has never been the company you turn to when you need a laptop on a budget. For decades, the entry ticket to macOS meant shelling out at least a thousand dollars, often significantly more, and that premium was non-negotiable. The “Apple Tax” was real, it was expensive, and Apple seemed perfectly content collecting it. Then in March 2026, the company did something it has almost never done: it launched a laptop for $599. The MacBook Neo landed with the kind of price tag that made people do a double-take, and based on how things have played out since, it appears Apple vastly underestimated just how many people were waiting for exactly this moment.
Tim Cook admitted as much during the company’s Q2 2026 earnings call in early May, stating that demand for the MacBook Neo has been “off the charts” and that Apple had fundamentally misjudged how many people wanted in. The company is now supply-constrained, shipping estimates have stretched to two or three weeks across all configurations, and Apple has quietly doubled its production target from an initial forecast of five to six million units to a staggering ten million for 2026 alone. Cook also revealed that the Neo drove the best launch week for first-time Mac buyers in Apple’s history, helping push Mac revenue to $8.4 billion in the second fiscal quarter and exceeding analyst expectations. For a product that was supposed to be a modest gateway device aimed at students and casual users, the MacBook Neo has become something closer to a cultural moment.
Designer: Apple
The MacBook Neo exists because Apple found a way to make a laptop cheaply without making it feel cheap, and the method they used is as clever as it is slightly devious. The device runs on a binned version of the A18 Pro chip from the iPhone 16 Pro, meaning it uses rejected processors with one malfunctioning GPU core that would have been discarded. Apple took those five-core chips, gave them a second life inside the Neo, and avoided spinning up a single new fabrication line. It was a stroke of economic genius that allowed the company to hit $599 without compromising build quality. The design borrows heavily from the MacBook Air with its aluminum unibody and color-matched keyboards, but ditches the notch for uniform iPad-style bezels. At $499 for education buyers, it positions the Neo squarely in Chromebook and budget Windows laptop territory, a market Apple has never seriously competed in before.
The brilliance of this strategy becomes clear when you look at what Apple is actually trying to accomplish. The MacBook Neo is not designed to be a high-margin profit driver. It is designed to be a gateway drug. Get a student hooked on macOS at $499, let them experience the ecosystem integration with their iPhone, introduce them to iCloud and Apple Intelligence and the seamless Handoff features that make working across devices feel like magic, and you have potentially created a lifelong customer. Cook himself framed it exactly this way during the earnings call, stating that Apple is focused on customers new to the Mac and customers who have been holding onto their machines for years. He also highlighted momentum in education, noting that some school systems are switching from Chromebooks and Windows PCs to the MacBook Neo at a systemic level. This is Apple playing the long game, absorbing lower margins today to capture market share and build brand loyalty that will pay dividends for decades.
That strategy, however, has created a problem Apple did not anticipate. The initial supply of binned A18 Pro chips, carefully stockpiled from iPhone 16 Pro production runs, was supposed to last through the first wave of demand. It did not. Apple burned through that inventory faster than anyone projected, and now the company faces a logistical nightmare. To meet the revised production goal of ten million units, Apple needs fresh A18 Pro chips from TSMC, and those chips are not going to be cheap. TSMC is currently running at limited spare capacity on its 3-nanometer process node, with AI-related orders consuming most of its output. The chips Apple orders now will be full six-core versions, not binned five-core rejects, and Apple will have to manually disable one GPU core to keep the specs consistent. This means higher per-unit costs even before accounting for any expedited manufacturing premiums TSMC might charge for rush orders.
Compounding the issue is the global DRAM crisis. Memory prices have been climbing steadily since the Neo launched, and the situation is getting worse. A
TrendForce report revealed that DRAM prices rose 57 percent in April 2026 alone, a staggering jump that has sent shockwaves through the entire tech industry. Samsung, one of the largest memory manufacturers in the world, is reportedly refusing to sell RAM to its own electronics division at competitive prices, prioritizing external contracts and higher-margin deals. Sony bumped PlayStation 5 prices. PC manufacturers across the board are raising prices or discontinuing lower-cost configurations. Apple, meanwhile, is trying to scale production of a $599 laptop at exactly the wrong moment in the supply chain cycle.
The company has already started making moves to protect its margins elsewhere. Apple quietly discontinued the $599 Mac mini with 256GB of storage earlier this month, pushing the starting price to $799 for the 512GB model. Taiwan-based tech columnist and former Bloomberg reporter Tim Culpan has suggested that dropping the $599 256GB MacBook Neo model is among the options Apple is weighing, which would make the $699 512GB configuration the new entry point. Culpan also floated the possibility that Apple might introduce new color options to soften the blow of a price hike, a classic marketing tactic that distracts from the financial sting by giving buyers something shiny to focus on instead.
What makes this entire situation fascinating is that it represents a genuine departure from Apple’s historical playbook. This is a company that has spent the better part of two decades training consumers to expect premium pricing and to accept that Apple products cost more because they are worth more. The MacBook Neo breaks that pattern. It is the first time in recent memory that Apple has positioned a product not as aspirational or premium, but as accessible. The iPhone 17e, Apple’s current budget iPhone, starts at $579, just twenty dollars less than the MacBook Neo, which tells you everything you need to know about how aggressively Apple priced this laptop.
The timing being good or bad depends entirely on your perspective. We are living through an era where affordable computing is becoming harder to access, not easier. Memory prices are spiking. GPU costs remain elevated. PC manufacturers are raising prices or cutting corners to maintain margins. Into this environment, Apple drops a $599 laptop that runs macOS, integrates seamlessly with iPhones, delivers legitimately good performance for everyday tasks, and does not feel like a compromise. Early benchmarks from Digital Trends show the MacBook Neo outperforming the M1 MacBook Air in Geekbench 6 tests. Photographer and video editor Tyler Stalman tested the device with professional workflows and concluded that editing 4K video on the Neo is totally manageable even with multiple apps running. Someone even got Cyberpunk 2077 running at over 30 frames per second on it, which is absurd for a fanless laptop built around a phone chip.
The competitive response has been telling. Asus co-CEO S.Y. Hsu called the MacBook Neo a shock to the entire PC market, admitting that manufacturers did not think Apple would launch something this affordable. He also tried to downplay the device by comparing it to a tablet and calling it a content-consumption machine, which is the kind of defensive posturing you only see when someone is genuinely worried. The reality is that the MacBook Neo threatens Microsoft’s dominance in the sub-$600 laptop market, a segment that has historically been Windows and Chrome OS territory.
Whether Apple can maintain the $599 price remains to be seen. Tim Cook’s comments during the earnings call suggest the company understands what is at stake. He said Apple is very focused on getting the Mac to even more people than it was reaching before, and that the company could not be happier with how things are going at the moment. That optimism feels earned, but it also feels fragile. The MacBook Neo succeeded because Apple found a way to make a genuinely good laptop at a price that defied expectations. If rising component costs force the company to walk that back, the magic dissipates. The $599 MacBook is a statement, a gamble, and a challenge to the entire industry. Apple bet that there was massive untapped demand for accessible computing done right, and the demand proved them correct. Now they just have to figure out how to keep building the thing people actually want to buy.
The post Apple’s $599 MacBook is such a massive hit, Tim Cook can’t keep up with the demand first appeared on Yanko Design.