This porcelain Pioneer DJ setup belongs in a museum, not an Ibiza nightclub

David Guetta just won DJ Mag’s Top 100 DJs poll for a record sixth time, and I have a very specific idea for his trophy shelf. Somebody on the internet has turned a Pioneer DJ setup into Korean blue-and-white porcelain, tigers and all. Two decks and a four-channel mixer, glazed bone white and hand-painted (well, AI-painted) in cobalt blue. It looks like something you’d find behind glass at the Met, right before a security guard asks you to step back. It’s also the most Guetta-coded object I’ve seen all year, because a guy who headlines weekly Ibiza residencies deserves a rig that looks as expensive as the bottle service.

The setup comes from creators patchkims and takitani.lab, who posted it as the “Joseon Baekja Prototype,” complete with a “1 of 1, no restock” caption that reads like a sneaker drop. It’s an AI render, so nobody’s shipping it to Guetta’s villa anytime soon. The idea still lands, though. Each jog wheel carries a tiger and a magpie under a pine tree, lifted straight from Korean folk painting, and the screens swap waveforms for misty mountains and waterfalls. Suddenly your DJ gear graduates from booth equipment to living room centerpiece, which is a fun flex for anyone, let alone the world’s No. 1 DJ.

Designers: patchkims & takitani.lab

Kkachi horangi is a genre of Korean folk painting where a deliberately goofy tiger, nicknamed the idiot tiger, plays the aristocratic yangban, and a smug magpie in a pine tree speaks for the common people. Both jog wheels here carry that exact scene, with the cat prowling below and the bird looking unbothered above. The two decks get different tiger poses, so the platters work like a call and response. Joseon painters used the setup to poke fun at the ruling class, and now it sits under the palms of whoever runs the dance floor. That is either delicious irony or very on-brand for a king of the booth.

The screens trade waveforms for misty peaks, a waterfall, a pavilion, and a pair of moons, echoing Irworobongdo, the sun, moon and five peaks painting that stood behind the king’s throne in Joseon palaces. The sun and moon stood for the king and queen, so the painting doubled as a majesty backdrop. A headliner on a raised stage occupies similar real estate, so the throne comparison writes itself. The original sun burned red, and going cobalt turns it into a second moon, which suits a room that wakes up after midnight. Calling a DJ booth a throne room is a stretch, but watch a stadium crowd hang on a Guetta build-up and the royalty comparison stops feeling silly.

Joseon Korea made white its signature after the green celadon era of Goryeo, and cobalt-painted porcelain sat at the top of the pile. The pigment was rare and imported from China, so when supply dried up, court kilns improvised with iron-brown, and some banquet wares wore painted imitations of blue-and-white called gahwa, literally fake painting. A porcelain Pioneer rig conjured by AI is a 2026 gahwa, a convincing stand-in for an object nobody has actually fired in a kiln. I’m weirdly fine with that, because the Joseon court got there first. Meanwhile, Christie’s has estimated a genuine 15th-century cobalt jar at roughly $2 million to $3 million, so the real thing sets the bar high.

The real-world version of this lineup runs two AlphaTheta CDJ-3000X players at $2,999 each plus a Pioneer DJ DJM-A9 mixer at $2,899, roughly $8,900 in the US. The render looks closer to the older CDJ-2000NXS2 generation, disc slots and all. Pioneer did sell a limited white CDJ-2000NXS2-W run in 2017, so colorway flexes are old news for the brand. I imagine if such a product were to exist, it would probably cost in the hundreds of thousands. That being said, I’m sure an enthusiastic deejay with money to throw could acquire this for their den. Guetta, SHM, heck even Shaq… I’m looking at y’all.

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These retro-modern Headphones put audio adjustments on physical dials and tactile switches

Adjusting your headphones shouldn’t mean searching for a tiny button or guessing where to tap a touch-sensitive surface. TUNE X3 explores a more hands-on approach, using knurled dials and physical switches that let users feel their way through everyday audio adjustments. Designed by Pressec Design as part of a fictional product family, these concept headphones make tactile interaction a defining feature of their industrial design.

The headphones pair a brushed aluminium chassis with high-contrast orange textile padding across the ear cushions and headband. The raw metallic finish recalls mid-century studio equipment, while the saturated fabric creates a bold visual contrast. Exposed fasteners and a wide-profile headband reinforce the utilitarian character, giving TUNE X3 the appearance of precision equipment. This is a detour from the currently trending minimalist consumer gadgets. It’s like bringing in a muscle car in the era of Tesla EVs.

Designer: Pressec Design

The physical controls are the core of the niche concept. Dedicated dials and tactile switches handle volume, treble, and active noise cancellation (ANC), giving users distinct controls for common listening toggles. Their knurled surfaces provide texture under the fingers, making the interface feel more deliberate than a smooth touch panel. The design suggests a listening experience in which users can reach for a control, recognize it by touch, and make adjustments without navigating an onscreen menu. While the concept does not establish how the controls perform in practice, it places physical interaction at the heart of the headphone experience.

TUNE X3 is part of the same fictional product family as the CINE X3. The designer developed both concepts around a consistent visual language, carrying shared characteristics across the collection without simply repeating the same shapes. Materials, proportions, finishes, and hardware details establish continuity while allowing each product to retain its own identity.

The project also explores how Vizcom can support product-family development by using previous designs as references. This approach helps designers preserve a recognizable character across multiple concepts while continuing to explore distinct forms and functions.

TUNE X3 remains a conceptual design, with no confirmed release date, price, or technical specifications. Its core idea is straightforward – physical controls can make headphone interaction feel more immediate and intentional, while giving the product a distinctive identity shaped by the way users handle it.

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Clevetura S Keyboard Review: Swipe Across the Keys Instead of Reaching for a Mouse

PROS:


  • Innovative combination of keyboard and touchpad in one

  • Compact, lightweight design

  • Customizable gestures and sensitivity

  • Supports 3 Bluetooth and 1 USB-C connections

CONS:


  • Has a bit of a learning curve for accuracy and speed

  • Premium price tag

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Clevetura CLVX S brings typing and navigation together in a compact design that gives your mouse hand less traveling to do.

Keyboards and mice have shared our desks for decades, but our hands still have to travel between them whenever typing gives way to clicking. That familiar shuffle becomes especially noticeable when there’s barely enough room for a laptop, let alone another accessory. The Clevetura S offers an interesting solution by turning the keys themselves into a touchpad, giving your fingers another way to get around without leaving the keyboard.

Also known as the CLVX S, this compact, 78-key keyboard brings Clevetura’s TouchOnKeys technology to a more portable design. The Windows version reviewed here can handle familiar gestures without additional software, although there’s plenty to customize if you want to. More importantly, it makes an unusual interaction surprisingly useful, even if sliding across letters and keeping resting fingers from triggering gestures take a little getting used to.

Designer: Clevetura

Aesthetics

Upfront, the Clevetura S looks almost like someone forgot to leave space between the keys. The flat keycaps sit unusually close together, giving the 78-key layout a tidy, almost tiled appearance. There’s a practical reason for that, of course. Fingers need to travel across the surface as comfortably as they press down on it, and generous gaps would make that second job considerably less inviting.

An anodized aluminum base gives the keyboard its silver lower half, while polycarbonate covers the top and ABS plastic forms the keycaps. Both black and white versions retain that silver body, which is particularly noticeable against the darker finish. I would have preferred an entirely black option for a simpler look, though the contrast does make the thin profile a little more obvious when viewed from the side.

Otherwise, there isn’t much to distract from that continuous field of keys, save for the extra markings explaining their secondary functions. Two buttons below the spacebar provide physical left- and right-click controls, recalling the arrangement on older laptops. Then there’s the per-key RGB lighting, which can turn this relatively understated keyboard into something considerably more colorful. Fortunately, those lights also have practical roles beyond decorating your desk.

Ergonomics

At roughly 403g, the Clevetura S doesn’t ask for much commitment when you’re packing a laptop bag. Its body measures approximately 11.5 inches wide, 5.12 inches deep, and just 0.49 inches (12.4mm) thick, making it easy to accommodate on smaller desks, too. The closely fitted keycaps don’t leave many edges sticking out, although I’d still use the included fabric pouch rather than let them rub against everything else.

The scissor switches feel familiar if you’re coming from a decent laptop keyboard, with around 1.2mm of travel. Typing is perfectly serviceable, though it probably won’t steal the attention of someone devoted to mechanical switches. Folding feet let you raise the back, but there’s only one elevated position. That keeps setup simple, provided you’re comfortable with either the flat profile or the available incline.

The more interesting benefit shows up when you need to scroll through a reference or reposition the cursor between sentences. Instead of reaching sideways, you can make that movement right where you’ve been typing. Your chair and screen position still matter, of course. The Clevetura S simply reduces the back-and-forth, although its flat, closely fitted keys take some getting used to when finding your usual typing rhythm.

Performance

The central key area doubles as the touchpad, automatically switching between recognizing finger movements and registering keypresses. Sliding across letters feels a little peculiar at first, but my fingers didn’t catch on the edges, and pointer control worked well. Scrolling through a document becomes especially convenient when you’re jumping back into writing every few moments. A light tap handles clicking without requiring you to press a letter.

That automatic switching does have to contend with personal habits, however. Mine involves keeping fingers on the home row, which happens to sit inside the touchpad area. This frequently triggered three-finger gestures when I hadn’t intended anything of the sort. Sensitivity adjustments and the option to disable unwanted gestures provide useful flexibility, though finding the right balance is something to budget time for rather than expect immediately.

Clevetura’s Adaptive Intelligence, or AI, can help by selecting a sensitivity level after studying 10,000 typed characters. Training requires the TouchOnKeys app and a USB connection, with touch recognition disabled while it runs. A separate mouse is handy during that process, although you can pause training if necessary. Thankfully, this particular AI has a fairly modest assignment: learning when your fingers mean to type rather than swipe.

The lighting makes that second role easier to follow, and a little more entertaining, too. In my setup, a white trail followed my finger across the keys, almost like leaving a trace of magic behind. Checking the battery dims the surrounding lighting and uses illuminated number keys to show the remaining charge. Even the function row gets involved, with touch sliders for volume and backlight brightness.

Windows recognizes supported touchpad gestures without installing additional software, but TouchOnKeys opens up more settings, including profiles for different apps. Three Bluetooth slots and a USB-C connection let you select between up to four devices, one at a time. That’s useful if your desk serves more than one computer. The cable also handles charging and provides the wired connection required for firmware updates.

Clevetura advertises up to 44 hours of continuous use without backlighting, which is an important qualification for anyone drawn to those colorful effects. That’s the manufacturer’s estimate rather than a result measured here, so it shouldn’t become a promise of weeks between charges. Wired operation remains available at a desk, while wireless endurance deserves particular attention if you’re planning to travel with the lighting switched on.

Sustainability

The aluminum and plastic construction follows a fairly familiar recipe, and there’s no documented recycled content to give the CLVX S a particular advantage on materials. Clevetura rates its keys for 3 million presses, although that remains a manufacturer specification rather than a prediction of service life. The more useful question is how easily this unusual keyboard can be maintained once everyday use starts leaving its mark.

Here, the same integration that makes TouchOnKeys possible also limits what owners can replace. Clevetura warns against removing or swapping keycaps because doing so can damage the keyboard, and the battery isn’t easily user-replaceable either. Routine surface cleaning and manufacturer support therefore matter more than they would on a board designed for tinkering. It’s worth understanding that arrangement before expecting mechanical-keyboard levels of customization or straightforward repairs.

Value

At $199, discounted from $209, the Windows model sits well above the price of many conventional compact keyboards. The extra cost is easier to understand when you consider what you’re paying for: typing and pointer control in the same footprint. Separate devices offer more freedom to choose each component, but they also need more space. Clevetura’s appeal is having those everyday functions share one portable object.

That could be particularly attractive when you’re writing code, checking references, or moving between shortcuts and controls in creative software. Quick navigation stays close, even if detailed drawing or extended pointer work still calls for a separate mouse. The Clevetura S doesn’t have to handle every task equally well to be useful. Its value depends on how often you make those small trips away from the keys.

Verdict

Combining a keyboard and touchpad sounds simple enough until your fingers have to tell the two jobs apart. Clevetura gives that idea a thoughtful physical form, from the closely fitted keys to lighting that explains what’s happening beneath your hands. My habit of resting on the home row made gesture sensitivity especially important, but the pointer control itself worked well and gave the unusual surface a practical purpose.

The Clevetura CLVX S makes the strongest impression when space is limited and typing is regularly interrupted by a scroll or a click. Its price deserves consideration, and the flat surface won’t replace everyone’s favorite keyboard feel. Still, there’s something pleasing about editing a sentence, sliding across the letters to move the cursor, and carrying on without sending a hand off to find another device.

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