Nikita Bier, X’s head of product, has announced the launch of custom timelines, which lets you curate what you see on your feed based on your topics of interest. He called the update “one of the biggest changes to X” and a ”huge undertaking” that took the team “many months” to develop. The feature lets you pin specific topics to your home tab, so you can switch from one to the other to see the latest discussions about your interests and hobbies.
Bier said that X’s custom timelines is “powered by Grok's understanding of every post with the algorithm's personalization.” You have 75 topics to choose from, including food, art, photography, business, finance, movies and TV. As you’d expect, the personalization aspect of the feature works better if it’s a topic you already engage with regularly. X’s new feature is similar to Bluesky’s and Threads’ custom feeds, which also allow you to pin topic-based timelines to the home screens of the apps, and which their users have been enjoying since 2023 and 2024, respectively.
At the moment, X’s custom timelines is still in its early access phase and is only available to Premium subscribers on iOS. It will be rolling out to Premium users on Android “very soon,” as well. Bier has also announced that X has released a tool to snooze topics on the For You tab. With the tool, you’ll be able to hide certain topics, such as politics or sports, for 24 hours from your feed. It’s now available for Premium users on iOS and the web.
Ladies and gentlemen, today we're launching one of our biggest changes to 𝕏
Introducing Custom Timelines
This feature allows you to pin a specific topic to your home tab. With support for over 75 topics, you can dive deep into your favorite niche on X.
Pet ownership and interior design have always had an uneasy relationship. You pick out a sofa carefully, and within months, it’s covered in fur, scratch marks, or the lingering evidence of a bad flea season. Design spaces rarely acknowledge the animal that shares the room, and pet health brands rarely think to communicate through furniture. Most of the time, these two worlds simply don’t talk to each other.
Elanco, a global animal health company, had other ideas. For the 2026 Fuorisalone, it partnered with Milan-based architecture and design studio Parasite 2.0 to bring the Pet Collection to BASE Milano. The result is a limited-edition series of four pet-inspired furniture pieces that are equal parts campaign, design statement, and visual joke, all presented at one of Milan’s most forward-thinking creative venues.
The whole thing starts from a simple but uncomfortable truth. Fleas don’t just live on pets; they infest homes too, spreading through the furniture and floors that pets and people share. Elanco’s point is that your sofa and your dog aren’t as different as you think, at least not from a flea’s perspective. The collection makes that idea impossible to ignore.
Each piece is a pun on both a breed and a furniture type. The Basset Longue is a chaise longue upholstered in wavy, brown-striped faux fur, shaped after a Basset Hound, and mounted on chrome legs with a tail detail at one end. The Dalmatian is a wide sofa in black-spotted white plush with dark, rounded backrests that look like a dog curled up in place.
The Yorkchair is a chunky armchair draped entirely in long, golden faux fur with a small chrome detail on the back, very much like a Yorkshire Terrier wearing a collar. Then there’s the Gattond, which departs from the canine theme and becomes a feline-inspired coffee table, its polished metal top sitting on a rounded, fuzzy golden base with a tail sticking out from the side.
The Pet Collection is on view at BASE Milano as part of the 2026 Fuorisalone, and it’s the kind of exhibit that sticks with you long after you’ve left the room. Not because the furniture is particularly comfortable, mind you, but because the message is hard to unsee once you’ve seen it. Your sofa and your dog are, apparently, not so different after all.
Anthropic is investigating potential "unauthorized access" to its Claude Mythos model that has been touted for its ability to find cybersecurity flaws, the company told Bloomberg. A group gained access to the model through a third-party contractor portal and by using internet sleuthing tools, according to the report. However, the group is only interested in trying the models and not using them maliciously, according to a person familiar with the matter.
"We're investigating a report claiming unauthorized access to Claude Mythos Previous through one of our third-party vendor environments," Anthropic said in a statement.
The Claude Mythos Preview arrived earlier this month as part of "Project Glasswing" with significant fanfare. Anthropic limited the preview release to a small number of trusted test companies including Amazon, Microsoft, Apple and Cisco. Another was Mozilla, which said the model helped it find and patch 271 Firefox vulnerabilities. A growing number of banks and government agencies have been seeking access as well in order to safeguard their own systems.
However, several unauthorized users (who reportedly have a private chat on Discord), supposedly gained access to Mythos through a developer portal and by making an educated guess as to where the model might be located. That same group may also have access to other unreleased Anthropic models, according to the report.
The new Mythos model has gained notoriety of late for its supposed ability to sniff out security flaws in operating systems and internet browsers. This has prompted some skepticism among security researchers but also fear that AI-generated cyber attacks could become a "real threat," CTO of cloud security firm Edera Alex Zenla recently told Wired. Anthropic was recently designated as a "supply chain risk" by the US Department of Defense, but has been in talks with the Trump administration of late to have that label removed.
This article originally appeared on Engadget at https://www.engadget.com/ai/anthropic-is-investigating-unauthorized-access-of-its-mythos-cybersecurity-tool-091017168.html?src=rss
If you’ve spent any time using a home theater PC from the couch, you’ve probably already met the Logitech K400 Plus. It’s been the go-to couch keyboard for years, not because it’s particularly good, but because nothing better has come along. The touchpad is cramped, the keys feel cheap, and anyone who’s used one knows it’s a device you tolerate rather than enjoy.
Framework ran into this same frustration while developing and testing the Framework Desktop for living room use. Their team kept reaching for the same underwhelming keyboard until they decided to stop tolerating it and build something better. The Framework Wireless Touchpad Keyboard is the result, borrowing the same keyboard and touchpad design from Framework’s laptops and packaging them into a compact wireless unit.
The keys use the same chiclet-style, low-profile design as Framework laptops, with 1.5mm of key travel and full 19mm key spacing. That’s a higher standard than this product category usually bothers with, and it shows in how the keyboard feels to type on, even while holding it in one hand. The slim body doesn’t sacrifice the typing experience for the sake of portability.
The touchpad is where this keyboard makes its most meaningful departure from what’s currently available. At 68.8 x 85.6mm, it’s a clickable Windows Precision Touchpad with full multi-touch gesture support for Windows and Linux alike. That’s the same touchpad architecture found in Framework’s laptops, which means the precision and responsiveness are genuinely comparable to what you’d expect from a proper laptop trackpad.
Connectivity covers everything you’d reasonably want. You can pair up to four devices simultaneously over Bluetooth, plug in via USB-C for a wired connection, or use the USB-A dongle, which stores neatly in a slot on the back of the keyboard. Framework is even developing a USB-A Adapter Expansion Card so the dongle can sit flush inside a Framework laptop or desktop.
For living room setups, having a touchpad built directly into the keyboard changes how you interact with everything on screen. Pulling up a browser, adjusting playback settings, or scrolling through a queue from across the room becomes far less awkward when you’re not hunting for a mouse on the coffee table. It’s a small shift in workflow that makes a noticeable difference in day-to-day comfort.
Sim racers who mount keyboards into cockpit frames will appreciate the integrated touchpad even more, since a separate mouse is barely practical there. Of course, Framework being Framework, the hardware is fully open-source, with design files already on GitHub. The firmware runs on ZMK, and the Control Board exposes 28 I/O pins for custom configurations, with Framework even offering the board free to developers who apply early.
The Framework Wireless Touchpad Keyboard is expected to ship later in 2026, with pricing still to be confirmed. It came from genuine frustration rather than a gap in a product roadmap, and that tends to show in the details. The couch keyboard category has been stuck with one mediocre option for far too long, and this one finally gives people something worth reaching for.
Apple has officially rolled out iOS 26.5 Beta 3 for developers, marking a critical step in its ongoing software development process. A public beta release is anticipated within the next 24-48 hours, consistent with Apple’s established weekly beta schedule. This update emphasizes performance improvements, hints at potential new features and aligns with updates across Apple’s […]
Samsung’s One UI 9, built on Android 17, introduces a comprehensive suite of updates aimed at enhancing usability, design and functionality. With improvements spanning file sharing, widgets, notifications, and more, this update is crafted to elevate your smartphone experience. The video below from TechTalkTV gives us more details on the rumored changes, organized to help […]
Cyberpunk stopped being a design aesthetic and became a lifestyle signifier somewhere between Blade Runner 2049 and your neighbor’s RGB-lit battlestation. We’ve seen the look applied to everything from gaming chairs to mechanical keyboards, but most of it reads like cosplay rather than genuine industrial design. Aurzen’s ZIP Cyber Edition, a limited-run variant of the tri-fold projector that debuted at IFA last year, sidesteps the usual neon-drenched clichés in favor of something that feels engineered rather than decorated. Circuit-board texturing runs across the matte black chassis, orange accent lighting traces the fold lines, and the entire device collapses down to pocket size without losing any of the visual intensity. This one was designed for people who buy gadgets the way sneakerheads buy limited drops.
The Cyber Edition shares the same core DNA as the standard ZIP: a tri-fold DLP projector measuring 3.31 x 3.07 x 1.02 inches when folded, powered by a 5000mAh battery good for about 90 minutes of runtime. You get 100 ANSI lumens in Turbo mode, native 720p resolution, ToF autofocus that calibrates 30 times per second, and Bluetooth 5.4 for wireless mirroring. What sets the Cyber Edition apart is the finish, the material detailing, and the fact that Aurzen produced it as a numbered limited release. The modular accessory ecosystem (magnetic mounts, power bank stands, USB-C streaming dongles) turns it into a configurable projection rig rather than a one-trick device. It’s the kind of gadget that belongs on a pegboard wall next to your EDC knife and custom-keycapped keyboard.
That sense of distinction starts with the physical design. The ZIP Cyber Edition folds into a compact square footprint that can slip into a jacket pocket, side pouch, or sling bag without demanding the kind of space most portable projectors still require. The tri-fold mechanism gives it a kinetic quality that makes opening and positioning the device part of the experience. On a table, shelf, or bedside surface, it does not sit there like a generic electronics block. It unfolds with intent, revealing a built-in stand that helps angle the projector quickly for casual viewing. The styling reinforces that experience. The surface graphics resemble a miniature control panel, the orange accents break up the dark body with a subtle sci-fi energy, and the overall silhouette feels sleek enough to pass for a concept gadget pulled from a design render.
Aurzen makes it clear that the Cyber Edition should be understood as a playful, gift-worthy tech object, and that framing makes sense. The supplied lifestyle assets lean into two different but complementary worlds. In one, the projector sits among headphones, a smartwatch, wireless earbuds, and a camera, framed like part of a modern everyday carry kit. In another, it appears alongside cosmetics and jewelry, presented as something stylish enough to belong in a gift spread rather than a utilitarian tech flat lay. That duality works in its favor. The ZIP Cyber Edition has enough gadget credibility to attract enthusiasts, but enough visual charm to feel approachable for gifting, especially for people who appreciate design-forward electronics that spark curiosity the second they come out of the box.
The modular accessory ecosystem gives this projector added functionality that you wouldn’t normally see in this category. Phones have accessory ecosystems – projectors, not so much… maybe just a tripod mount or a cleaning cloth. Instead of treating the ZIP as a sealed, standalone device, the company has built a set of accessories that turn it into a more flexible projection tool. The CastPlay Pro dongle connects through USB-C and is positioned as the quick route to content, making it easier to start watching without a complicated setup process. Then there is the MegaPlay dual-side mount, which uses a vacuum-lock base to attach securely to smooth surfaces such as glass, mirrors, and desks, followed by magnetic mounting that snaps the projector into place in a second.
Aurzen also offers the PowerPlay 3-in-1 stand, which doubles as an adjustable stand and a 10,000mAh power bank. That kind of accessory feels particularly well matched to the ZIP’s identity. Portable gadgets always benefit when their support hardware feels as intentional as the main device, and here the stand does more than prop the projector up. It extends runtime, offers multiple height levels, and helps the ZIP move between different environments with less friction. Taken together, these accessories give the Cyber Edition a modular personality that aligns neatly with the audience Aurzen is chasing, early adopters and gadget enthusiasts who enjoy experimenting with how their devices fit into daily life. There is a lot of appeal in a product that can move from a desk setup to a bedroom wall to a travel bag without feeling out of place in any of them.
That flexibility also helps clarify what kind of projector this is. Aurzen is not positioning the ZIP Cyber Edition as a traditional home cinema centerpiece. The better framing is that it behaves like a compact projection gadget with a sense of cool whimsy. It is easy to imagine it being used for casual streaming, spontaneous bedroom projection, dorm setups, travel use, or simply as a conversation-starting piece of hardware that people enjoy showing off. That’s because a lot of portable electronics succeed by becoming part of a lifestyle rather than by winning a spec-sheet arms race. The Cyber Edition leans into personality, portability, and modularity, which gives it a lane of its own in a category that often defaults to plain white boxes and interchangeable styling.
The strongest thing Aurzen has done with the ZIP Cyber Edition is recognize that design can be a feature in itself. Plenty of compact projectors promise convenience, and some promise performance, but very few seem interested in becoming objects people would actually want to collect, display, or gift. This one feels built for that exact purpose. The cyberpunk-inspired finish gives it character, the tri-fold construction gives it novelty, and the accessory ecosystem gives it room to evolve beyond a single-use gadget. For tech enthusiasts who enjoy hardware with a little personality and a lot of portability, the ZIP Cyber Edition feels like the kind of release that earns attention on sight and keeps it once you start exploring how it fits into everyday routines.
The Aurzen ZIP Cyber Edition is available now directly from Aurzen’s official website at $399.99, with a limited-edition production run and numbered units so you know you’re part of an exclusive clique. Although the limited edition status demands a higher price tag, YD readers can use the code 40AURZENZIP to get a whopping 40% off, bringing the price down to $239.99. And just in case you’re reading this after the Cyberpunk variant runs out, the standard Aurzen ZIP is up for grabs too, in Titanium Gold and Dark Gray.
The armchair has been one of the most contested territories in furniture design for over a century, from Alvar Aalto’s bent plywood experiments to Arne Jacobsen’s Swan Chair. Designers keep returning to the seated form as a test of where material technology and formal imagination currently meet. Beltrame Breuil, an architectural practice based in Tarvisio and Vienna, took their turn at Salone Satellite 2026 with a chair that brings alpine botany directly into that conversation. Their furniture brand Picule presented CLVR, a seat assembled from four bent-wood leaf forms rising from a circular steel base, and it is the kind of debut that reminds you why Salone Satellite exists.
Two of CLVR’s four leaves are upholstered in a mossy, boucle-like forest green textile, covering the tall backrest and the lower front surface where the body settles. The other two are left as bare stained wood, their grain visible under the deep green finish, extending outward from the center like wings. All four share one curvature and one design logic, shaped by bent wood, which is what holds the composition together despite its apparent asymmetry. The design is coherent because its grammar is consistent, even as the function of each leaf changes.
The circular steel plate at the base functions as a pedestal, grounding the organic spread of the leaves and lending the piece a measured architectural gravity. At 112 cm tall and 125 cm wide, CLVR reads as a statement lounge object first and a chair second. It has the presence of a small throne, designed to anchor a room rather than disappear into it. The scale is deliberate, positioning the chair as a piece of functional sculpture that occupies its space with confidence.
Picule is Beltrame Breuil’s way of funneling architectural discipline into objects scaled for domestic life. The studio’s Tarvisio base sits in Italy’s northeastern corner, where the Julian Alps press against the Austrian and Slovenian borders. That geography gives CLVR its conceptual grounding; this is a studio that builds in that landscape, not one pulling a leaf motif from a mood board. The alpine forest inspiration feels earned, and it gives the chair a story that goes beyond its form.
The bent-wood forming technique reinforces that connection, requiring an intimacy with the material that keeps the work tethered to craft. The chair’s forest green palette, running across bare wood and woven textile in two calibrated tones, holds the composition together as one chromatic idea rather than a collage of parts. It’s a thoughtful detail that shows how completely the studio considered the object from every angle, ensuring the material and color choices support the core concept.
Beltrame Breuil is presenting the full Picule collection, including the CLVR chair, at Salone Satellite 2026. You can find it in Hall 5 at Stand E10 at Fiera Milano, Rho, through April 26. The photos do a fair job of capturing the silhouette, but the bent-wood grain and the textile’s tactile quality are things that land most clearly when you are standing right in front of it. Go see it before the fair closes.
The early 2000s had a very clear idea of the future. Think of films like *Minority Report* with its PreCrime headquarters, all white rooms and glass interfaces where everything looked seamlessly bonded rather than bolted together. Or *I, Robot*, which pushed that look even further with its glossy USR tower and Audi concept car, a world that had erased any sign of how things were actually made. That aesthetic has aged remarkably well, but it’s a territory most game furniture never touches, usually favoring rich materials over making things look like they are barely there. Basaglia + Rota Nodari are the exception, and Ghost, their foosball table for FAS Pendezza, is the proof.
The table itself is built from thick tempered glass, laminated at 12 and 9 mm, with a playing field that’s 114.5 by 70.5 centimeters, and it’s made entirely in Italy. Its body is bonded with a special adhesive, so there are no visible screws or bolts anywhere in the frame. That’s a key decision, because if you saw hardware, the whole ghost-like vibe would fall apart. A clean, conical white metal base holds up the floating glass volume, while chrome rods and two-tone players complete a color scheme that’s intentionally minimal. At 8,900 euros, it’s priced as a piece of design, and it earns it on looks alone before a single ball gets dropped.
Designers: Basaglia + Rota Nodari for FAS Pendezza
Even the players, made of white and gray resin, look like they belong in this sci-fi world. They’re somewhere between a medical illustration and a concept-car sketch, simplified to the point of anonymity. That’s exactly why they work. If they were in conventional team colors, the table would feel like just another piece of recreational equipment. Instead, these figures feel closer to the NS-5 robots of *I, Robot* than to any real athlete, which helps keep the whole look clean and unified. The chrome coil springs connecting them to the rods are the one little nod to mechanical texture, and they look almost like jewelry against all that glass.
But what really captures you are the detailed shadows the Ghost projects on the floor, if paired with the right lighting. At Salone Satellite, Ghost casts an incredible wireframe shadow on the floor, like it’s drawing a blueprint of itself in real time. Pitch markings are printed beneath the crystal surface, so they appear to float inside the glass instead of sitting on top. From any angle in the FAS Pendezza booth, you can see right through the structure, with the players and chrome rods suspended against the room itself. The name makes perfect sense when you see it in person.
FAS Pendezza is presenting Ghost at Salone Satellite this week as part of Milan Design Week 2026, in a booth where the table’s shadow alone justifies the detour. Seeing it alongside the rest of the brand’s lineup confirms Ghost as a deliberate formal departure rather than FAS Pendezza’s default register. The studio, Basaglia Rota Nodari, launched in 1997 with a stated ambition to build objects that convey emotion beyond their function, and Ghost may be their sharpest expression of that intent to date. For those who have already left Milan, Ghost is available in white and black finishes and retails at €8,900.
SpaceX and AI company Cursor have struck a new partnership that could see the owner of X buy the AI company for $60 billion later this year. "SpaceXAI and @cursor_ai are now working closely together to create the world’s best coding and knowledge work AI," SpaceX wrote in a post on X.
SpaceXAI and @cursor_ai are now working closely together to create the world’s best coding and knowledge work AI.
The combination of Cursor’s leading product and distribution to expert software engineers with SpaceX’s million H100 equivalent Colossus training supercomputer will…
According to SpaceX, the deal allows for it to either invest $10 billion into the company known for its AI coding tool, or acquire it entirely "later this year" for $60 billion. If an acquisition were to happen, it's not clear at what point Cursor could officially join the fold of Elon Musk's rapidly expanding and increasingly enmeshed web of companies. SpaceX bought xAI, the billionaire's AI company that also controls X, earlier this year. SpaceX is currently getting ready to go public this summer in what will likely be the biggest initial public offering (IPO) in history.
Cursor, which has reportedly been in talks to raise its own $2 billion round of funding, is known for its AI coding tool of the same name that's become the vibe coding platform of choice for many developers. It allows people to use either its own models or those from other leading AI companies, including OpenAI, Google, Anthropic and xAI.
In a statement, Cursor said its partnership with SpaceX will "accelerate our model training efforts" while addressing infrastructure-related issues that have slowed it down in the past. "We've wanted to push our training efforts much further, but we've been bottlenecked by compute," the company said. "With this partnership, our team will leverage xAI's Colossus infrastructure to dramatically scale up the intelligence of our models for coding and beyond."
This article originally appeared on Engadget at https://www.engadget.com/ai/spacex-and-cursor-strike-partnership-that-might-end-in-a-60-billion-acquisition-232131487.html?src=rss
