Author Archives: Radhika Seth

Minimalist side table concept uses a single wood sheet with almost no offcuts

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Wood is a favorite among designers, especially furniture designers, because of its innate beauty, unique grains, and sustainability. But although the material is indeed biodegradable and recyclable, most furniture designs still result in a lot of waste. There can be many uses for wood chips, sawdust, and unused wood pieces, but an even better solution would be to reduce the wasted material in the first place. That means making every square inch of a sheet of wood count, leaving very little behind once the piece of furniture has been put together. That’s the idea behind this beautiful minimalist side table, where designing for efficiency has also led to a very interesting organic shape in the process.

Designer: Deniz Aktay

Flat-packed furniture has become trendy, especially with the minimalist designs propagated by the likes of IKEA. But while these designs are indeed space-efficient and economical, most of the time they’re mass-produced in a manner that produces plenty of offcuts and waste by-products. After all, it is also more efficient to cut all the legs of tables from the same batch of wood and all the tabletops from another, even if their shapes mean there will be plenty of scraps literally left on the cutting room floor.

Slide Table is a design concept for a side table that advocates efficiency both in packaging as well as in manufacturing. Every part of the table is actually cut from a single sheet of wood, so even mass-produced versions would have the same qualities. Yes, there will still be some unused parts that are cut off to produce the gaps between parts, but the goal is to minimize this waste as much as possible rather than eliminate them completely.

What makes this efficient use of the material is the rather unique design of the table itself. The tabletop is a disc carved from the middle of a rectangular plank of wood, and the remaining section is split in half to form the legs. The legs themselves “slide” into each other, connecting in the middle and forming a cross shape on which the circular top rests. It’s a simple yet intriguing shape that creates something like an optical illusion when viewed from the side.

While Slide Table does offer a beautiful and more sustainable design, it leaves some concerns about the stability of the furniture itself. There is no clear indication of how the legs stick together, or how the tabletop stays stable. It’s certainly possible that other smaller parts of the wooden sheet can be used as dowel rods to connect the pieces, which would further reduce the amount of wasted materials. This design, however, also has its limits in how big the table can be, as the tabletop will always be proportional to the rest of the sheet that would become its legs.

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Artistic unibody chair concept is simple, stackable, and stunning

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All chairs have a common, standard purpose, but there is no hard rule to follow when it comes to their design. As long as they offer a stable seating surface, and in most cases, some form of back support, they qualify as an acceptable piece of furniture, even if the actual experience can be a bit uncomfortable at times. It’s only by convention, for example, that most chairs have four legs or are made of different pieces, and some designs try to push the boundaries of what’s physically possible when it comes to the composition and form of chairs. This concept, for example, does away with the standard makeup of this kind of furniture and instead embraces a single flowing form that, surprisingly enough, works just as well in terms of practical use.

Designer: Deniz Aktay

Bending a single sheet of material, be it metal or plastic, into a less trivial form isn’t exactly easy, especially when you have to make sure that it is stable enough to sit on. You need not only balance but structural integrity as well since it will be something that humans expect to be safe to use. Some designs tend to overcomplicate things to meet those goals, but this chair concept goes in the completely opposite direction with its extreme simplicity.

Named after the last Greek alphabet, the Omega design concept simply takes a single folded sheet of material and bends it at the sides and back to create the two wide legs and backrest of the chair. There are no sharp angles in this design, giving the seamless form a smoother and more organic appearance. While it is aesthetically pleasing, it isn’t just an art piece, and at least based on the concept, it is just as functional as your stereotypical four-legged plastic chair.

In particular, the design of the Omega chair allows it to be stacked together, rather unexpected given its nontrivial shape. It doesn’t even take up more space than most stackable chairs, which makes the design practical for widespread production and use. It definitely offers an interesting alternative to common mass-produced designs as it offers both a compact shape as well as an attractive appearance.

On the surface, the Omega design also looks sturdy, with the legs angled inward to cover a bigger surface area than a normal straight edge. There might, however, be some concerns with the comfort of the seat itself, as the curved sides could make some slide off too easily. The backrest might also be too short for comfort, with the top edge digging into people’s backs when they lean backward. Nonetheless, it’s a beautiful and simple design that could be improved on for an even more comfortable and ergonomic experience.

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Woven leaf lamp concept harmonizes traditional crafts and industrial production

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Advancements in technology, material science, and processes have taken man’s production capabilities to a whole new level. However, with advanced manufacturing, traditional craftsmanship and values have been left by the wayside, sometimes forgotten, and other times discarded as if they were no longer important or were even counterproductive to progress. Of course, this couldn’t be further from the truth, as there will always be elements of traditional crafts and modern tooling that could be mixed in an elegant way. Such is the premise behind this rather striking lamp, highlighting not only the beauty of traditional, handmade crafts but also promoting the culture and the livelihood that also grow alongside it.

Designer: Antoni Martorell Pascual

Handmade products are admittedly not suitable for mass production. As many have realized by now, however, not everything has to be mass-produced in the first place. Simple, everyday items might be fine with generic and standardized designs, but in exchange for speed and ease of manufacturing, they often lack personality, depth, and impact. Fortunately, you don’t always have to go to either extreme and find some middle ground that showcases the strengths of both methods.

Catalina is a lamp design that does exactly this by combining ordinary lamp electronics and foundations with a lampshade that’s meticulously woven by hand. Specifically, it uses palmetto leaves and traditional weaving techniques called “llata” from Mallorca on one of Spain’s Balearic Islands. Unsurprisingly, this technique is passed down through generations and is mostly done by the women of the locale, a practice whose existence is being threatened by the rise of mass-produced furniture and lighting.

This lamp, however, illustrates the beauty that can come from the melding of past and present. The woven palm leaves form two cylindrical shapes in the form of an eight that encloses two bulbs inside each space. A gap between the two circles is filled by a transparent sheet of glass or fiberglass, serving as a diffuser for the light. The effect is a serene glow that passes through the weave like an otherworldly light.

Lamps like Catalina take time to make and are often more expensive because of the labor involved. That, however, also makes the design more special, giving it a unique character similar to a limited edition product. And unlike factory-made lampshades, these handwoven materials will have differences and imperfections, flaws that become selling points exactly because they are different from any other lamp from the same product line.

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Mesmerizing 3D printed lamp has a maze-like design that is never repeated

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3D printing is a truly revolutionary technology that blasted open the floodgates of creativity and design. It gave almost everyone a powerful tool to realize their dreams and experiment with their ideas. These machines also made it easier to have more flexibility in the execution of designs, like adding an element of randomness to each output. That’s the kind of uniqueness that each of these Maze Lamps brings to your room, catching your attention with its unique lines and snaking paths, creating a play of light and shadow even when the lamp is turned off.

Designer: Stijn van Aardenne

Most people probably think of 3D printers as extras large boxes that sit on desks, applying layer upon layer of melted plastic to complete a small shape. In reality, there are different kinds of 3D printers and different types of printing, and while the most popular machines are designed for use by individuals or small businesses, it didn’t take long for industrial-grade ones to pop up. This kind of printer offers a bit more flexibility in terms of movement and can cover a wider area as well.

The Maze Lamp design takes advantage of this capability by having an industrial 3D printer lay out the lines over a rotating axis. Normally, what you’d get is a cylindrical shape that looks like it was made from a spindle of extra-large spaghetti as the plastic material coils around and around the slowly spinning base. But if you move the nozzle forward, backward, and sideways while it spins, you can create more interesting patterns that look like the lines of a maze. Stack those lines on top of each other and you get a three-dimensional maze on a cylinder.

What makes this process even more special is that the pattern of these lines is random. No two Maze Lamps will ever have the same design, making each piece a one-of-a-kind item. For programmers and designers, this kind of procedurally generated pattern adds a unique characteristic to every iteration. As a bonus, the material used by the 3D printer is made from plastic shredded from discarded refrigerator doors, giving our own waste a beautiful new lease on life.

Thanks to the three dimensional patterns printed around the core, the Maze Lamp entices viewers whether the light is on or not. The light shining from the casts an eerie glow, almost like some otherworldly artifact found hidden in some ancient Aztec temple. On its own, the lamp becomes a sculptural art piece, not unlike a totem that represents the aesthetics and the technology of civilization that made it.

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Tangled outdoor furniture concept provides rest and direction for communities

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Residential complexes and small communities are on the rise, and some of these areas try to provide open spaces for rest and relaxation like parks or gardens. People new to such communities might find themselves often lost in the beginning, and guests or couriers will definitely be unfamiliar with the place. Signs aren’t always visible, and those that are might not blend well with the aesthetics and atmosphere of the residential complex. This concept design tries to hit multiple birds with a single stone by providing multi-functional furniture that not only looks like an art installation but also a rather subtle navigation guide for both residents and guests.

Designer: Alice Vakhni

Unlike typical home and office furniture, outdoor furniture offers only temporary respite for people. They’re not exactly the most comfortable products to use, especially since they have to be built to withstand unfavorable weather, but they do offer a place to sit, put down their things, or maybe even work and eat even if only for a while. Ironically, this also frees up outdoor furniture design from certain requirements, allowing them to embrace more unconventional forms, as long as they get the job done.

THREADS is an example of such freedom, conceptualizing furniture that hardly looks like any typical benches or tables. They look more like giant metal thread, hence the name that snakes and loops around the complex, one segment at a time. Some have wavy structures with crests that provide stools for people to sit on, while others coil around structures like benches and tables. Some rise upward to become lamps, while others branch and loop to show directions.

That’s the second not-so-obvious function of THREADS. Just like how Theseus used threads to navigate the labyrinth, the large pipes guide your eyes and your feet in the direction you need to go. They act like railings and guidelines that bend in the direction you should be walking if you’re a bit lost. Of course, not all residential communities have the same layout, so the pipes’ modular design allows builders to combine different parts with different corners to create the navigation system they need.

THREADS is also a piece of art, like an abstract sculptural installation designed to give communities a distinct character. The almost freeform flow of the “threads” leaves each segment open to interpretation and any use. Made with powder-coated hot-rolled steel pipes, what would normally convey an industrial and impersonal appearance transforms into something playful and approachable, becoming the proverbial thread that binds communities together.

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Paper saddlebag hangs over the edge to keep your desk organized

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We only have a very finite desk space, constrained by the available area in our rooms or offices. We can always stack up desk organizers or have drawers beneath to make up for it, but those can only go so far. One underutilized area of our desks is often the sides, and there will always be at least two free edges even if you have a corner table. Taking advantage of that unused space, this rather unusual desk organizer hangs a saddlebag on the side of your table, providing not only a place to put pens and notebooks inside, but even a spot for your phone or drink on top. Best of all, it’s made of a sustainable material that looks more like luxurious leather than paper.

Designer: Tilla Goldberg for Richard Lampert

You’d normally hear of saddlebags only in relation to horses or even camels, but our work desks are just as much beasts of burden as these animals. And just like on those, the SALTO dangles off to the side to provide more storage than our overcrowded desks can already accommodate. It’s deep and spacious enough for notebooks, pens, cables, or even headphones, just about anything you want to keep out of sight but still within easy reach.

It even has enough room for a power strip, which is probably the last thing you’d think of putting inside. The bag’s design actually creates a simple loop at the bottom for the strip’s cable to pass through, becoming the only location where it snakes its way to a power outlet. It’s an unusual but effective cable management system, letting those wires all drop off to the side and disappear into the abyss that is the SALTO bag.

There is one odd and potentially problematic part of the saddlebag’s design, at least in the way it’s being advertised. The half-circle tray that sits on top becomes a place for more important items you’ll always want to have access to, like your phone or a glass of water. The latter, however, might be a cause for concern, considering how the weight of the bag’s contents could very well be heavy enough to pull that tray off the table. You can probably imagine the disaster if that drink spills inside, especially if there’s a power strip there as well.

The SALTO is also a very sustainable design that’s surprisingly made of paper. Technically, it’s a type of washable vegan paper that’s being used as a leather alternative, which explains its fabric-like texture and composition. It definitely looks elegant and stylish, especially when hanging from a minimalist desk that has all its clutter cleared and dumped into this bag.

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Bluetooth speaker concept moves a tiny gondola lift while your music plays

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Wireless speakers are a dime a dozen these days, and they come in a wide variety of forms, ranging from rugged tubes to glamorous art objects. The ones that are meant to stay indoors often hide their physical controls or do away with them completely in order to blend in with the rest of the room’s decor. Many don’t even have displays so you can’t view information at a glance without having to pick up your phone and unlock it. It doesn’t have to be an “either-or” situation, however, and you can maintain a speaker’s analog simplicity and beauty while still providing a useful visual, as this concept design for a travel-inspired Bluetooth speaker demonstrates.

Designer: Sungmin Hwang

Truth be told, a gondola lift is probably the last thing you’d associate with music. Also known as cable cars, these compact boxes carry a small group of passengers from one height to another, allowing them to see the journey from a completely different perspective. It adds a sense of wonder and awe, and maybe even a bit of thrill, as you slowly make your way to your destination, which is often on the top of a mountain or tower.

That’s the association that the Gondola Bluetooth speaker design concept makes between playing music and the journey, both of which take you into exciting new worlds that feel different from your current situation. The speaker’s design is specifically inspired by the cable car system that goes to and from Korea’s famous Namsan Tower, a magical journey even for frequent visitors. The two ends of the speaker house cones, one of which is significantly taller and represents Mount Namsan where the tower stands. This cone is actually the speaker, which diverges from the conventional cylindrical form of Bluetooth speakers

Connecting these two points are two fishing lines representing the cables of the gondola lift. Two tiny modules move back and forth between these lines, which represents the speaker’s main gimmick. The movement of these miniature gondolas syncs with the playback time of the current track playing on the speaker, giving a visual representation of the digital progress bar found in most music apps. This mechanism allows the user to see how far along the music is even without looking at their phones. Admittedly, not many people probably do that anyway, but the movement of gondolas still creates an almost magical atmosphere that could surface joyful memories of travels and adventures.

The Gondola speaker concept pays tribute to the Namsan Tower in another way. The small conical stub on top of the speaker has an LED light that changes color depending on the state of the speaker, signifying things like pairing, playing, battery level, and the like. It’s definitely an interesting idea that shows relevant information without relying on screens, integrating such controls into the theme of the design in a seamless and beautiful manner.

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Concrete-like lampshades are actually made from mushroom mycelium

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We’ve come across a wide variety of lamp designs with an even wider assortment of lampshades made from different materials using different methods. Of course, the most common are made of metal, plastic, or glass, as these are easy to come by and manufacture in this day and age. They’re not exactly sustainable in the long run, though, even if some are considered to be such. They might not be easily renewable or they take a lot of energy to produce, generating carbon emissions and waste in the process. This particular lighting collection, however, really takes eco-friendliness to heart by using a material that’s not only sustainable, biodegradable, and renewable, it can also be easily grown in a lab rather than manufactured in a factory.

Designer: Danielle Trofe, Lujah Brown (MushLume)

Mycelium is becoming quite a star in the design industry despite its modest and literally down-to-earth roots. They are practically mushroom roots consisting of a complex branching network that, in the natural world, are used to distribute water and nutrients to plants while themselves also serving as food for organisms living in the same soil. Recently, mycelium has become the focus of many research and design experiments that use it as an alternative to typical materials like fabric or even concrete.

MushLume, and obvious wordplay on its origins, harnesses the properties of mycelium to create lamp designs that are not only striking but also friendly to both the Earth and humans as well. But rather than take the painstaking work of gathering mushroom roots from the wild, the fungi are instead grown into a hemp substrate that eventually solidifies inside a mold. Once matured, the new structure is removed from the mold heated, and dried to become practically any lamp form you can think of.

The result is a material that checks all the sustainability boxes. It uses very little water and energy to make, significantly reducing carbon emissions and waste. The material is also biodegradable, which means you can eventually throw it out into a backyard compost or landfill and it will safely decompose over time. That said, they are expected to last for years so you won’t need to do that any time soon.

MushLume lamps also bring a distinctive aesthetic to any space. Their raw and rough surfaces almost resemble concrete from a distance but are incredibly lightweight in reality. The texture and patterns, which are unique to every lamp, also add some character to the design, while also giving the diffused light a warm tone. MushLume definitely challenges the conventions of designing and producing products, though there still needs to be more testing to see if mycelium can really scale up to be the mass-grown foundations of future products.

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Beautiful amorphous chair is also a side table, bookcase, and art object in one

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Chairs are always a necessity in any living space, but that doesn’t mean they’re always in use. In fact, some chairs have become makeshift shelves for holding stuff either because the owner has run out of space for an actual shelf or because that chair has sat unused for months. While that’s a practical solution for an underutilized piece of furniture, it’s also unaesthetic, messy, and inefficient. If only you could have a chair that is also a shelf or table when it’s not in use. That’s precisely the multi-functional design that this rather distinctive chair has to offer, and it looks like a stunning art design object as well, no matter which way you use it.

Designer: Mavimatt

Multifunctional furniture often involves moving or modular parts, requiring some action that can be cumbersome to undertake. Given human nature, owners are less likely to take advantage of these features, so a chair or table remains as they are throughout their lifetime. Metamorfosi, in contrast, is just a single piece with no moving or removable parts. It’s a single, hollow shape that simply looks like the outline of a splat or puddle from the side, but this seemingly random shape is actually what gives the chair its three functions.

It is, of course, first and foremost a chair, though one that seems to be more of an artistic interpretation of a chair. There’s room for only a single person, and the absence of armrests might make it feel less secure and comfortable. Despite its appearance, however, it’s still a table seat, and its creative design lets you lean back with confidence, knowing that it won’t flip over on its own.

If you do flip it over, it transforms into a low side table, one with a larger flat area in front and a smaller space on its back. It definitely boggles the mind how a chair with plenty of curves on its body in one moment can become a stable table the next. And if you flip it again, it becomes a makeshift bookcase whose corners prevent the books from sliding off.

The Metamorfosi, however, has a fourth function: enhancing the ambiance of a space with its unique beauty. These handmade chairs have a certain charm to them with their dynamic shapes and glossy hues. They’re as much a work of art as they are multi-purpose pieces of furniture, shattering expectations that multifunctional furniture needs to look technical and complex.

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Floating lamp illusion brings an air of mystery to your living space

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Lamps come in all shapes and sizes, but the one thing they have in common is that most of them come in a single piece and are anchored to the ceiling, wall, or even the floor. While there’s definitely nothing wrong with that, there’s also room for improvement when it comes to simplifying not only the design but also their installation and maintenance. Many lamps involve complicated wiring or installing fixtures in places that can clutter the space, physically and visually. This intriguing lamp design solves that in a peculiar way that ends up making the lamp look like it’s floating in midair, creating an atmosphere of magic and mystery in any space it’s in.

Designer: Paul Cocksedge

The most critical part of a lamp is, of course, the light source, but many lamps also need a way to direct or diffuse the light to make it less blinding. While most designs have these pieces in a single form, there’s no rule they have to be on a single body. Shade, whose name might not reflect its mesmerizing appearance, deconstructs and separates the design of a lamp into its two most basic parts, creating what is probably the most minimalist lamp design of all.

When lit up, Shade looks like a white conical lampshade eerily floating in the air, almost like a stereotypical ghost. Of course, it’s not literally floating but suspended by “capillary-thin” wires that are practically invisible unless you see them up close. But that’s only half the magic because the lampshade itself doesn’t have a light source. Instead, that comes from a small, can-shaped directional spotlight shining upward into the lampshade, creating the illusion of a floating lamp.

In essence, Shade separates the lamp into the shade and the actual light source, and neither is physically connected to the other. More than just creating this bewildering sight, this design also simplifies the installation of the lamp. No need for complicated wiring since the lamp can be set anywhere on the floor where the shade can be hung. You can also place the lamp anywhere as well, though you might want to put it somewhere safe and hidden, just to heighten the sense of mystery.

The construction of Shade itself is pretty simple, with the lampshade made of soft yet durably Japanese paper. This material not only gives the shade an almost pure white surface but also gently diffuses the light to a soft glow. The crumpled paper also gives it a unique visual texture that creates a subtle play of light and shadows, enhancing the lamp’s distinctive appeal even when the lights are off.

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