In a comprehensive battery life comparison from Simple Alpaca, among the latest iPhone 16 models, including the iPhone 16 Pro, iPhone 16 Plus, iPhone 16, and iPhone 16 Pro Max, surprising results emerged. The test aimed to determine which model offers the best battery performance under controlled conditions, running the devices at maximum brightness with […]
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The Braun Prize, first introduced in 1968, is an internationally renowned design competition that celebrates the power of innovation and craftsmanship in industrial design. Braun, the German design powerhouse behind the prize, has long been synonymous with iconic, minimalist, sensible design. Known for its clean lines, functional aesthetics, and products that marry form with function, Braun has shaped the landscape of product design for decades. Its influence is deeply rooted in the design world, inspiring generations of designers to prioritize simplicity, utility, and timelessness. With a rich legacy in creating everything from shavers to radios, Braun’s dedication to design excellence extends to the Braun Prize, which has become a benchmark for recognizing creative talent across the globe.
A key element that underscores the significance of the Braun Prize is its distinguished jury, which has, in the past, included design legends like Dieter Rams, Braun’s former Head of Design. Rams, one of the most influential figures in modern design, chaired the competition for several years, bringing his renowned “less, but better” philosophy to the forefront. Other notable figures, such as Peter Schneider and Dr. Fritz Eichler, have also shaped the competition with their expertise. This tradition continues in 2024 under the leadership of Prof. Oliver Grabes, Braun’s current Head of Design, ensuring the competition maintains its high standards of evaluating innovative ideas that fuse practicality with creativity.
For the 2024 edition, under the theme “Ideas to Keep,” Braun invites designers and inventors to participate by submitting projects that highlight both timeless design principles and forward-thinking solutions. Open to students and young professionals globally and held once every 2-3 years, participants have the chance to showcase their work on an international stage and compete for a prize pool totaling $50,000 USD. Designers can submit their entries via the Braun Prize platform, or if you’re looking for inspiration, scroll down to take a look at some Braun Prize winners from the previous edition.
Click Here to Submit Now. Deadline: 14th October 2024.
Mehmet Mehmetalioglu’s Drilling Targeting Systems (DTS) is setting a new standard in aerospace assembly. With the surge in aircraft production, DTS provides a much-needed solution for the intricate task of joining fuselage and ribs, enhancing workflows and reducing the need for highly skilled labor. The system employs ultrasonic technology in its modular target unit to accurately locate drilling points, while the drilling unit performs the task with precision, ensuring the surface remains undamaged. This innovation not only minimizes human error but also improves safety in aircraft manufacturing. Juror Stefan Schamberg commends the DTS for its intelligent design, top-notch prototyping, and its potential to elevate industry standards, underscoring Mehmetalioglu’s dedication to meticulous craftsmanship and forward-thinking solutions.
Tobias Trübenbacher’s innovative street light, PAPILIO, addresses the escalating issue of light pollution and energy consumption. As our cities grow taller and windier, so do the environmental challenges we face, including the 6% annual increase in artificial light worldwide. PAPILIO tackles these problems head-on with a Savonius wind rotor that generates its own electricity, significantly reducing CO2 emissions from public lighting. Designed to be both eco-friendly and effective, PAPILIO features a full-cut-off light that directs illumination downward, significantly decreasing its impact on insects and the environment. An infrared sensor ensures the light activates only when necessary, further minimizing unnecessary illumination. Juror Johanna Schoemaker admires the balanced design, highlighting the way the wind turbines’ graceful movement adds an aesthetic element reminiscent of a simple paper windmill. PAPILIO not only offers a functional solution but also enriches public spaces both day and night, making energy generation an elegant spectacle.
Maxwell Ashford’s RUEI-01 presents an innovative approach to shoe recycling, solving a challenging problem with precision and creativity. Unlike traditional recycling methods that struggle with mixed materials, RUEI-01 is a multi-material shoe designed for robotic disassembly. By embedding digital information directly into the shoe—including robotic g.code instructions and detailed material data—robots can separate and recycle each component accurately. This method ensures the production of high-quality recycled materials that can compete with new ones, significantly reducing waste and environmental impact from material extraction and production. Juror Sukwoo Lee praises the project’s forward-thinking solution and its practical execution, highlighting the impressive use of seam structures for robotic recycling and the robust presentation of research and prototypes. RUEI-01 exemplifies how contemporary tools and thoughtful design can revolutionize recycling practices, maintaining the durability and functionality of multi-material shoes while addressing pressing environmental concerns.
Shuai Li’s CANNE redefines CPR training with a self-directed, cost-effective solution tailored for developing countries. With more than 550,000 sudden cardiac deaths annually in China and a dismal less-than-1% out-of-hospital survival rate, CANNE addresses the urgent need for accessible and engaging CPR training. This innovative kit, made from corrugated cardboard, allows individuals to practice CPR independently using a smartphone app that leverages AR technology. The app offers real-time feedback through the phone’s camera and microphone, guiding users in identifying cardiac arrest, performing chest compressions, and proper ventilation. By making CPR training affordable, portable, and user-friendly, CANNE breaks down barriers related to cost, availability of qualified instructors, and motivation. Juror Li Ning Ning commends CANNE for its ingenious combination of common materials and sensor technology, highlighting its potential to boost CPR course participation and save lives. CANNE’s practical approach could significantly enhance public health by increasing out-of-hospital cardiac arrest survival rates, particularly in regions where traditional CPR training is challenging to access.
LIDfree, the ingenious creation by Chia Chun Chuang and Pei Chun Hsueh, tackles the escalating plastic waste problem exacerbated by the pandemic. In a world where plastic lid usage is rampant, LIDfree offers a sustainable alternative by merging the cup and lid into one cohesive unit using the art of origami. This revolutionary design features a hexagonal folding rim that collapses inward, eliminating the need for a separate plastic lid. Users can open and close the cup quickly, prevent spills, and enjoy the convenience of an eco-friendly design that accommodates straws of any width. By maintaining the familiar feel of a typical takeaway cup, LIDfree enhances user experience while encouraging eco-friendly habits. Made from a single type of paper, it simplifies the recycling process, allowing easy separation and flattening without mess. Juror applause highlights its stackability, ease of use, and clever incorporation of functionalities—traits that embody simplicity, elegance, and practical ingenuity. LIDfree proves that sustainable design can seamlessly integrate into daily life, supporting environmental protection effortlessly even during challenging times.
MonkeyBots, created by Georg Kloeck and Mohammad Moradi, revolutionizes the way we interact with digital notifications by transforming them into physical actions. These small IoT robots help liberate us from constant screen time by performing tangible tasks like clicking switches, rattling pill containers, or striking a gong to remind us of important activities. Designed to be secure and unobtrusive, MonkeyBots connect to your phone via Bluetooth-Low-Energy without microphones or cameras, ensuring privacy. They feature sustainably 3D printed add-ons that can grip, push, hit, or click almost anything, making them versatile tools for everyday routines. The design, compatible with LEGO and available in organic PLA or recycled PET, seamlessly blends into various environments. The jury applauded MonkeyBots for their ability to bring digital notifications into the physical world in a playful and creative way, offering endless possibilities without compromising user privacy.
Click Here to Submit Now. Deadline: 14th October 2024.
The post Braun Prize 2024: Submit Your Innovative Design for a $50,000 Reward first appeared on Yanko Design.
In What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. This installment has everything from jazz standards to The Jesus Lizard.
I wasn’t even a minute into Harlequin before I had the realization, Oh, I am going to become so annoying in my love for this. Unfortunately for everyone in my life (and doubly so because I’m singing along), I’ve had it blasting all weekend since the surprise drop on Friday. Gaga is a powerhouse, and as much as I adore her take on pop, I’m always blown away when I hear her do jazz. And Harlequin is brimming with it.
Harlequin is a companion album to a soon-to-be-released movie (Joker: Folie à Deux) and almost entirely comprises cover songs — a combination that might typically put me off. But Gaga’s breezy versions of classics like “World on a String” and “Smile” are almost chilling. Her energy in tracks like “Gonna Build a Mountain” is through the roof. I could have done without “Oh, When the Saints,” but I’m really just nit-picking now. There are only two original songs on the album and they are completely different beasts, each impactful in its own way. “Happy Mistake” is a clear standout, and I’ll be softly weeping to that one for years to come.
On the exact opposite end of the spectrum, I’ve been really into punk band Babe Haven’s most recent album, Nuisance, lately. It’s 25-ish minutes of queer femme rage and I can't get enough of it. Check it out on Bandcamp.
— Cheyenne MacDonald, Weekend Editor
Even laudatory reviews of comeback albums lean on expectations tempered with preemptive apology or pity praise. A comparison to headier days of musical urgency is inevitable; it stings for the same reasons as hearing "you look great for your age." I wish there were some way to take stock of Rack without that baggage, because The Jesus Lizard doesn't merely sound better than a band which took three decades off has any right to, it simply does not sound as though time has passed at all.
Rack broods with baffling inconspicuousness amid their oeuvre. Sure, "What If?" doesn't reach the slash and sprawl of earlier meanderings like "Rodeo in Joliet," but "Lord Godiva" glides on the most Duane Denison of Duane Denison riffs, lightning and crude oil. The manic physicality of David Yow's voice is unaltered — neither more harried after 60+ years of swinging at ghosts, nor attenuated by the effort.
So many bands seemingly frozen in amber reemerge denuded, as though covering themselves. They'd be frantically recapturing their glory days, if they had the energy to do anything frantic anymore. Rack, through sheer ferocity, is instead a band continuing to do exactly what it always has, just as well as it always has, and sounding really fucking cool doing it.
— Avery Ellis, Deputy Editor, Reports
There's a part of me that hates keeping up with pop music, and that's the part of me that cringes when I realize the last few albums I've listened to have been the ones by pop princesses Ariana Grande, Billie Eilish, Taylor Swift and more. That's also the part of me that resisted listening to Sabrina Carpenter's latest album for months (and probably the part of me that refused to watch the incredible Schitt's Creek until this year).
I say all that only to explain why I'm so late to appreciate the goodness that is Short n' Sweet. And the non-self-judgy part of me has unabashedly loved Carpenter's new music and been asking all my friends if they've listened to her songs. When I talked to my various friend groups about her, what became clear is how there's something for everyone, regardless of the variety in our tastes.
I'm a fan of R&B, hip hop and basically anything I can dance or sing to. The tracks "bet u wanna," "Taste" and "Feather" have become highly repeated items on my playlist and yes, I did go back into her older discography for some of those titles. However, my current absolute favorite is "Espresso." It's got a catchy hook, clever lyrics and a groovy beat that delicately straddles the line between upbeat and lowkey. I love the wordplay and how, when woven with the rhythm and melody, it initially sounded to me like Carpenter was singing in a different language. And as someone who works in tech and is occasionally a gamer, I especially adored the use of the words "up down left right," "switch" and Nintendo. Truly, rhyming "espresso" with "Nintendo" wasn't something I would have expected to work, but work it did.
But back to the point I was making earlier: Even if that sort of chill dance club vibe isn't your thing, there's plenty in Short n' Sweet that might appeal to you. I wasn't as huge a fan of "Please please please," for example, but I know friends who love it. And while "Bed Chem" and "Good Graces" aren't hitting my feels the same way "Espresso" is, those two are among her highest played songs on Spotify. I'm also starting to warm up to "Juno."
All that is to say, we all have different tastes. Maybe you're more of a Chappell Roan fan. I like some of her latest tracks too, just not as much as I've enjoyed Carpenter's. I also really enjoy the brilliance that is "Die With a Smile" by Bruno Mars and Lady Gaga, which is something I'll be adding to my karaoke duet repertoire, but am already playing less frequently nowadays. If you have a preference for music from the likes of Ariana Grande, NewJeans and Doja Cat, you'll probably have a good time with Sabrina Carpenter. And since I'm so late to the party, you probably have already.
— Cherlynn Low, Deputy Editor, Reviews
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/what-were-listening-to-harlequin-or-lg-65-rack-and-more-003037241.html?src=rss
This JBL speaker design stands out in the world of outdoor sound systems with its weather-resistant Garden Series, a line of speakers designed to deliver outstanding audio fidelity while blending seamlessly into various outdoor commercial environments. The series consists of the GSF ground-stake full-range speakers and GSB in-ground subwoofers, both tailored to provide expansive coverage in settings like shopping malls, theme parks, sports venues, and hospitality establishments.
Designers: Hoyean Kim and Huemen Design
One of the standout features of the JBL Garden Series is its blend of aesthetic appeal and practical durability. Available in subtle hunter-green and tan finishes, these speakers are crafted to harmonize with outdoor landscapes, making them both functional and discreet. Whether nestled in the greenery of a mall garden or set up in a bustling theme park, these speakers offer a stylish solution that withstands the elements while delivering premium sound.
The GSF cabinet’s design takes inspiration from nature, featuring a unique, leaf-like silhouette. This eye-catching design isn’t just for show, it serves a practical purpose, too. The grille extends over the speaker like a protective roof, shielding the system from rain, while an integrated drain hole ensures that water is efficiently channeled away. The result is a system built to thrive in unpredictable outdoor weather conditions without compromising on performance.
Incorporating branding into the speaker design without disrupting the overall aesthetic is a challenge the designers have expertly tackled with the Garden Series. The prominent JBL logo is subtly embedded at the top of the GSB subwoofer and on the back of the GSF cabinet, blending seamlessly into the speakers’ earthy design while still showcasing the brand’s heritage in audio excellence. This integration allows the speakers to maintain a clean look while also adding a touch of sophistication.
As with any JBL product, performance is at the heart of the Garden Series. The GSF full-range speakers are designed with a tweeter placed directly above an advanced waveguide, which is integrated into the front of the coaxial driver structure. This ensures superior sound distribution. Available in two sizes – 3-inch and 6-inch, these speakers offer flexibility for different sound needs, allowing users to tailor their setup to the specific acoustics of their space.
The GSB subwoofer is designed for flexibility in installation, offering both above-ground and buried options to optimize the sound environment. Its vertical form factor is particularly effective in enhancing the transmission of low-frequency sounds, creating a rich, immersive audio experience in any outdoor environment.
The GSF full-range speakers in the JBL Garden Series are designed with versatility in mind. With multiple mounting options, these speakers can be easily installed using a ground stake or mounted on horizontal or vertical surfaces using an L-bracket. This flexibility, combined with the speakers’ low-profile design, ensures they blend into their surroundings, whether they’re placed along pathways or mounted discreetly against a wall. Additionally, the adjustable hinge, equipped with a refined metal gear wheel-shaped groove, allows users to precisely aim the speaker for optimal sound coverage, ensuring no corner of the space is left silent.
The JBL Garden Series represents a perfect balance of form and function, offering a weather-resistant, high-fidelity audio solution for commercial outdoor spaces. With its distinctive design, integrated branding, and flexible installation options, this speaker system is an ideal choice for businesses looking to elevate their outdoor sound experience without sacrificing style. Whether you’re looking to enhance the ambiance of a shopping center, theme park, or sports venue, the JBL Garden Series is the ultimate solution for durable, stylish, and high-quality outdoor audio.
The post This Outdoor JBL Speaker is designed to Blend In as well as Stand Out first appeared on Yanko Design.
California Gov. Gavin Newsom has vetoed bill SB 1047, which aims to prevent bad actors from using AI to cause "critical harm" to humans. The California state assembly passed the legislation by a margin of 41-9 on August 28, but several organizations including the Chamber of Commerce had urged Newsom to veto the bill. In his veto message on Sept. 29, Newsom said the bill is "well-intentioned" but "does not take into account whether an AI system is deployed in high-risk environments, involves critical decision-making or the use of sensitive data. Instead, the bill applies stringent standards to even the most basic functions - so long as a large system deploys it."
SB 1047 would have made the developers of AI models liable for adopting safety protocols that would stop catastrophic uses of their technology. That includes preventive measures such as testing and outside risk assessment, as well as an "emergency stop" that would completely shut down the AI model. A first violation would cost a minimum of $10 million and $30 million for subsequent infractions. However, the bill was revised to eliminate the state attorney general's ability to sue AI companies with negligent practices if a catastrophic event does not occur. Companies would only be subject to injunctive relief and could be sued if their model caused critical harm.
This law would apply to AI models that cost at least $100 million to use and 10^26 FLOPS for training. It also would have covered derivative projects in instances where a third party has invested $10 million or more in developing or modifying the original model. Any company doing business in California would be subject to the rules if it meets the other requirements. Addressing the bill's focus on large-scale systems, Newsom said, "I do not believe this is the best approach to protecting the public from real threats posed by the technology." The veto message adds:
By focusing only on the most expensive and large-scale models, SB 1047 establishes a regulatory framework that could give the public a false sense of security about controlling this fast-moving technology. Smaller, specialized models may emerge as equally or even more dangerous than the models targeted by SB 1047 - at the potential expense of curtailing the very innovation that fuels advancement in favor of the public good.
The earlier version of SB 1047 would have created a new department called the Frontier Model Division to oversee and enforce the rules. Instead, the bill was altered ahead of a committee vote to place governance at the hands of a Board of Frontier Models within the Government Operations Agency. The nine members would be appointed by the state's governor and legislature.
The bill faced a complicated path to the final vote. SB 1047 was authored by California State Sen. Scott Wiener, who told TechCrunch: "We have a history with technology of waiting for harms to happen, and then wringing our hands. Let’s not wait for something bad to happen. Let’s just get out ahead of it." Notable AI researchers Geoffrey Hinton and Yoshua Bengio backed the legislation, as did the Center for AI Safety, which has been raising the alarm about AI's risks over the past year.
"Let me be clear - I agree with the author - we cannot afford to wait for a major catastrophe to occur before taking action to protect the public," Newsom said in the veto message. The statement continues:
California will not abandon its responsibility. Safety protocols must be adopted. Proactive guardrails should be implemented, and severe consequences for bad actors must be clear and enforceable. I do not agree, however, that to keep the public safe, we must settle for a solution that is not informed by an empirical trajectory analysis of AI systems and capabilities. Ultimately, any framework for effectively regulating AI needs to keep pace with the technology itself.
SB 1047 drew heavy-hitting opposition from across the tech space. Researcher Fei-Fei Li critiqued the bill, as did Meta Chief AI Scientist Yann LeCun, for limiting the potential to explore new uses of AI. The trade group repping tech giants such as Amazon, Apple and Google said SB 1047 would limit new developments in the state's tech sector. Venture capital firm Andreeson Horowitz and several startups also questioned whether the bill placed unnecessary financial burdens on AI innovators. Anthropic and other opponents of the original bill pushed for amendments that were adopted in the version of SB 1047 that passed California's Appropriations Committee on August 15.
This article originally appeared on Engadget at https://www.engadget.com/ai/california-gov-newsom-vetoes-bill-sb-1047-that-aims-to-prevent-ai-disasters-220826827.html?src=rssApple is planning to debut a new operating system called homeOS with its long-rumored smart displays, the first of which is expected to arrive as soon as 2025, according to Bloomberg’s Mark Gurman. Reports of a HomePod-like device with a display have been swirling for over a year, and Gurman said just this summer that Apple is working on a tabletop smart display equipped with a robotic arm that can tilt and rotate the screen for better viewing. In his latest report, Gurman says there are two versions in the works: a low-end display that will offer the basics, like FaceTime and smart home controls, and the high-end robotic variant that’ll cost upwards of $1,000.
We’ll reportedly see the cheaper version first — possibly next year — followed by the high-end display. Gurman previously said the robotic smart display could be released in 2026 at the earliest. You won’t have to wait for the premium model to get a taste of Apple’s vision for home AI, though. According to Gurman, Apple Intelligence will be a key part of the experience for both devices. The new homeOS will be based on Apple TV’s tvOS, he notes.
This article originally appeared on Engadget at https://www.engadget.com/home/smart-home/apples-rumored-smart-display-may-arrive-in-2025-running-new-homeos-212401853.html?src=rssThe LEGO Technic 8810 Café Racer traces its roots back to the early 90s when it was first released. The 80-piece set was a childhood buddy for kids of all ages and even adults into LEGO brick building on leisurely weekends. Also known as the Technic Alpha Racer, the model gains an average 3% yearly rise in value.
Going by its collectible worth, the LEGO café racer is a valid inspiration for animatronics creator Matt Denton who has developed a rideable LEGO Technic 8810 café racer made from 3D printed parts to preserve the attachable and detachable essence of the LEGO brick influence. Each of the individual parts is created from PolyLite and polycarbonate materials to emulate the snappable plastic blocks.
Designer: Matt Denton
Matt is known for his creations culminating from exposure to the engineering and design domain. The Star Wars BB-8 is one of them. Now the 33-year-old crafter has brought the LEGO café racer into a functional electric bike which is a monkey bike in its DNA. The two-wheeler can take the weight of an adult and like all monkey bikes is a handful when it comes to steering in tight spaces at low speeds. The specialist in Animatronics Control Systems had a different kind of challenge at hand in building this ride. So, he decided to use an e-bike kit that had a motor controller, screen, disc brakes, tires, and brake levers. Putting together the custom-built parts that resemble a LEGO brick and the kit’s components required more than a snap of two individual parts since the thing produced vibrations from the movement and engine noise.
To maintain visual aesthetics, Matt only used parts from the kit that were needed without breaking the LEGO-themed look. The 3D-printed handlebar and the position of the front wheel is determined to then move on to the headlights section. Then only he went on to finalize the frame and thereafter the foot pegs, suspension, axle and wiring were done. The final components on this LEGO monkey bike were the forks, seat, battery, water bottle and a bottle holder frame.
The only thing he then tests is the rideability and the ability to reverse. After making the final adjustments to the power, steering and brake balance, the LEGO Technic café racer is ready for the streets.
The post Scaled-up version of LEGO Technic 8810 café racer set by Matt Denton is a rideable electric monkey bike first appeared on Yanko Design.
Microsoft has always believed in giving gamers more options when we talk of accessories. This is true for the gaming controllers under the Xbox line, and we’ve seen plenty in the past. These include the Dune: Part Two, Deadpool Edition and the Remix Special Edition controller. Other unofficial options like the Assassin’s Creed Valhalla-themed controller and Do3D’s limited edition gamepads.
A more recent themed controller from Microsoft’s dedicated portal for experimentation, the Xbox Design Lab, really caught our attention for its translucent cool blue theme. Yes, I’m talking about the Xbox Wireless Controller – Sky Cipher Special Edition. On the same lines, Microsoft has not revealed the Ghost Cipher Special Edition Xbox Wireless Controller.
Designer: Microsoft
The gamepad has a transparent outer shell to expose all the innards in their bare form and working dynamics. The craze for transparent and semi-transparent gadgets is slowly taking over the tech community and I love it to the core. The Ghost Cipher Special Edition gamepad contrasts the see-through aesthetics with, a silver interior, grey joystick, and bronze accents on the triggers and D-pad for a very futuristic appeal. The buttons and the Xbox logo in white add a sophisticated charm to the mix.
This clear design will lure millennials who’ve seen the era of translucent iMacs, as well as Gen-Z who are accustomed to Nothing’s transparent design language. Coming at $70, the special edition controller is up for pre-order with a release slated for October 8. Expanding the Cipher Series are two new chromatic D-pad and paddle metallic designs called Energy Chroma and Sunset Chroma which create a hypnotic gradient that shifts colors based on the angle of viewing.
That’s not it as Xbox Design Lab has crafted shells for Elite Series 2 as well. Carrying translucent aesthetics these faceplates – Ghost Cipher colorless, Velocity Cipher green, Candy Cipher pink, Pulse Cipher red, Astral Cipher purple and Surf Cipher teal contrast with black handles to pep up your controller’s look. You can mix and match the color of the buttons and triggers for complete freedom of customization.
According to the Design Lab, these controller mod kits draw inspiration from the “90s and early 2000s, the Cipher Series brings six stunning transparent top case designs. These vibrant, candy-colored top cases encapsulate the controller’s metallic frame, showcasing both its external beauty and the advanced engineering within the Elite Series 2 controller. These customizations for the Elite 2 controller start at $150 and give you complete freedom to facelift your controller.
The post Xbox introduces appealing transparent controller and stunning customization options for Elite Series 2 first appeared on Yanko Design.
Discover the ASUS ROG Falchion Ace HFX, a compact 65% gaming keyboard designed for precision and speed, featuring customizable switches and rapid response.
The post ASUS ROG Falchion Ace HFX: Compact Gaming Keyboard Unveiled first appeared on Trendy Gadget.
Super shoes have become a key talking point in the running world, promising to improve performance and efficiency. These shoes are engineered to help runners go faster with less effort, thanks to innovative materials and construction. But what exactly qualifies as a “super shoe,” and how do they compare with regular running shoes? Let’s dive into what defines super shoes and how Nike’s Gyakusou Zoom Fly SP fits into this category.
Designer: Nike
Nike Gyakusou Zoom Fly SP
Super shoes are distinct from traditional running shoes due to their combination of ultra-light materials, responsive cushioning, and a carbon fiber plate embedded in the midsole. This design creates a spring-like effect, helping runners propel forward with less energy spent per stride. The foam used in these shoes is engineered for high energy return, meaning that when your foot hits the ground, the shoe gives you a lift-off sensation. For runners looking to improve their race times, super shoes offer an advantage in both efficiency and speed.
In contrast, regular running shoes prioritize comfort, support, and durability for daily training. They focus on protecting your foot from impact and offer cushioning for long-term use, but they don’t have the same energy-boosting properties as super shoes. Instead, regular shoes use denser, heavier materials that absorb shock but lack the responsive boost found in super shoes.
The main design difference in super shoes is their focus on making each step more efficient. Nike’s Gyakusou Zoom Fly SP, a collaboration with Jun Takahashi of UNDERCOVER, is a prime example of performance technology combined with creative design.
The shoe features a translucent upper that gives it a unique look and reduces weight. The upper is lightweight and breathable and provides a snug fit without the bulk of traditional materials, making it a practical part of the shoe’s performance-driven design. The reflective elements improve visibility during low-light runs, adding practicality to the design.
Nike’s Lunarlon cushioning absorbs impact while maintaining the bounce needed for long-distance running. The carbon-infused nylon plate in the midsole adds stiffness and responsiveness, providing smooth transitions from heel to toe and giving you that extra push during runs.
Nike Gyakusou Zoom Fly SP
Jun Takahashi’s influence is evident in the design and Gyakusou graphics. The shoe is built to perform well while offering a unique style for runners who appreciate function and design.
When I first tried the Nike Gyakusou Zoom Fly SP, I was struck by its lightweight and thoughtfully designed design. These shoes are engineered for performance and tell a story through their design. I quickly purchased both pairs before they sold out, and they’ve become a regular part of my running kit ever since.
The translucent upper gives the shoe a sleek, barely-there feel while keeping it breathable. The reflective detailing adds a practical safety feature for night runs. But the combination of Lunarlon cushioning and the carbon-infused nylon plate sets these shoes apart. With each step, the plate propels you forward, offering that extra boost when needed.
The Gyakusou graphics reflect Jun Takahashi’s vision of blending fashion and function. These shoes inspire confidence with bold design choices that work just as hard as the performance features.
When I first saw the Nike Gyakusou Zoom Fly SP, I was instantly drawn to its unique design and lightweight feel. I immediately fell in love with them and bought them without realizing they were classified as “super shoes.”
Nike Gyakusou Zoom Fly SP
After hitting the pavement in them, it became clear these shoes perform as well as they’re designed to. The lightweight materials felt seamless, almost like an extension of my foot. The carbon-infused nylon plate made a noticeable difference, providing an extra push with each step, especially during long runs when maintaining pace can be challenging.
The Lunarlon cushioning kept my feet comfortable even over longer distances, offering the right balance of support without feeling too soft. There’s an adjustment period if you’re used to traditional trainers, but once you get used to the feel, the energy return feels like a natural part of your stride.
And you don’t need to be a competitive runner to enjoy super shoes. I travel frequently and often find myself sprinting through airports from gate to gate. In cities like Tokyo, Barcelona, and Berlin, where walking and public transit are common, the Gyakusou Zoom Fly SP has become my go-to travel companion. Beyond comfort, they’re also lightweight enough to pack as a second pair of shoes. Whether navigating crowded terminals or getting around new cities, these shoes make travel easier.
The Nike Gyakusou Zoom Fly SP is built for runners seeking performance and style. With its lightweight design, responsive plate, and carefully thought-out details, these shoes are perfect for anyone looking to elevate their running experience. Whether aiming for a faster time or wanting a unique design that performs, these shoes do the job well without compromising comfort or aesthetic appeal.
The post What Are Super Shoes? Exploring the Design and Technology Behind Nike’s Gyakusou Zoom Fly SP first appeared on Yanko Design.