From Trash To Trendy: This Indian Startup is Recycling your Plastic Chips Packets into Stylish Shades

Ever wondered what happens to that packet of Doritos or Lays once you throw it in the trash? Chances are nothing. Thin plastic packaging (especially the metallic multi-layered kind used for chips/crisps) is notoriously difficult to recycle… which is why realistically, almost 0% of it actually does end up being recycled. “This is because flexible packaging results in a low-value, high volume, composite waste – up to 5-6 different types of materials – that is considered economically and technically impossible to recycle,” explains Anish Malpani, founder and CEO of Ashaya – a social enterprise that aims to increase the value of waste through technological and scientific innovations in recycling. The India-based company has, however, spent the last two years tackling this problem head-on, arriving at a unique solution – a way to turn these low-value plastic packets into granules that can then be injection-molded into sunglasses. Meet the ‘Without rSunglasses’, the world’s first (and only) sunglasses made from packets of chips!

Designer: Ashaya

What makes the plastic packaging used for your chips so great, is also what makes it so dangerous. It’s designed to be flexible, lightweight, low-cost, and single-use. Great for the consumer, but not so much for the environment. Trillions of these packets end up in landfills each year, and there’s really nothing much we can do about it. These packets are a majority of the waste collected by waste-pickers too, adding strain to their jobs with no reward because there’s no value in a trashed plastic bag. The folks at Ashaya hope to change that.

The Without rSunglasses look like your typical stylish wayfarers, but as the name suggests, they’re made without virgin plastic, without guilt, without harming the environment, and without exploiting workers. Each pair of matte-black frames contains up to 5 recycled plastic packets that are thrown in the trash. Ashaya’s team of waste-pickers collect the trash from in and around the city of Pune, bring it to the lab, and process the plastic packets into ready-to-mold granules. The result is a pair of frames that look so perfect, you’d think they’re made from virgin plastic… and thanks to Ashaya’s unique business model, the waste-pickers also benefit directly from all of the rSunglasses’ sales.

The frames are made using a patent-pending process that doesn’t just recycle plastic, it invigorates it too. Ashaya’s team chemo-mechanically extracts materials from plastic waste, converting the waste into high-end products that feel just like regular plastic and have the same long-lasting properties too. Each pair of spectacles recycles up to 5 packets of plastic, and although that might not sound like much, the Ashaya team is hoping to scale the technology up. The Without rSunglasses are just their first product, with plans for other plastic items in the pipeline.

UNDP estimates that India alone generates 65 million tonnes of waste each year

The patent-pending chemo-mechanical process to extract plastic from single-use packets

The sunglasses aren’t the only bit of innovation here. Ashaya actually hires its own waste-pickers, pretty much covering the entire supply chain. These otherwise marginalized professionals are made a part of Ashaya’s operations in a more substantive way, with the company following a profit-sharing model with the waste-pickers, ensuring that they’re compensated fittingly for their work. Profits from the sales of Without rSunglasses go towards helping the children of waste-pickers get a quality education, ensuring they have a bright future.

“Waste pickers in India are the backbone of the recycling industry in the country yet there is no formal economy for them. They are informally employed – no contract, no protective gear, no health insurance, while earning only daily wages based on the type of waste they encounter,” says Malpani. “It’s also a generational occupation – once you’re a waste picker, there’s a high probability your child will also become a waste-picker.”

“Our mission at Ashaya is to increase the value of waste, and fairly redistribute that value to stakeholders in the supply chain, especially those who are the most exploited: waste-pickers; to bring them permanently out of the cycle of poverty, while also making our planet better,” Malpani adds.

The post From Trash To Trendy: This Indian Startup is Recycling your Plastic Chips Packets into Stylish Shades first appeared on Yanko Design.

Top 10 Sustainable and Eco-Friendly Smartphones

Smartphones are probably the most common and most widespread consumer electronics today. Almost everyone has one or at least a non-smart cellphone. Some people even have different devices for work and for personal life. And while it’s not uncommon to see people desperately holding on to their phones despite cracked screens, some people do switch models as often as they change wardrobes, trying to keep up with the latest trends and technologies. What all these mean is that, just as there are millions of smartphones out there, there are just as many discarded devices and parts that litter our planet. But the harm that these modern-day necessities does to our planet isn’t just limited to the end of their life. Right from their very birth, they already have adverse effects on the environment, even if not directly. As dire as all these might sound, there is finally light at the end of the tunnel as manufacturers finally taking notice and acting responsibly. The idea of an environment-friendly phone might have been alien a decade ago, but now we can even list the Top 10 smartphones that are making a positive impact on the planet.

Designer: Fairphone

Fairphone 4

When it comes to sustainability, there’s no doubt that the Fairphone is king. It checks off all the right boxes, from choosing not only sustainable materials but also conflict-free sources. Even before the “Right to Repair” trend finally hit the larger brands, Fairphone was already providing the knowledge, tools, and parts that make repairing your own phone almost trivial. It might not be the fulfillment of the modular phone dream of Project Ara, but the Fairphone at least lives the implications of what a modular phone would mean in practice: the ability to easily swap out parts when you need to.

Where the Fairphone lags behind a bit is in offering the latest hardware features. The current Fairphone 4 flagship, for example, is an early 2021 mid-tier phone that offered pretty much only the basics. For people who do only need a reliable handset that will last them for more than just a few years, the Fairphone 4 definitely fits the bill. For others that might want a bit more, there are fortunately now more choices to consider.

Teracube 2e

Fairphone might have been the pioneer, but there are definitely others that took up the challenge to follow in its footsteps. One of those is the Teracube 2e, which found its success in crowdfunding. Fairphone, it is clearly not, but it does bring one of the most desired features that have long been lost in the age of modern smartphones: swappable batteries. Changing the battery is as simple as removing the biodegradable case and lifting the battery up, letting you quickly extend the life of your phone with a spare.

Designer: Teracube 2e

Packaging is also very minimal, throwing out the charger, and using soy ink and recycled paper for printed materials. The Teracube 2e does step a bit backward when it comes to the hardware specs, but it makes up for it with its killer price and four-year warranty. The latter is something that even bigger phone makers don’t dare offer, making this sustainable phone a true trailblazer in that regard.

Shift 6mq

There are plenty of aspects that make a phone sustainable, with repairability and the use of environment-friendly materials at the very top. There is, however, another angle often taken for granted: the sustainability of human resources. This means requiring safe working conditions, which includes the safe and responsible sourcing of fair and conflict-free materials. This is where German company Shift shines the brightest, focusing on making working conditions safer and more humane, and removing controversial materials that have resulted in poor working conditions, particularly in mining for minerals.

Designer: Shift

That said, the Shit 6mq, its current flagship phone, is no slouch in terms of repairability. In fact, Shift leads the pack when it comes to offering features that are close to today’s flagship standards. Unfortunately, the brand serves a very specific market only, limiting the reach of what could otherwise be the top sustainable phone today.

Nokia G42 5G

The old Nokia was notorious for its innumerable handsets but also popular for their durability and longevity. That’s a distinction that the modern caretakers of the Nokia brand seem to be keen on regaining as well. HMD Global just launched its second repairable phone, the Nokia G42 5G, proving that its commitment to sustainability wasn’t just a one-time fluke.

Designer: HMD Global

Compared to the previous three, the Nokia G42 5G easily disguises itself as a “normal” mid-range phone with a stylish design that stands out in a good way. That aesthetic, however, belies how relatively easy it is to open up and repair, at least compared to its peers. Its process isn’t as effortless as the Fairphone, mind, but it’s the closest you’ll get to an easy-to-repair phone from a well-known brand.

Realme GT 2 Pro Paper Edition

So far, the sustainable phones we’ve seen on this list might be branded as looking a bit drab or even cheap, except perhaps for the aforementioned new Nokia model. On the one hand, it’s understandable that manufacturers are more focused on making the design more durable, more modular, and easier to repair rather than fussing over their looks. On the other hand, it means there’s still plenty of room for improvement in this space. In the meantime, there are other ways to make smartphones more sustainable without going all out, and Realme showed us how with its special “Paper Edition” GT2 Pro in early 2022.

Designer: Realme

The two most notable things about this premium flagship are its unique appearance, designed to mimic both the look as well as the feel of paper. In fact, the material used for that cover is a sustainable bio-based polymer, which is the Realme GT2 Pro’s second special feat. It was sadly a one-time designer edition, but it did demonstrate what was possible in this area once the right pieces and creative minds are in place.

Samsung Galaxy S23

Samsung has the biggest number of smartphones in the market, potentially making it the worst offender in polluting our planet with e-waste. Fortunately, it has become more aware of its effect on and responsibility to the environment, and it has thankfully been taking important steps to improve that. Small steps they may be, but they all add up in the long run. The Galaxy S23 series, for example, isn’t just Samsung’s latest and greatest, it also happens to be the poster child for its sustainability initiatives.

Designer: Samsung

Samsung has been talking a lot about how it has started to use recycled ocean plastics for a growing number of parts for its smartphones. This year, in particular, also saw an increase in the use of recycled aluminum and glass on the phone itself, as well as recycled paper for the packaging. Although it’s easy to scoff at how small these steps are, it’s important to also consider that it is Samsung making them, which is pretty much a free advertisement for sustainable phones in general.

Apple iPhone 14

Unsurprisingly, Apple also makes the list, and not just because it started the trend of excluding chargers from the phone box. Just like Samsung, the famed company has been making baby steps in using more sustainable materials and practices in making its phones. The iPhone 14 uses more recycled materials and fewer conflict minerals. It might even be its most repairable iPhone yet. Apple has also been very good at keeping its products updated for years, delaying their obsolescence and demise in landfills.

Designer: Apple

Apple’s biggest contribution to sustainability is the fact that it’s taking up the cause as well. As a role model for many other companies, its adoption of sustainable practices, including the right to repair its phones on your own, helps encourage other companies to do likewise. Other companies are often accused of copying Apple, but this is one aspect we certainly hope they copied more.

Sony Xperia

It might come as an even bigger shock that Sony is on the list (after the shock of learning that it’s still making smartphones). Although it has dialed down its production and sales, the brand continues to put out smartphones that admittedly challenge the status quo, either in their designs, their screens, or their cameras. Given its low presence, it’s also easy to take for granted how it’s also been taking steps to reduce its negative impact on the environment in its own small way.

Designer: Sony

In addition to the now-expected reduction of plastics and the use of recycled paper in packaging, Sony has also been increasing the use of recycled materials in its Xperia phones. It has even created its own “Sustainable Oriented Recycled Plastic” or SORPLAS that adds flame-retardant properties to recycled plastic, a must-have for consumer electronics like phones.

Nothing Phone (1)

As a phone that’s supposed to turn the market on its head through more transparent design and business practices, there is definitely a need for Nothing to do something in taking bigger steps toward sustainability. That said, Nothing is also a small and young company, so it won’t be fair to judge it by the same measure as larger and older companies. Fortunately, it doesn’t disappoint.

Designer: Nothing

It uses 100% recycled aluminum for its frame and 50% of its plastics are made either from bio-based or post-consumer recycled plastics. For its packaging, it uses soybean-based ink and recycled fiber, throwing out plastic from the box completely. It’s pretty much setting up a challenge to the rest of the industry: if Nothing can do it, everyone should be able to as well.

Google Pixel 7 Pro

Although it has been making the Android mobile platform for years, Google is a relatively new player in actually making phones. Of course, that means that it should have all the data and knowledge from its hardware partners on how to steer the ship right from the get-go. Although there’s no helping the carbon emissions of its massive data centers, the tech giant is at least going in the right direction when it comes to making sure its phones do minimal damage to the planet.

Designer: Google

The latest titleholder, the Pixel 7 Pro, makes generous use of 100% recycled aluminum, while accessory cases for the Pixel phones contain as much as 70% recycled plastic. Beyond just the materials, Google is banking on its long-term software support for the Pixel phones to keep them longer in people’s hands. Its sustainability strategy also extends to its supply chains, investing in safer working conditions and similar efforts. With all the resources under its fingers, it will be more shocking if Google didn’t do its due diligence in keeping the planet green.

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3D-printed pendant lamps spin beauty out of recycled ocean plastic

There’s a reason why plastic is so widely used despite all the campaigns against its negative impact on the environment. They’re cheap to make, somewhat durable, and quite long-lasting. That last part is, of course, the problem with this material, especially when they end up in our waters. The ideal solution would be the completely get rid of the use of plastic, but that is neither realistic nor feasible in the short run. In addition to reducing our reliance on this harmful material, we also have the ability to repurpose plastic these days and use them in ways they weren’t initially designed for. They can, for example, become the foundations of other products, like these pendant lamps that take those ocean-bound wastes and transforms them into beautiful pieces for your home.

Designer: LightArt

We always hear the exhortation to reuse or recycle plastic, but, truth be told, there is only so much you can do with used products, at least without changing them drastically. It admittedly takes a lot more energy to actually break down plastic into new usable material, but it also offers more flexibility in what can be made, especially with today’s 3D printing technologies. These lamps, for example, use 100% recycled polypropylene plastic that has been turned into pellets that are then fed to 3D printing machines.

That process is the simplified version, however, because different kinds of plastic result in different properties. Nearshore plastic like fishing nets, trawls, and ropes, for example, result in a greenish color that gives the Seagrass pendant lamps their verdant hues. The creamy tones of the Sea Foam set, on the other hand, are the result of using ocean-bound plastic bags and water bottles without additive coloring.

The Ocean Coil pendant lamp collection isn’t just about upcycling plastic, however. There is also clear craftsmanship involved, especially in how the lamps look like hand-spun pottery. You definitely wouldn’t have guessed they were practically made from trash because of their elegant appearance, which is precisely the point. The lamps prove that there doesn’t have to be any significant difference between products made from virgin plastic and those spun from recycled ones.

Of course, the process of turning recycled plastic into stunning products isn’t an easy one, at least not yet. There is definitely plenty of room for improvement, especially in minimizing the energy and water requirements when turning plastic into usable pellets. There’s also research to be done on how to better handle this relatively new material, but as the Ocean Coil pendant lamp collection proves, it’s definitely worth all the time and effort in making this journey.

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Duffy London sustainable coffee table is inspired by candies and aliens

When grownups talk about aliens and flying saucers, they often imagine eerie creatures and skin-crawling aerial vehicles that sometimes induce nightmares. Kids, in contrast, probably have more fun ideas about these otherworldly creatures, conjuring up images filled with all the colors of the rainbow. In the midst of all the hustle and bustle of modern life, we sometimes find ourselves reminiscing those figuratively and literally sweet days of our childhood, free to let our imaginations fly and come up with the most creative answers to the mysteries of the universe. Now you don’t have to wait for stress to make you long for those sugar-infused days with this coffee table that transports you to the past while keeping a close watch on the future of the planet.

Designer: Duffy London

Although they are known to be terrible for our teeth and our long-term health, there’s just no escaping the fact that sweets, especially bright-colored candy, can evoke feelings of joy and fun, calling to mind the simpler days of our childhood. Even things that would normally instill fear or dread are made less menacing when transformed into candies and marshmallows, whether they’re monsters, ghosts, or aliens. That’s why even if the shapes refer to extraterrestrial transportation, the Flying Saucer Coffee Table remains firmly rooted in the harmless, candy-filled tradition of Earthlings.

The entire ensemble is made up of three large UFO shapes in tasty candy colors holding aloft an even larger glass disc that serves as the tabletop. The combination, especially if viewed from the top, is reminiscent of those glass jars holding innumerable gobstoppers that make our mouths water at the mere sight of them. Beneath the UFOs is a steel base plate that creates a perpetual shadow for the flying candies, regardless of the light source.

Candy-like objects are often made from plastic, and the Flying Saucer Coffee Table is no different. What makes it different is that all the thermoformed plastic used in the product is sourced from recycled materials, particularly from food packaging that makes up about 75% of London’s domestic plastic waste. In that sense, the coffee table is an almost ironic reminder to mind the planet we’re on, even while looking to the heavens for inspiration.

The Flying Saucer Coffee Table is another striking addition to Duffy London’s “art-as-furniture” collection, composed of eye-catching yet functional pieces that bring life to any space in more ways than one. Rather than an otherworldly atmosphere that the UFO shapes might suggest, the table’s whimsical design encourages onlookers to live life to the fullest, sprinkle a bit of joy and child-like wonder into their life, and maybe even get a sweet treat once in a while.

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Acer Aspire Vero 15 laptop and Vero projector offer sustainable productivity and entertainment

Modern life has become surrounded and dependent on consumer electronics, from the appliances we use day in and day out to the smartphone that almost never leave our hands. While these products bring convenience to our lives, they often come at the cost of the planet’s health, especially when we buy them left and right without considering where and how they are made. Fortunately, manufacturers are taking note and have started producing more eco-friendly options for consumers. In the midst of a new batch of computers and accessories, Acer is expanding its green Vero family with a 15-inch laptop and a brand-new laser projector to offer a more sustainable way to work, play, and enjoy life.

Designer: Acer

Acer Aspire Vero 15 Laptop

Although desktop computers still have a spot in the market, especially in gaming, most people prefer to have a laptop that they can bring with them outside or even just around the house. There is an almost overwhelming amount of models available across dozens of brands, making it difficult to pick one to buy. If you’re the type to be conscious of the impact of your purchases on the environment, then the new Acer Aspire Vero 15 AV15-53P is something you should look into.

Although it still has the conventional parts found in all laptops, the Aspire Vero 15 boasts a more eco-conscious design that brings the amount of post-consumer recycled (PCR) plastics used in the chassis from 30% to 40%. This chassis is also made with 30% fewer carbon emissions and doesn’t use paint for its eye-catching appearance. The laptop is also made to have an extended life thanks to standardized screws that simplify repairs and recycling when the inevitable happens.

Breaking misconceptions about products that use recycled materials, the Aspire Vero 15 doesn’t skimp on performance with a 13th-gen Intel Core i7 processor, a spacious 15.6-inch Full HD screen, up to 16GB of memory, and up to 1TB of M.2 SSD storage. The Acer Aspire Vero 15 AV15-53P launches in June with a starting price of just $699.99.

Acer Vero Projector

There are many people these days who have replaced their TVs with home projectors for ultimate flexibility. This growing segment of consumer electronics represents an opportunity to start on the right foot with more sustainable practices from the get-go. There are plenty of areas where things can be improved, and Acer’s newest laser projector focuses on not only reducing energy consumption but also reducing your electricity bill.

The Acer Vero PL3510ATV projector touts an advanced laser-light projection system that promises 48% less power consumption thanks to the use of super laser phosphor illumination technology. Despite that lower figure, it still manages to put out a bright 4,800 ANSI lumens projection and sharp Full HD resolution. The mercury-free projector also uses 50% PCR plastic in its chassis to further reduce its overall impact on the environment.

In addition to its sustainability bragging rights, the Vero PL3510ATV projector also has some smart chops with 2D keystone and four-corner correction that automatically adjusts the projection to any viewing surface. In addition to directly connecting video sources, the projector also comes with an Android TV dongle for an even wider selection of things to watch or play. The Acer Vero PL3510ATV projector will be available only in EMEA markets starting in September for 1,399 EUR ($1,540).

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This Cone-shaped Chair amplifies the sounds of the river in front of it to help you calm down

The chair’s unique design works the same way cupping your hands around your ear helps you hear better. Dubbed the Amplification Of The Senses Chair, this unique piece of public furniture can be found placed along the banks of the Han River in Seoul. Designed to be a place where citizens can go for a moment of reflection, relaxation, and tranquility, the chair’s unique design gathers sounds from around the river and channels them toward your ears, creating a unique ASMR experience that helps relax and rejuvenate you. “This river is one of the few places to feel nature in this polluted city,” said designer Eun Whan Cho, who was commissioned to make the chairs by the Seoul Metropolitan Government. “When we sit on these chairs, the sounds of trees and rivers are amplified,” he adds. The megaphone-shaped backrest of the chair not only heightens your sense of hearing but also blocks out your peripheral vision, allowing you to completely focus on what’s in front of you and helping your mind drown out any distracting thoughts and emotions.

Designer: Eun Whan Cho (Mootaa)

The chair’s clever design turns sitting into a much more intense activity by enhancing your hearing in a way that makes you concentrate on the tranquility of nature. Doing a much better job at boosting your focus and reducing your stress than any lo-fi playlist on YouTube possibly ever could, the bench acts as a place where you go to give your mind a break. You’re surrounded by nature, fresh air, the smell of grass, and the sounds of water rippling, birds chirping, and tree branches rustling in the wind.

The chair’s focus on nature is dual-fold. Not only does it physically help you connect with nature, it’s entirely made from recycled plastic waste too. Waste around Seoul is gathered, cleaned, and pulverized into tiny chips of colored plastic that are then bound with a resin and applied on large molds. Once the resin cures, the massive pieces are de-molded and assembled to form the chairs. Each chair removes a significant amount of plastic from entering landfills or becoming ‘nature’s problem’. In a way, the chair’s purpose, as well as its construction both, have a cleansing effect. The chair’s design cleanses the environment of plastic, and sitting on it helps cleanse the human’s mind of any distracting thoughts!

Each bench is meticulously hand-cast by applying a resin-suspended composite of recycled plastic chips onto large molds.

Plastic waste for the chairs began being collected in 2018, and the Seoul Metropolitan Government plans to manufacture and install the chairs on the promenade around the Han River by 2026.

The Amplification Of The Senses Chair is a Silver Winner of the A’ Design Award for the year 2022.

The materials that make up the bench are obtained by crushing plastic waste in Seoul.

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Sonos Era 300 Review: Spatial Audio with a Heart

PROS:


  • Strong sustainability efforts

  • Excellent sound quality

  • Distinctive design

  • Easy to setup and use

CONS:


  • Inconsistent spatial audio performance

  • No Google Assistant support yet

  • Single USB-C slot for both line-in and Ethernet

  • Very expensive

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Sonos Era 300 offers impressive sound quality wrapped in a unique, environment-friendly design, though its unreliable spatial audio performance makes its rather high price tag a bit harder to swallow.

There is a staggering number of wireless and smart speakers in the market today coming from numerous brands both big and small. But even before Amazon dumped the Echo on people’s tables, Sonos was already making a name for itself in the industry. With today’s confusing plethora of smart speakers, there is an urgent and critical need to stand out, and not just by looking different, though that also works for a brief period of time. Sound quality is almost a given, so the competition often turns toward new features and traits that set speakers apart. The new Sonos Era 300 has the trending Spatial Audio as its battle cry, but it’s far from being its most distinctive feature. In fact, it could even be its weak spot, so we gave it a test to check if it is truly worth its weight in gold.

Designer: Sonos

Aesthetics

From the very first moment you lay eyes on it, you can immediately tell that the Sonos Era 300 is not your run-of-the-mill smart speaker. Most of its peers would come in simple shapes like cylinders or boxes, but the Era 300 seems to have a different form depending on which side you’re looking at. From the front, it would seem like it’s a normal oval speaker, but looking at its tapered halves from other angles makes it resemble an hourglass instead. In addition to its large size, there is no way the Era 300 won’t catch your attention, though it’s debatable whether your appreciation of its design will be favorable or not.

The shape that Sonos chose isn’t just for the sake of being visually different, though. For the designers, it’s the only shape that makes sense, given how the different drivers are arranged inside. There are two woofers, one on the left and the other on the right, and four tweeters facing up, forward, and sides. Their positions aren’t by accident, either, since each one has a specific role to play. The two woofers at the sides, for example, deliver powerful yet balanced bass, while the front-blasting tweeter takes care of vocals and high ranges. The tweeter at the top directs sound to the ceiling so that it would reflect back down to create a more believable spatial audio experience.

This extra-large Sonos speaker comes in black or white options, but it is the latter that has a more interesting story to tell. In line with its sustainability goals, the Era 300 uses 40% post-consumer recycled plastics, and those in the manufacturing industry know how the nature of the material can affect the final color. It’s difficult to hit the nearly pure white that some products have when using recycled plastics, so Sonos opted for a softer shade of white that happens to blend better with home interiors. Perhaps it’s time for the birth of a new “Responsible White” color.

It’s hard to argue that the Sonos Era 300 has a unique and quite memorable design that you won’t find on other speakers, though it’s debatable whether most will find it aesthetically pleasing. The best parts of its design, however, are the ones that you won’t see or even read about, like its sustainable design and innovative driver arrangement. Fortunately, those don’t detract from the speaker’s value as long as it actually sounds great.

Ergonomics

The Era 300’s large size may be justified, but that doesn’t exactly make it less problematic. At 4.47kg, it’s not something you’d move around a lot anyway, but it does mean you’ll want plenty of space for it on a shelf or table. A better option would be to put it on a very minimalist stand built especially for the speaker, though that will send you back around $169 on top of the speaker’s price.

Fortunately, you won’t be juggling it around so much to use it because all of its most important functions are either on its top or accessible through a paired mobile device. There are capacitive touch controls for playing, pausing, and skipping tracks, as well as a groove made for adjusting the volume. There’s a speech bubble icon there as well for disabling the voice assistant temporarily, but if you’re really concerned about privacy, there’s a hardware switch on the speaker’s back to mute the mic.

Setting up the Sonos Era 300 is just as easy. You just need to download the Sonos app on your phone, create or log into your Sonos account, and add the detected speaker there. You’ll need to connect the app with music streaming services if you’ll be using those as well, but the process will be pretty familiar to anyone who has handled Bluetooth speakers before. Sonos also has a special fine-tuning feature called Trueplay, where it can automatically change its settings depending on where it’s located in a room. It does so by listening to its own sound output using the built-in mic, which is as easy as just letting the app run the tests. For more accurate tuning, however, there’s an “advanced” manual mode that requires walking around the room with an iPhone or an iPad.

Performance

With no less than six drivers inside, you’d expect the Era 300 to sound fantastic. Fortunately, it doesn’t disappoint. The audio coming from the speaker is nothing short of phenomenal, with loud and full sound across the board and frequencies coming out clear and distinct. With how powerful the bass comes out, those not familiar with the Era 300’s specs might presume there’d be a subwoofer hidden somewhere. The angle of the drivers definitely creates that stereo effect, though the audio industry has started moving toward another direction when it comes to surround sound.

Spatial Audio is the new hype in the industry, promising a 3D surround sound experience without the multitude of speakers. It’s still in its infancy, but the who’s who of the market are jumping at the opportunity to blaze a trail, and Sonos is no different. In fact, you could say that Spatial Audio is the headlining feature of the Era 300, or at least it’s supposed to be. In practice, it sounds like one of the speaker’s very few flaws. The experience of Spatial Audio on this large audio equipment seems to be a hit or miss, depending on what you’re playing. Sometimes, the difference from the regular stereo version is as clear as night and day; other times, it might take a true audiophile to discern the nuances. There are even some cases where the Dolby Atmos Spatial Audio version sounds a little bit worse than the original because of the larger amount of reverb. This is especially true for music remastered to be compatible with Spatial Audio, and you will have better luck with newer pieces recorded with Spatial Audio in mind right from the start.

In short, the Sonos Era 300’s key feature seems to be its weakest, but that doesn’t erase the fact that it is still a strong and solid speaker without the Spatial Audio feature. The slightly good news is that there are still too few albums and services that offer Spatial Audio, so you can keep on enjoying quality sound from the Era 300. Unfortunately, that also means you might be paying for technology that you might be using most of the time anyway, which makes the cost of the speaker feel a little too steep.

While the speaker is already powerful on its own, disregarding the Spatial Audio spiel, it can also be used in tandem with other Sonos products for an even more immersive listening experience. For example, pairing two Era 300 speakers will create an actual stereo speaker setup, though you won’t be able to control which is the left and which is the right. If you want a more traditional 7.1.4 surround sound setup, you can combine a Sonos Arc, two Sonos Era 100s in the front, and two Sonos Era 300s in the back, though that will definitely burn a hole through your wallet as well.

As a wireless speaker, the Era 300 has support for almost all possible sources, from streaming services to Bluetooth devices. As a smart speaker, you can control it using your voice via Amazon Alexa or the company’s own Sonos Voice Control. In the past, Sonos speakers supported Google Assistant as well, but recent events seem to have muddled relationships between the two. Sonos thankfully included options for wired connections, but you might have to spend extra for that capability. There is a single USB-C port on the back for external sources, but you will need a USB-C to Line-in Adapter if you want to connect a traditional 3.5mm jack. The speaker can also connect via Ethernet, but you will have to buy the Sonos Combo Adapter for that as well.

Sustainability

Spatial Audio might be the Era 300’s key feature, but its strongest point might be the one that buyers might never know about. More than just a revolutionary new look, the speaker represents Sonos’ strongest sustainability effort as well, and it goes beyond just using some recycled material. Of course, that’s important as well, and both black and white versions of the speaker use 40% post-consumer recycled plastics, which is still a large portion considering how few speakers today even use recycled plastics.

Sonos, however, is taking a more holistic approach to sustainability, going beyond manufacturing and shipping and stepping into the “use phase” when the speakers are already in consumers’ hands. The company takes into account the greenhouse gas emissions generated by using the speaker itself, especially when they’re left on standby. To help reduce that figure, the Sonos Era 300 and its smaller sibling, the Era 100, use less than two watts of power when idle.

The very structure of the speaker itself was made with longevity in mind, even if you can’t easily repair the speaker yourself. The speaker was made to be easily disassembled at the end of its life so that parts can be quickly sorted and reused or recycled if possible. The Era 300’s grill uses velcro to attach to the system rather than being bonded to the frame directly. This would make repairs by authorized service providers a bit easier while also making it more convenient to refurbish speakers for sale later on.

And, of course, there’s the packaging, which uses 100% recyclable materials. Such materials often get a lot of flak for their durability, but Sonos has ensured that not only is the Era 300’s box more long-lasting, but that it also looks and feels as premium as the speaker that’s lying inside. There are plenty of smart speakers littering the market today, but only the new Sonos Era speakers can proudly claim they’re designed not to litter the planet.

Value

Getting straight to the point, the Sonos Era 300 is one expensive piece of audio equipment, though it’s not the company’s priciest product either. At $450, it sits well below the Sonos Five, which has been hailed as the speaker to beat in this family. At the same time, however, you can have two $250 Sonos Era 100 speakers to create a true stereo setup for just a little bit more. It’s always a matter of balancing the pros and cons, and, unfortunately, the scales tip slightly against the Era 300 in this aspect.

Make no mistake; the Sonos Era 300 is an excellent speaker, producing solid audio that can embrace you in rich tones on all frequencies. Its key feature, however, is Spatial Audio, and it’s the one area where the speaker doesn’t put its best foot forward, not for the lack of trying. When you consider that there are two other speakers that support this technology at half the price, you might easily feel that the Era 300 is a tad overpriced. That said, this is also Sonos’ most sustainable speaker yet, and a purchase of the Era 300 could also be seen as a sign of support for this effort.

Verdict

For years, audio engineers and musicians have been trying to find ways to recreate how we naturally hear sounds but using as few speakers as possible. The latest technology to attempt that is being marketed as Spatial Audio, and the Sonos Era 300 is one of the extremely few wireless speakers that try to deliver that to music lovers and audiophiles. That technology is still in its infancy, and it definitely shows in the inconsistent performance of the speaker, depending on the kind of music and how it was made to embrace Spatial Audio.

If you manage to overlook this one major flaw and its high price tag, the Sonos Era 300 definitely meets the expectations of a powerful, high-quality stereo speaker. Its unique design is definitely eye-catching, and its ease of use is a breath of fresh air in the midst of advanced but complicated smart speakers. Sonos definitely deserves kudos for its sustainability efforts that cover manufacturing, packaging, and even “use phase” emissions. It is definitely a solid performer, which justifies the costs a little bit. It just might be ahead of its time, given how the world isn’t completely prepared for Spatial Audio just yet.

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This beautiful recycled trash can is a fitting descendant of the Vipp Pedal Bin

A trash can that uses a pedal to open its lid might be painfully ordinary today, but back in 1939, it was a mind-blowing radical design. Imagine not having to get your hands dirty to open a bin but still having a cover to keep the area sanitized. Vipp’s Pedal Bin became the prototype for many such pedal-equipped cans since then, but the company has managed to stick true to the original’s iconic appearance. Almost 84 years later, Vipp is giving that classic a bit of an upgrade, not by changing its design but by changing what it’s made of. After all, what better way to inspire a recycling mindset than with a rubbish bin that’s literally rubbish.

Designer: Vipp

It’s definitely too easy to take trash bins for granted. Because of their association with trash, they are often placed out of sight or at least in corners that don’t get too much attention. Even ones in offices that contain nothing but paper or a few bits and pieces of plastic are often shoved under desks. In stark contrast, the Vipp Pedal Bin has always had a peculiar beauty to its simple form, and it develops an even more distinctive character in its new Rubbish Bin incarnation.

At first glance, the new bin is exactly like the old one, sporting the same cylindrical shape above a wider circular base, topped by a stainless steel lid that deftly opens up when you push down on the pedal. Upon closer inspection, however, you will notice that the typical powder coating of Vipp’s regular bins gives way to something that looks rough and raw, almost like made from unpolished cement. In a way, it does hint at the rubbish bin’s unusual constitution, which is actually made from Vipp’s own trash.

That material combines plastic from the company’s sofa production and wood fiber waste from its table manufacturing, forming a kind of paste that is pressed into a mold. The assembled bin is left unpainted, although it is treated with a protective coating, allowing its natural imperfections to become its biggest asset. To complete its sustainability message, the rubbish bin is packaged in recyclable FSC cardboard and is given a ten-year warranty to make sure it doesn’t end up getting thrown away any time soon.

The end result is a trash can that is unconventionally beautiful inside and out, at least not considering the actual trash you will put inside. Although it doesn’t drastically transform the bin-making industry, it does mean that each of these Rubbish Bins doesn’t contribute to the harmful effects of the typical manufacturing process. It creatively sends a message that recycled products don’t have to look like trash, pun intended, while perhaps giving you pause for thought about the trash that you’ll be throwing away.

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Samsung Galaxy S23 design has a more interesting sustainability story to tell

Samsung has finally taken the veil off its early 2023 flagship, and, to no one’s surprise, it is exactly as the leaks claimed it to be. If you are feeling a bit of deja vu, that’s because Samsung has adopted most of the same design elements from last year’s models to the Galaxy S23 trio this year. Of course, there are some changes, like the removal of the somewhat awkward “Contour Cut” camera bump for separate raised lenses per camera, somewhat unifying the design language of the three while still maintaining the distinct identity of the Ultra model. While the familiar design goes well for brand recognition, some might find it boring compared to the bold and sometimes gimmicky appearances of other phones. Inside that simple and subdued appearance, however, lies something more important, one that could have a significant impact on the future of Samsung’s phones and that of the planet as well.

Designer: Samsung

Although they might not be the biggest offenders, the sheer volume of smartphones being produced each quarter, not just each year, has an undeniable effect on the environment, most if not all of them negative. The resources used and wasted in manufacturing phones, not to mention the amount of plastics used in components, all contribute to the degrading state of the planet. Smartphones are also thrown out way before they need to be, sometimes just because they’re no longer supported by the company, and their improper disposal also slowly poisons both land and sea.

Fortunately, smartphone manufacturers, especially big ones like Samsung and Apple, have started to take notice and take action. Some might question the actual effectiveness of removing the charger from the box, but the positive actions thankfully don’t stop there. Samsung, for its part, has been proudly shouting about its growing sustainability efforts, and the Galaxy S23 series is supposedly taking the next step to a slightly greener smartphone.

The new Samsung phones have more parts that use recycled materials now, 12 both internal and external components to be precise. These include the use of recycled post-consumer plastic from PET bottles and discarded fishing nets, as well as pre-consumer recycled aluminum and glass. Quite interesting is the revelation that the protective glass used for the phones, the Corning Gorilla Glass Victus 2, contains 22% pre-consumer recycled glass.

There’s still a tremendous amount of non-sustainable materials used in smartphones, and the processes used to manufacture them and their components continue to hurt the environment. A small win is still a win, though, so Samsung definitely deserves a pat on the back. Even more so because, contrary to common capitalist business logic, Samsung promises around four to five years of support for its phones, ensuring that they will remain usable and keep them away from landfills for even longer periods of time.

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Phillips’s new pendant lights are 3D-printed from recycled fishing nets and delivered in 8 days

Designed by the Signify Global Design Team, the Philips MyCreation droplet pendant lamp is a unique product that combines sustainability and beauty. Hanging from the ceiling with an aesthetic that’s equal parts modern and rustic, the lamp employs 3D-printing processes, which give it its shape and texture. The lamp’s raw material, however, comes from recycled fishing nets, gathered directly from harbors on the Cornish coast. Made locally and manufactured on-demand, each lamp explores a variety of coastal-inspired texture styles and comes with a gradual gradient that goes from turquoise to a light lemon yellow, creating a beautiful hue in the process that’s only further accentuated by the irregularities in its design created by the 3D printer.

Designer: Signify Global Design Team

The recycled nature of the lamp’s material lends a level of unburnished imperfection to it, making it unique. The material and the 3D-printing technique create their own minor irregularities that help give the lamp its bespoke appeal. When the light inside it is switched on, these imperfections take on a character of their own, making the lamp look much more beautiful than something polished and mass-manufactured.

The lamps’ designs borrow from their marine origins too, with patterns that pay homage to the sea. The cross-hatched design (shown below) is reminiscent of the fishnet, while the wavy pattern (above) references the ripples seen in the sand at the bottom of an ocean-based on water currents. Each lamp is made to order and takes roughly 8 days to be printed and delivered. Aside from being recycled, the lamps are further recyclable too, allowing the plastic to be reused in a variety of other formats.

The Phillips MyCreation Drop Pendant Light is a Gold winner of the International Design Excellence Awards for the year 2022.

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