Alessi and Kartell are sponsoring the Parmigiano Reggiano Design Challenge 2021… And the winner gets a chance to visit Italy!

Iconic Italian design brands Alessi and Kartell are sponsoring the Parmigiano Reggiano® Design Challenge and inviting professional designers and design students to submit their product concepts.

The brief? To elevate the human experience through products that celebrate authenticity across the journey of enjoying a meal.

The prize? A trip to Italy for two to enjoy The Ultimate Italian Design Experience!

Click Here to Submit Your Designs Now for the Parmigiano Reggiano® Design Challenge. Hurry, entries close October 15, 2021.

About Parmigiano Reggiano

For almost 1,000 years, Parmigiano Reggiano has been made in the same region of Italy, with the same methods and ingredients that were used at the start. This relentless commitment to tradition is one of the many reasons why the cheese ranks as one of Italy’s most loved brands. To further cement its role as a cultural icon, the brand has organized a design competition that challenges the design community to submit product concepts inspired by ‘authenticity’.

About The Competition

The Design Challenge is accepting entries in three categories: Cooking (graters, knives, chopping boards, utensils, etc.); Eating (plates, bowls, cutlery, napkins, etc.); and Sitting (credenzas, tables, chairs, stools, etc.). The idea is to submit product concepts designed to create a better and more authentic experience at every point across the journey of preparing and enjoying a meal. Designers are invited to consider materials, technologies, functionality and sustainability as part of their concepts. The entries can be submitted online as sketches, renderings, or photos of prototypes.

About The Jury and The Sponsors

The panel of jurors who will ultimately select the winners, is composed of design industry visionaries, including: Mauro Porcini (CDO, PepsiCo), Karim Rashid (Multidisciplinary Design Icon), Ayse Birsel and Bibi Seck (Founders of Studio Birsel+Seck), and Pietro Rovatti (the Brand Director for Parmigiano Reggiano). If that wasn’t enough, Alessi and Kartel – two of the top Italian design brands in the product and furniture categories are sponsoring the competition. The opportunity for contestants to be seen by influential industry leaders and top design brands is reason enough to enter your work!

Can I Enter? Is It Free?

The competition is open to professionals, students, and even non-designers and is totally FREE! If you’ve got an idea or even the spark of an idea in your mind, this is the right time to start sketching and get a chance to put your work in front of some of the most influential professionals in the business. Just make sure you submit your design before the deadline – on October 15th, 2021!

What About the Awards?

The winners will be announced in October 2021. Winners in each category will receive Gold, Silver, and Bronze awards, product gifts, as well as extensive coverage on Yanko Design and other reputed design blogs. The ‘Best of Show’ in the Professional Category will get a one-week, all-expenses-paid trip for two to Italy! The trip will include a private tour of a Parmigiano Reggiano cheese-making facility, as well as separate VIP experiences at Alessi and Kartell’s facilities and museums… and obviously the opportunity to enjoy the best food Italy has to offer, including a sumptuous Italian dinner in one of the region’s best restaurants!

Learn More. Deadline is October 15, 2021.

Click Here to visit the Parmigiano Reggiano Design Challenge site for complete details about the competition and how to enter it. Don’t forget – you have until October 15 to submit your entries… so it’s best to get the wheels rolling on your concept development! For some inspiration, just scroll below for a few uniquely authentic and creative designs. Oh, and as they say in Italy, “Buona Fortuna!”

Enter the Parmigiano Reggiano Design Challenge 2021.

The prize: A trip to Italy for two to enjoy The Ultimate Italian Design Experience!
Click Here to Submit Your Designs Now for the Parmigiano Reggiano® Design Challenge. Hurry, entries close October 15, 2021.

KeyShot and Yanko Design team up for a Design Challenge. Participate for a chance to win an Apple iPad & AirPods Pro

We’re thrilled to announce our partnership with KeyShot over our first ever Design Challenge! The premier YDxKeyShot Design Challenge has a broad brief and some exciting prizes! Your mission, should you choose, is to add your own spin to the ENVOY Helmet to make it safer. You can find images of the ENVOY Helmet below, and use this link to download the ENVOY Helmet 3D file for free.

Click Here to Participate Now! Hurry, Contest Closes on 19th September 2021, 11:59 pm PST.

The ENVOY Helmet by KeyShot’s design team, comes with 3 standout features – a hard-shell design, a detachable visor on the front, and a dynamic LED panel on the back that helps alert riders/drivers of your presence. The redesign could be as simple as creating new patterns for the LED matrix and experimenting with different CMF for higher visibility and better safety, or you could add your own features too, like a HUD, an inflatable life-vest, the sky is quite literally the limit.

To participate in the YDxKeyShot Design Challenge, upload your renders/animations/designs to Instagram and tag + follow the @yankodesign and @keyshot3d accounts while also using the #YDxKeyShot hashtag. You can get your hands on a free trial of the latest KeyShot 10 rendering software by downloading the software on KeyShot’s website and using the Trial Licence Code KSYANKO21 while installing the software to unlock all the features. Participants in the KeyShot x Yanko Design Challenge must be above the age of 18.

The Design Challenge will be judged by Ti Chang – Designer and Founder of Crave, Reid Schlegel – Educator and Designer at Aruliden, and Sarang Sheth – Editor in Chief at Yanko Design. The challenge will see three winners who will receive licenses to KeyShot, along with a 10.2-inch Apple iPad (first prize), Apple AirPods Pro (second prize), and an Apple HomePod Mini (third prize). The deadline to submit your designs is 19th September 2021, 12:00 PST. Hurry!

Here’s all the information you need:

The Design Brief
How can you make the ENVOY Helmet safer?

How to Participate
Step 1: Download the ENVOY Helmet 3D assets
Step 2: Upload your design to Instagram + Follow @yankodesign and @keyshot3d
Step 3: Tag @yankodesign and use the hashtag #YDxKeyShot in the caption.

Contest Opens: 6th September 2021, 12:00 am PST
Contest Closes: 19th September 2021, 11:59 pm PST

First Prize: 10.2-inch Apple iPad + KeyShot Pro License
Runner Up 1: Apple AirPods Pro + KeyShot HD License
Runner Up 2: Apple HomePod Mini + KeyShot HD License

You Have to Use KeyShot to create your renders.

Click Here to Download the ENVOY Helmet 3D Assets

Click Here to Download a free trial of KeyShot 10 (Use the Trial Code KSYANKO21 after installation)

Click Here to Participate Now! Hurry, Contest Closes on 19th September 2021, 11:59 pm PST.

Alessi, Poliform and Kartell, are sponsoring the Parmigiano Reggiano Design Challenge 2021… And the winner gets a chance to visit Italy!

Iconic Italian design brands Alessi, Poliform and Kartell, are sponsoring the Parmigiano Reggiano® Design Challenge and inviting professional designers and design students to submit their product concepts.

The brief? To elevate the human experience through products that celebrate authenticity across the journey of enjoying a meal.
The prize? A trip to Italy for two to enjoy The Ultimate Italian Design Experience!

Click Here to Submit Your Designs Now for the Parmigiano Reggiano® Design Challenge. Hurry, entries close September 15, 2021.

About Parmigiano Reggiano

For almost 1,000 years, Parmigiano Reggiano has been made in the same region of Italy, with the same methods and ingredients that were used at the start. This relentless commitment to tradition is one of the many reasons why the cheese ranks as one of Italy’s most loved brands. To further cement its role as a cultural icon, the brand has organized a design competition that challenges the design community to submit product concepts inspired by ‘authenticity’.

About The Competition

The Design Challenge is accepting entries in three categories: Cooking (graters, knives, chopping boards, utensils, etc.); Eating (plates, bowls, cutlery, napkins, etc.); and Sitting (credenzas, tables, chairs, stools, etc.). The idea is to submit product concepts designed to create a better and more authentic experience at every point across the journey of preparing and enjoying a meal. Designers are invited to consider materials, technologies, functionality and sustainability as part of their concepts. The entries can be submitted online as sketches, renderings, or photos of prototypes.

About The Jury and The Sponsors

The panel of jurors who will ultimately select the winners, is composed of design industry visionaries, including: Laura Anzani (CEO, Poliform USA), Mauro Porcini (CDO, PepsiCo), Karim Rashid (Multidisciplinary Design Icon), Ayse Birsel and Bibi Seck (Founders of Studio Birsel+Seck), and Pietro Rovatti (the Brand Director for Parmigiano Reggiano). If that wasn’t enough, Alessi, Poliform, and Kartel – three of the top Italian design brands in the product and furniture categories are sponsoring the competition. The opportunity for contestants to be seen by influential industry leaders and top design brands is reason enough to enter your work!

Can I Enter? Is It Free?

The competition is open to professionals, students, and even non-designers and is totally FREE! If you’ve got an idea or even the spark of an idea in your mind, this is the right time to start sketching and get a chance to put your work in front of some of the most influential professionals in the business. Just make sure you submit your design before the deadline – on September 15th, 2021!

What about the awards?

The winners will be announced in October 2021. Winners in each category will receive Gold, Silver, and Bronze awards, product gifts, as well as extensive coverage on Yanko Design and other reputed design blogs. The ‘Best of Show’ in the Professional Category will get a one-week, all-expenses-paid trip for two to Italy! The trip will include a private tour of a Parmigiano Reggiano cheese-making facility, as well as separate VIP experiences at Alessi, Poliform, and Kartell’s facilities and museums… and obviously the opportunity to enjoy the best food Italy has to offer, including a sumptuous Italian dinner in one of the region’s best restaurants!

Learn more. The deadline is September 15, 2021.

Click Here to visit the Parmigiano Reggiano Design Challenge site for complete details about the competition and how to enter it. Don’t forget – you have until September 15 to submit your entries… so it’s best to get the wheels rolling on your concept development! For some inspiration, just scroll below for a few uniquely authentic and creative designs. Oh, and as they say in Italy, “Buona Fortuna!”

Enter the Parmigiano Reggiano Design Challenge 2021.

The prize: A trip to Italy for two to enjoy The Ultimate Italian Design Experience!
Click Here to Submit Your Designs Now for the Parmigiano Reggiano® Design Challenge. Hurry, entries close September 15, 2021.

This exquisite aerial tower with 99 floating islands by Sou Fujimoto Architects visualizes our diverse future!

In the Qianhaiwan district of Shenzhen, China, the winning architectural design for the city’s New City Center Landmark competition has been given to Sou Fujimoto Architects for their floating water tower. Slated for ascent in Qianhai Bay, the new tower will appear almost like a freestanding, cylindrical water fountain. Rising to 268-meters in height, Sou Fujimoto Arhcitects’s tower will feature 99 pillar-like support beams, or “islands,” to carry the tower’s upper horizontal structure. Starting from the bay and moving towards the round upper deck, the pillars of the new tower gradually expand in width and stature to close in on the design’s symbolic ode to “the future of society in the age of diversity.”

Finding the initial inspiration for the ‘99-island’ tower, Sou Fujimoto turned to iconic landmarks like the Eiffel Tower to develop their own urban monument for the modern age, asking, “What does a new ‘tower’ mean in the 21st Century? How can a tower evolve while continuing to attract attention, as the Eiffel Tower does? And [one] which would face towards the bay?” From afar, the new tower will appear as a single entity, a solid structure, slowly distinguishing itself as a collection of columnar pillars that gradually split upon closer viewing. The illusion of being one solid structure as well as an orchestra of different parts sheds a brighter light on Sou Fujimoto Architects’ initial concept of inhabiting a future during this burgeoning age of diversity.

The new tower’s uppermost plane serves as a viewing platform, doubling as a three-dimensional exhibition space with enough room for both a restaurant and cafe. In addition to the minimal structural support that the pillars provide for the round upper deck, a centralized core bolsters the tower, which is then stabilized with a steel truss system and Kevlar tension cables located around the outer edge of the tower’s base. Constructed primarily from steel, concrete, Kevlar Rope, and carbon fiber, Sou Fujimoto Architects’ design for the New City Center Landmark competition uses structurally sound and unadorned building material to realize a contemporary microcosm of our diverse, complex, and ever-evolving world.

Designer: Sou Fujimoto Architects

Appearing as if it’s suspended from mid-air, the plan for the new tower will feature 99 island-like pillars stemming from the round upper deck to the bay.

The upper deck works as an exhibition space.

From afar, the new tower looks like a freestanding, cylindrical water fountain.

The upper viewing area is meant to appeal to tourists and residents alike as a social hub where new views of the city can be accessed.

A centralized core supports the tower while a peripherally located steel truss system and additional Kevlar tension cables stabilize it.

Inside the tower, tourists can view the bay from below and rise to 268-meters above sea level.

A three-dimensional exhibition space gives tourists space to enjoy all the amenities the new tower has to offer.

Here are the hottest winning-designs from the A’ Design Award 2021

While we slowly put this pandemic in our rear-view mirror, here’s something to look forward to – the A’ Design Award and Competition 2021 just announced their annual winners. Spanning literally a hundred categories, the A’ Design Awards look at creating a holistic list of the best designs internationally, across all disciplines. While the Coronavirus has definitely put a damper on awards who are looking to conduct exhibitions and gala nights for their winners, that hasn’t stopped the A’ Design Award from making sure their winners get their share of the international limelight!

The A’ Design Award and Competition is much more than just your average awards program. It actively seeks good design, markets it, brings value to the project as well as the designer in the form of a wide range of value-added services like a dedicated PR Campaign, an online exhibition, and even a platform to sell your design on… and these perks aren’t just limited to the design, they extend to the designers and creators too. Your participation entitles you to a proof-of-creation document, inclusion in A’ Design’s Business Network, and the Design Fee Calculator service that lets you accurately price your design services for future clients, allowing you to set up your design practice.

Judged by a grand jury of 211 elite designers and educators, here are a select few of A’ Design Award and Competition 2021’s winners. We’ve hand-picked some of our favorites from this year’s list of winners spanning categories such as Product Design, Social Design, Tech, Furniture, Medical, and Transportation Design. Scroll down below to have a look at what’s making the waves this year in the design circuit! And don’t forget to register below to participate in the competition for 2021-22 to make sure your work as well as you get the recognition you deserve!

Grab an Early-bird Registration for A’ Design Awards 2021 by clicking here!


YD Handpicks: Winning Designs from A’ Design Awards 2018-19

CanguRo Mobility Robot by Shunji Yamanaka – fuRo

The CanguRo Mobility Robot is a classic example of building the future by looking at the past. For centuries (if not millennia), humans have rode on horses as transport. The horse, unlike a car or motorcycle, forms a relationship with the rider over time, following, responding to commands, and remaining subservient to its owner. The CanguRo Mobility Robot provides a similar experience with a three-wheeled robot that the user can ride, summon via their smartphone, and even walk ahead of as the robot follows them along. The three-wheeled mobility bot is autonomous, which gives the rider a certain degree of freedom. It can be summoned from the parking lot by simply tapping a button, and can even follow you around as you walk. However, when you want to ride it, straddle yourself in its seat and the three wheels spread apart, providing you with a comfortable, controlled, and stable driving experience!

Standly Bao Folding Chair by Ming Hsiu Lee and Hu Jui Chung

We all need to take a break from being in one single posture all day long, whether that’s sitting in a home-office chair, or lazing with a laptop in bed. To make things easier and healthier for those spending all day on their feet, Designer Ming Shiu Lee created Standly Bao – an assistive device for workers that keeps them in a healthy standing posture and mental state while still having mobility. The Standly Bao is a slightly tilted structure designed to support three different pressure points – the hip, knees, and feet. The aim is to provide support to these points and reduce the pressure on lower limbs thus keeping workers from becoming habituated to a wrong standing posture which can result in long-term health problems. When using Standly Bao, the user rests in a position between standing and sitting. The stand can be folded up and is able to fit in narrow spaces without obstructing anything. The stand helps to correct your posture and alleviate headache, shoulder pain, neck stiffness, lower back pain, and more.

Eli Functional Pour-over Coffee Maker by Chenchen Fan

Although there are a whole bunch of travel coffee makers out there in the world, none of them are like the Eli. The capsule-shaped coffee maker turns the brewing, steeping, and pouring experience into one singular movement, making the coffee-making experience much more convenient. It all starts with the Eli’s design, which consists of the brewing chamber and two cups, all connected to a single lever that allows you to lift to brew, tilt to pour, and push down to close the brewer. Lift the lever up in its vertical position and you have your conventional pour-over style coffee maker. Once the coffee’s ready, tilt the lever diagonally and tip the brewing chamber over and coffee pours right into the cup directly below it. By controlling the position of the lever, you control which cup you’re pouring coffee into… and when you’re done, just push the lever right down and the Eli goes from being a vertical brewer to a flat little appliance you can stash anywhere in your kitchen.

Poetry – Wireless Charger + Lamp by Yong Zhang and Lei Wang

Poetry isn’t your average wireless charging appliance. It’s an expressive little gadget that lights up your space while charging up your phone. Styled to look like an abstract bonsai tree for your table, Poetry provides a space to dock your phone while also providing a wash of ambient light to your workspace. What’s more is that the Poetry even comes with its own detachable power-bank that you can remove and use independently anywhere you go. When you’re back at your desk, just pop the power-bank back in its place and it begins recharging too!

Pad Chair by Shaohan Yang

The Pad Chair transforms from a benign wooden mat into a neat chair with a backrest! Made from multiple wooden strips joined together in a rather unique way, the Pad Chair possesses the ability to transform from a flat, 2D shape into a neat, comfortable 3D chair. I’m sure there’s a locking system in place that allows the chair to lock in either closed or open positions, but for now, the Pad Chair provides a radical alternative to those ugly metal foldable chairs (the kind you’d see on wrestling shows). What the Pad Chair offers as an alternative looks incredibly classy, in both its closed as well as open versions!

Medapti Oral Medicine Syringe Adapter by Dorota Dyk

Perhaps one of the most clever ways to get a baby to take their medicine, the Medapti lulls the baby into a sense of comfort and calm, while allowing parents to cleverly feed their children food or medicine. The Medapti is designed to be a soother that allows you to attach a feeding syringe on the other end. Just pop the Medapti in the child’s mouth and use the syringe to inject food and medicine right in. Sure, it may seem like a cheap little trick to your toddler, but it’s an equally effective solution for parents!

Elytra Space Saver Coffee Table by Radhika Dhumal

In an unusually beautiful case of nature-inspired design, the Elytra table by Radhika Dhumal expands in size by ‘spreading its wings’! The table comes inspired by beetles and the way their wings nest perfectly around their body. The table itself comes with perfectly natural bug-like proportions that fit in well as garden decor, and uses two ‘wings’ to expand in surface, much like the beetle. Elytra’s design is dominated by rounded forms that give it a friendly, pet-like demeanor and its four legs are positioned in a way that gives the Elytra its unique, animal-like stance. The table’s surfaces are split into four broad parts, including a wooden ‘head’ and ‘body’ as well as two glass-inlay wings that can be opened out to expand the table’s surface to store an extra few cups of tea, a planter or two, and perhaps a notebook to doodle your ideas on!

Ori Accent Chair by Manish Maheshwari

It’s unfair to brand the Ori as a chair when it clearly is a throne! Designed to give the person sitting on it a grand halo, the Ori chair makes a clever use of folded metal to create its signature design. Inspired by (and even named after) origami, the chair uses sheet metal with perforated fold-lines in its design. The perforations allow the metal to easily bend along a desired path, giving the chair its signature pleated design. However, in the interest of comfort, the seating area along with the backrest of the chair come with triangular wooden pieces put into the metal’s folds, creating a flat surface to sit on and lean against. Wonderful, isn’t it??

The Board Skateboard by Chia-Wei Chen

The Board is an award-winning collapsible skateboard that is inspired by the same mechanical linkage system seen in collapsing gates, in scissors, and in those expandable grabber toys you’re probably familiar with. It’s hard to think of how skateboards and gates have any design-process overlap, but The Board makes it clear that a detail found in one product can easily and effectively be ported onto another product with stunning results. The Board uses this collapsible linkage system to make itself more portable. Machined metal components are arranged, sandwiched, and connected to each other with multiple pivot points to make The Board’s body. These linkages allow The Board to expand and collapse just by pulling or pushing it, taking it from a long, skateboard shape to a much more compact and carryable circular shape that easily fits right into backpacks. The metal construction gives The Board its signature strength (so the pieces don’t bend or flex when you stand on the skateboard), while also imparting a unique appearance to it, whether open or closed!

Origami Fashion Mask by Yuriko Wada

There’s something very charming about the Origami Fashion Mask that clearly sets it apart from the clinical aesthetic of your signature blue surgical face mask. Its unique pleated design allows it to naturally curve around your face, going from side to side without leaving any visible air gaps. The mask comes made from a non-woven breathable fabric filter-cloth, and the folded edges are painted with a thin gold line, giving the mask a decorative appeal. Designed to be worn at functions and celebrations, the Origami Fashion Mask folds flat into a bookmark-shaped sleeve and can be mailed along with invitation cards. That way, all your guests get the invitation and are also aware of the mask-wearing protocol at the event. Plus, it almost becomes a part of a grand costume/trend to see all the guests wearing the same style of mask!

Grab an Early-bird Registration for A’ Design Awards 2021 by clicking here!

The winning design of Volvo’s New Garage Challenge features a green curved roof and integrated solar panels!

In honor of the debut of Volvo’s first pure-electric vehicle, the new XC40 Recharge, Volvo Cars Canada, and the Interior Design Show Toronto have chosen a winner for their New Garage Design Challenge. Canadian designers were told to rethink the function and design of the garage to then be judged based on criteria gathered by Maru/Blue. Reimagining the garage space as an interactive family space and biophilic greenway, Montreal designer Tiam Maeiyat’s Parking Parc was chosen as the winning concept for merging clean design with sustainability.

Parking Parc was inspired by the pun in its own name– Maeiyat reinterpreted the garage as both a space for parking the vehicle and as an actual greenway that resembles a children’s park. Shaped like a rolling hillside, Parking Parc provides a storage area for parked vehicles that rests beneath the garage’s grassy, recreational exterior. As currently conceptualized, photovoltaic panels punctuate the taller regions of the garage’s exterior, providing clean energy for Volvo’s XC40 Recharge to well, recharge, and enough energy to sustain the rest of the garage’s inside operations. Describing the design in his own words, Maeiyat notes,

“The garage may be the last place in a house one might consider for gathering or entertainment, which is exactly why my design celebrates light and transparency and links the inside and outside of the garage. By doing so, there are new possibilities around quality family time, regardless of time or season.”

While the functionality of garages cannot be argued, they’ve largely stayed the same in design and structure while the vehicles that remain parked inside of them have changed drastically over the years. The New Garage Design Challenge aimed to introduce a new way of looking at garages that fits the contemporary and energy-efficient nature of today’s vehicles. Tiam Maeiyat’s reinterpretation of the traditional garage turns to biophilic design and green roofing to help maintain the home’s natural landscape and grassy surroundings.

Designer: Tiam Maeiyat

Inspired by the rounded edges of Volvo’s XC40 Recharge, Parking Parc’s shapes into a rolling hillside.

Parking Parc’s green roof collects rainwater, purifies the air, reduces the ambient temperature, and saves energy.

“My design upcycles the garage space into a new form of the family room,” notes Tiam Maeiyat.

 

Flexible solar panels line the top of Parking Parc, providing the garage’s inhabitants with energy.

Shenzhen’s new Institute of Design comes with a Hyper Roof & preserves the natural landscape

Shenzhen recently announced plans to build ‘ten new major cultural facilities’ over the span of three years and hosted international architecture competitions for structures like a future maritime museum, music conservatory, opera house, and design institute. Since then, it’s been revealed that Dominique Perrault Architecture (DPA), in collaboration with Chinese design studio Zhubo Design Co., has won the international competition for the new campus of Shenzhen’s Institute of Design and Innovation.

The new campus will form one of Southern University of Science and Technology’s future schools, located along the rural hillside of Shenzhen. Committed to preserving the natural landscape of Shenzhen’s rural region, the winning design embraces a large-scale horizontal campus that stretches for more than 700 meters. Comprised of two main areas that run parallel to one another, “Hyper-Ground” and “Hyper-Roof,” DPA planned the campus with sociability and sustainability in mind.

The design’s “Hyper-Ground” component contains the chunk of the university’s services and meeting areas, including the library, auditorium, and exhibition halls. The design’s ground level consists of open-air social hubs woven throughout university infrastructure to promote hybridization of disciplines and design innovation. Chiseled throughout campus’ ground-level facilities in a pedestrian promenade where students and the public alike can enjoy various commercial services and access points to the university’s educational faculties.

Filling out the winning design’s “Hyper-Roof,” students and the general public can escape from the social scene down below to garden spaces and outdoor sports areas. The “Hyper-Roof” also houses photovoltaic panels and a rainwater management system that provides the entire structure with energy. As the current layout acclimates to the preexisting landscape, its facade generally remains minimal in style, allowing room for even an amphitheater located near the campus’ main entrance.

Designer: Dominique Perrault Architecture x Zhubo Design Co.

The new campus is located on the outskirts of Shenzhen’s rural region, below mountains and beside a nearby cityscape.

The layout features a pedestrian promenade where students and the general public can meet and spend the day.

The planned “Hyper-Roof” features garden spaces and sports areas, as well as photovoltaic panels and a rainwater management system.

From the highway, the campus appears minimal and modest in design.

Inside the campus, a blend of contemporary interior design and natural light create bright, open spaces.

Comprised of two main structures, Dominique Perrault Architecture designed “Hyper-Ground” and “Hyper-Roof” levels.

This section of the campus spans 700 meters in length.

Shenzhen’s Maritime Museum is a hub of educational experiences that resemble a cluster of glass icebergs!





Oh, how I miss museums – those architectural hubs of knowledge that take you through decades-long history lessons, bring you up close to works of art, and introduce you to hidden parts of the world, all in a matter of a couple of hours. Some cities still have the doors of their museums locked to the general public due to the COVID-19 pandemic, but designers are still drawing up plans for the museums of tomorrow. OPEN Architecture recently revealed the visual concept that made them finalists in the International Architecture Design Competition for the Shenzhen Maritime Museum.

OPEN Architecture’s competition entry showcases six glass structures shaped to resemble icebergs stationed in Shenzhen Bay, which house curatorial rooms including the lobby, theater, library, and children’s education wing. Considering today’s global climate crisis, the designers behind the plan for the future Shenzhen Maritime Museum hope to bridge the urgency of climate change with an accessible means of learning more about it. The familiar sight of icebergs will bring the faraway, harsh reality face-to-face with residents of China, igniting awareness of the global rise in sea-levels and oceanic temperatures.

To make the space for the cluster of iceberg-shaped glass structures, OPEN Architecture plans to form a sea dike between two layers of seawalls positioned at different heights, implementing a protective barrier of mangrove wetlands behind it, to also function as a reserve for migrating birds and habitat for marine life. The water surrounding the iceberg structure rises to the horizon, in the style of an infinity pool, to help minimize the impact of seasonal typhoons while also helping to maintain the building’s overall heat load and indoor temperatures.

The Shenzhen Maritime Museum International Architecture Design Competition indicates the beginning of a larger design project, making the Maritime Museum the first of Shenzhen’s ‘ten new major cultural facilities’ currently in the works. The final chosen design will stand as a prominent landmark amidst Shenzhen’s developing coastal region, which aspires to one day become the city’s global maritime center.

Designer: OPEN Architecture

The design’s main event takes place as one of the five ‘icebergs’ drift away into Shenzhen Bay as guests watch an educational video in the iceberg’s theater.

Five icebergs stay stationed in place behind the Maritime Museum’s main iceberg, where events and viewings will be held.

Connecting each individual iceberg are dry pathways for guests to walk through with the waters of Shenzhen Bay surrounding them.

At night, the icebergs light up with brilliant white light to resemble icebergs found in the world’s Arctic region.

Inside each iceberg, guests will find the traditional museum layout familiar and educational.

With mangrove wetlands working as a protective barrier for the museum, they will also provide plenty of space and protection for the area’s natural marine life and bird populations.

Modular treehouse units with triangular pitched roofs offer unlimited views of an old French château in the countryside!

Treehouses inherently exude an air of myth and adventure. When stationed either in dense jungles as a natural hub to study wildlife or placed in a suburban backyard for kids, the treehouse is the place where the escapist can let their hair down. Take the treehouse and tuck it next to an old French castle in the countryside and it’s something straight from the storybooks. Forma Atelier, a Mexico-based architecture firm, turned that storybook setting into reality with their modular treehouse concept that cleverly combines razor-sharp triangular roofs with sweeping glass window panes to share the rural hills with that of an old French château.

Dartagans is a French crowdfunding site that allows citizens to help preserve heritage sites like châteaus through donations. Through these crowdfunding efforts, entire cultural sites in France are able to stay put and avoid any prospect of future demolition. Hosting a competition that welcomes young architects to design treehouse concepts for châteaus throughout rural France, Dartagans hosted one such competition for Loudun’s Château de la Mothe-Chandeniers. Rising to the top, Forma Atelier designed a modular treehouse concept that comprises limited residential units as their competition submission.

The prototype of each scalable treehouse was designed to be replicated and placed anywhere. Conceptualized as mobile and adaptable, the treehouse’s build achieves stability through its cross-layered foundation constructed from the overlaying of wooden planks. Forma Atelier designed two different sizes for their treehouse concept, a 100 m3 unit, and another 65 m3 unit. Built on a grid system of .30 m and .40m, the treehouses were sized and measured respectively. The treehouse’s modular structure gives each of them a geometric look. The countryside treehouse unit’s high-pitched roof in the shape of a triangle appears to be constructed from wooden panes, allowing for high ceilings while each unit’s cube-shaped main room, reinforced with steel beams, implements broad glass window panes for unfettered views of the countryside.

Designer: Forma Atelier

Through an intricate weaving process of cross-layered timber as its foundation, Forma Atelier’s treehouse maintains stability.

Sweeping glass window panes and high ceilings bring residents closer to the surrounding countryside and dissolve the boundary between nature and the indoors.

Sporting a geometric build that seamlessly transitions from one facade to the next, each treehouse unit is like its own miniature wooden castle.

The 100 m3 treehouse unit floor plan.

The 100 m3 treehouse unit floor plan.

One side view of the 100 m3 treehouse unit.

Another side view of the 100 m3 treehouse unit.

The 65 m3 treehouse unit floor plan.

The 65 m3 treehouse unit floor plan.

One side view of the 65 m3 treehouse unit.

Another side view of the 65 m3 treehouse unit.

These Igloos designs for penguins rebuild polar ice caps to help fight the threat of global warming!

Several human activities are to blame for today’s climate crisis, including the burning of fossil fuels which release large amounts of harmful air pollutants, like carbon dioxide, into the atmosphere contributing to global warming. Due to an increase in greenhouse gas emissions from human activity, seawater temperatures are rising, and polar ice caps are melting. Animals such as Emperor penguins face a grim future since they rely on sea ice in the Arctic regions for everything from molting, to breeding, to feeding. Architect Sajjad Navidi is hoping that with his design for a penguin protection system, the tuxedo seabirds will dive into a better and cooler tomorrow.

Making it to the final round in the ‘Innovation for the Sea’ category for Fondation Jacques Rougerie’s biannual Architecture and Arts competition, Navidi’s design comprises two components: a warming above-ice igloo and an attached underwater cooling system. Inspired by social thermoregulation behavior like penguin huddles, for his structure, Navidi suggested that an igloo be positioned on top of a melting ice cap and that a cooling system, which generates power from a swinging pendulum, be attached beneath the ice cap in order to strengthen the ice cap’s frozen surface. Ideally, Navidi envisions the penguins huddling together in the igloo for warmth and to conserve energy. Underneath the igloo’s ice cap, a cooling system, inspired by sea sponges, generates its power from a swinging pendulum that moves with the ocean’s current. Each swinging pendulum operates on smart technology that processes which ice caps need cooling, so when cold air is needed elsewhere, the pendulums automatically detach from frozen ice caps and reattach to melting ice caps.

For many of us, the closest we’ll ever get to the arctic regions is a Coca-Cola animated commercial that guilts viewers into saving the polar bears – it’s generally unknown territory. Designs like Sajjad Navidi’s make clever use of both smart technology and scientific research, but the arctic’s unique problem might also shed light on the bounds of design. For instance, the threat of producing too much ice could push penguins further and further away from the open waters, away from their only source of food. With penguins already adapting to human-induced global warming, further human interference could create more confusion amongst the arctic dwellers. Sometimes, specifically when it comes to fighting climate change, less really is more.

Designer: Sajjad Navidi