Moto X review

Moto X review

One year ago, Motorola, fat and fed by its Google acquisition, inched quietly into a silicon-spun cocoon to gestate. The subsequent passage of time allowed it to transmogrify and re-emerge a thing of red, yellow, blue and sometimes green beauty; a Google thing made by a Google company. The Moto X, its newborn monarch, arrives in an array of different colors, made possible by the NikeID-like Moto Maker site. It also comes with a homespun narrative: it's assembled here in the USA. Time to empty your wallets, patriots. This is America's smartphone and it costs $199 on a two-year contract.

If I'm right in reading between the lines of Google's marketing speak, the Moto X was made in the image of the everyman. It's the product of a democratic process -- you can take that future design poll on Facebook as proof of this point. The 4.7-inch screen size, the curvature of its back, the composite materials, its weight and front-face look were focus-tested for maximum inoffensiveness. The Moto X exudes no tech halo like the Galaxy S 4 or the HTC One because it is the sum of averages. Here's how I see it: You know those people who own iPhones, but don't know which model number they own and also refer to all Android phones as Droids? This phone is for them.

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Moto X preview: A Google phone assembled with you, the user, in mind

Moto X preview A Google phone assembled with you, the user, in mind

Motorola. A Google company. It's time to commit that to memory. With the Moto X, a 4.7-inch phone going on sale later this summer for $199 on contract, the company has officially started the shot clock for the "new Motorola"; this is the first Moto product designed from scratch with Google's direct oversight. And it shows, from the packaging to the messaging to the features aimed at mainstream users. Most importantly of all, there's Moto X's standout feature: personalization. We've been hearing for years from various OEMs that smartphones are a personal statement, a reflection of the individual, but aside from the occasional color option, the wallpaper and case have been the only real opportunities for personal expression. Well, you can kiss those days goodbye. Motorola's keyed in to a core part of the user experience -- self-styling -- and we expect its rivals to follow suit.

But all of that backstory can wait. We need to talk about the Moto X. The company never explicitly said so when it showed us the phone behind closed doors today, but this is clearly a mainstream phone (it's geared towards the "majority of users" several execs told us). To that point, its spec sheet and feature list (Touchless Control, Active Display, Quick Capture) won't dazzle the technorati. And, from what we can tell, it's not supposed to. To hear the company tell it, the Moto X's journey began one year ago with a whiteboard listing all of the most common user problems, ways to address those issues and a plan to get the device into as many hands as possible. You won't be able to assess that for yourself until the phone launches on AT&T, Verizon, T-Mobile, Sprint and US Cellular later this summer. For now, though, if our initial hands-on time is any indication, it appears Motorola's succeeded.

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Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1

Aptina unveils 1inch sensor with 120FPS 1080p video, we suspect Nikon wants 1

Part suppliers sometimes telegraph their customers' plans months in advance: when you're the only provider for a key piece of technology, it's not hard for others to read the tea leaves. Aptina might have just given us one such peek into the future by unveiling its 1-inch AR1011HS camera sensor this week. As the Nikon 1 series is one of the few current, mainstream camera lines to use Aptina's 1-inch sensors, it's quite possible that we're looking at a template for one or more of Nikon's tiny interchangeable-lens shooters. The 10-megapixel CMOS sensor and low-light sensitivity aren't surprises. We're more interested in the wild levels of video capture support -- the AR1011HS can record 1080p footage at 120 frames per second, oversample movies at that resolution or scale up to quad HD. There's no guarantee any or all of the features will make the cut, especially given a dearth of 4K TVs, but it's not hard to imagine Nikon playing to the 1's high-speed strengths with an even quicker upgrade. Mass production starts in the first quarter of 2013, and while neither Aptina nor Nikon has confirmed any plans, Aptina's emphasis on top-tier companies in the "performance-oriented" mirrorless camera world leaves few other choices for a partnership.

Continue reading Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1

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Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1 originally appeared on Engadget on Sun, 23 Sep 2012 00:21:00 EDT. Please see our terms for use of feeds.

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Panasonic’s Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots

Panasonic's Lumix lineup grows DMCG5 Micro Four Thirds, DMCFZ200 superzoom and DMCLX7 handson and sample shots

It's been nearly half a year since Panasonic's Lumix series of cameras got any new members, but today the company is introducing three more shooters to the family. First up is the DMC-G5, the latest addition to the company's Micro Four Thirds lineup. It's the successor to the G3 and packs a 16-megapixel sensor capable of shooting 1080p videos at 60fps and stills in up to 6fps bursts at a max 12,800 ISO at full resolution. The G5's LVF has a proximity sensor to automatically switch between it and the camera's 920,000-dot capacitive screen depending on which one you're using to frame your shots. When the G5 goes on sale next month, you'll have your choice of black, silver and white models.

In addition to the G5, Panasonic's also introducing a new superzoom camera, the DMC-FZ200 and a high-end DMC-LX7 point-and-shoot. The FZ200 replaces the FZ150 and pairs a 12-megapixel sensor with a 25-600mm constant f/2.8 aperture Leica Elmarit lens with nano surface coating to reduce flare and ghosting. It has a 24x optical zoom and shoots 1080p video at up to 60fps along with stills in up to 12fps bursts, though its max ISO is only 6,400. Meanwhile, the LX7 has arrived sporting a 10-megapixel sensor and a 24-90mm, f/1.4-2.3 Leica Summilux lens with the same nano surface coating as the FZ200. Like its Lumix brethren, it shoots 1080p video at 60fps, and shares the same maximum 12,800 ISO as the G5. It'll be available in black and pearl white when it ships in August. We got to spend some time with all three, so join us after the break to learn a bit about what its like snapping pics with this trio of Panasonics.

Continue reading Panasonic's Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots

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Panasonic's Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots originally appeared on Engadget on Wed, 18 Jul 2012 01:25:00 EDT. Please see our terms for use of feeds.

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