Fujifilm X-M5, a lightweight mirrorless camera offering 26.1MP, 6.2K video, and versatile features—ideal for both beginners and photography enthusiasts.
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Get ready for Fujifilm’s lightest, most adventure-ready camera yet! The FUJIFILM X-M5 is set to launch globally in mid-November 2024, and it’s bringing the ultimate blend of portability and power. Weighing less than any other X Series model, this compact powerhouse delivers incredible image quality, making it a must-have for beginners and photography enthusiasts. If you’re capturing spontaneous shots or creating professional-quality videos, the X-M5 is designed to be your everyday companion.
Designer: Fujifilm
Weighing only 355 grams (including the battery and memory card), the X-M5 highlights Fujifilm’s focus on everyday, accessible photography. Despite its lightweight design, the camera is packed with powerful features, including AI-powered subject detection autofocus (AF) that tracks moving objects like animals and vehicles. It can also record video in 6.2K at 30 frames per second. The X-M5 is ready for everything from casual snapshots to high-quality video content.
The FUJIFILM X-M5 showcases a sleek, retro design embodying style and functionality. Its compact body measures 111.9mm in width, 66.6mm in height, and 38.0mm in depth, making it one of the most portable cameras in the X Series lineup. The top panel features symmetrically placed dials that give the camera a classic, tactile feel and allow users to control settings intuitively.
The left shoulder features a control dial, which allows photographers to quickly access different shooting modes to suit the scene and achieve a variety of tones and moods. If you’re aiming for rich contrast or soft color palettes, these modes replicate the look of classic Fujifilm films, giving a nostalgic touch to modern images. On the right shoulder, the mode dial includes an AUTO mode, making it easy for beginners to let the camera decide the optimal settings for any given scene.
The camera’s grip is ergonomically designed, ensuring a comfortable hold even during extended use. The durable, textured finish adds to the secure handling, while the control layout ensures that both novices and experienced photographers can navigate the settings seamlessly. The well-placed shutter button and control dials create an efficient and enjoyable shooting experience.
The rear of the X-M5 is equipped with a 3-inch vari-angle LCD touchscreen that offers flexibility for composing shots at different angles—perfect for vlogging, selfies, or shooting from low or high perspectives. The touchscreen allows intuitive control, enabling users to adjust settings, focus, and review images easily. This high-resolution display makes it easy to frame shots, even in bright outdoor conditions.
The X-M5 also features a high-quality electronic viewfinder (EVF), providing a clear and detailed view for composing images in traditional shooting scenarios. The EVF’s high resolution ensures that users can see every detail of their shot before pressing the shutter, making it ideal for precise framing and focus.
The X-M5’s lens mount is compatible with Fujifilm’s extensive range of XF and XC lenses, offering users the flexibility to adapt to different shooting styles and conditions. Whether you’re using a wide-angle lens for landscapes or a telephoto lens for wildlife photography, the X-M5’s sturdy mount ensures secure attachment and excellent performance. The camera’s compatibility with various lenses makes it a versatile tool, suitable for everything from portraits to action photography.
At the core of the X-M5 is the back-illuminated 26.1-megapixel “X-Trans CMOS 4” sensor, paired with the “X-Processor 5” image engine. Together, they deliver vivid, high-quality images while maintaining power efficiency. The AI-powered subject detection autofocus (AF) uses deep learning to recognize and track various subjects, including animals, vehicles, and even human faces, ensuring that your shots are always sharp and well-focused.
Beyond still photography, the X-M5 excels at video. It supports 6.2K/30P 4:2:2 10-bit recording directly to an SD card, and also offers 4K/60P and 1080/240P for those who want to create cinematic content. Digital image stabilization helps keep footage smooth, even when shooting handheld. The new “Vlog Mode” makes it easy to adjust settings using the LCD touchscreen, and the “9:16 Short Video Mode” is ideal for creating vertical videos for social media. Video creators will also appreciate the three built-in microphones, which provide different directional recording options for a variety of shooting environments.
Optional Accessories
Two optional accessories enhance the X-M5’s flexibility. The Cooling Fan “FAN-001,” which is already available, can be attached to the back of the camera to manage heat during extended shooting sessions. The Tripod Grip “TG-BT1” improves ergonomics, making it ideal for vlogging, selfies, and low-angle shots.
The FUJIFILM X-M5 captures the essence of everyday creativity, offering a portable, feature-rich camera that makes capturing life’s moments easy and rewarding. If you’re just getting started with digital photography or are a seasoned enthusiast, this compact camera is built to be your constant companion, ready to capture the story wherever it unfolds.
The post Fujifilm’s New X-M5: The Lightest Mirrorless Camera You Need for Everyday Adventures first appeared on Yanko Design.
Even with the growing power of smartphone cameras, the discrete camera market hasn’t yet folded as many once prophesied. Professional cameras like DSLRs are still unmatched in power and flexibility, while the retro and nostalgia craze has actually carved a niche for Polaroid-style instant cameras. The most popular format for the latter is small vertical cards that fans love sharing or sticking on walls and fridge doors, but those square-shaped photos (not including the wide white borders) don’t exactly have enough room for everyone or everything you might want to capture. For that, you’ll need a wider picture format, almost like the stereotypical 4×6, which is something that Fujifilm’s latest INSTAX design is offering, allowing you to snap and share those once-in-a-lifetime moments with more friends.
Designer: Fujifilm
There’s just something about these instant cameras that tickle people’s fancies, regardless of whether they lived through the age of Polaroids or not. Rather than being seen as a weakness, the lack of digital features and the limits of printed photos actually add to the charm of the experience. It makes each moment even more ephemeral and precious, which is why you’d want to include as many people or as much of the scene as you can.
The INSTAX WIDE 400 provides that breathing room with its wide photo format, almost twice the size of regular INSTAX photos. That also makes the camera twice as large, as it needs to fit the cartridge holding the ink-free sheets of photo frames. That said, the camera is also designed for comfort despite its size and heft, and its traditional design makes it easy to grasp and hold even with a single hand.
One of the biggest strengths of the INSTAX cameras is their extreme ease of use. Simply turn them on, which involves turning the central dial to the left, and you’re good to go. But since it was specifically designed for group photos, the INSTAX WIDE 400 has a unique feature that lets you turn a lever to set a timer for up to 10 seconds, giving you enough time to position yourself or prepare wacky poses. It doesn’t get simpler than that.
Admittedly, the INSTAX WIDE 400 is aimed at a very niche audience, but one that really digs this kind of experience enough to fork out around $150 for just the camera alone. That said, Fujifilm also knows it’s not everyone’s cup of tea, which is why it has a wide range of INSTAX products ranging from smaller instant cameras to portable photo printers that try to offer the best of both analog and digital worlds.
The post INSTAX WIDE 400 instant camera leaves more space for your friends first appeared on Yanko Design.
The way film cameras work is simple – light is focused onto a light-sensitive film, causing images to form based on the kind of light that passes through the aperture. Fujifilm’s latest Instax camera cleverly uses that process to its advantage to create funky effects on film. The Instax Mini 99 has a set of LEDs sitting right in front of the photo paper. Choose an effect and the camera clicks the image, but also shines those built-in LEDs during capture to ‘color’ the image with extra hues. A yellow LED, for instance, would give your photo a sepia tone, green LEDs give your photo a faded green effect, and randomized colored LEDs create a light-leak effect reminiscent of old vintage-style cameras. Sure, you can toggle the effects off and click a normal photo too, but honestly, what’s the fun in that??
Designer: Fujifilm
Ask a photography purist and they’re sure to have some wild thoughts about whether what the Instax Mini 99 does is ‘legit’ or not. Most hardcore photographers don’t believe in additive editing, or the idea of adding something extra to an already clicked photo. That means airbrushing skin, fixing highlights, or using extra elements in their editing process. For any photography purist, the most you can really do to a photograph is either subtract from it, or modulate existing elements like play with contrast, color-correct, etc. So the idea of shining LEDs onto an exposed film may see mixed reactions. However, what the Instax Mini 99 does is just genius. It doesn’t apply a digital filter onto your film (the way you would in your photo editing app) – instead, it changes what your camera sees by adding extra color information. What it does is entirely analog, and it recreates a kind of imperfection you’d associate with vintage cameras but does so deliberately.
The interface is simple. A set of knobs on the side of the camera let you choose between different modes. The knob on the top lets you choose any of the Instax Mini 99’s effects, while a knob below lets you adjust brightness with five levels to choose from. This allows you to fine-tune the intensity of the color effect or even use it for standard lighting adjustments. Feeling adventurous? Combine the color effects with different brightness levels or even the double exposure mode for truly unique and artistic results. For those who like a touch of drama, the vignette mode is a welcome addition. By sliding the manual vignette switch near the lens, you can darken the edges of your photos, drawing attention to the center of the image. This technique can be particularly effective for portraits and close-up shots.
Beyond the creative features, the Instax Mini 99 offers a solid foundation for instant photography. It packs a 60mm f/10 lens, an LCD panel for framing your shots, and a long-lasting NP-70S lithium battery. The camera also comes with a shoulder strap and a base grip that includes a tripod mount, making it convenient to carry and use on the go.
The Instax Mini 99 starts at $199.95 for preorder, with the camera officially becoming available starting April. You can even grab yourself a dedicated camera case for $20.
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Attention photography enthusiasts! Fujifilm is back at it, and this time, they’ve got something seriously cool up their sleeves. Say hello to the Instax Pal, a camera that’s shaking up the Instax game like never before. It’s not your run-of-the-mill point-and-shoot – it’s the first all-digital camera in the Instax family, and it’s here to make capturing spontaneous moments a breeze.
Designer: Fujifilm
Fujifilm’s Instax series celebrates its 25th anniversary this year, and the introduction of the Instax Pal couldn’t be more timely. What sets the Instax Pal apart from its predecessors is its compact size and unique functionality. Unlike previous Instax models, the Instax Pal doesn’t include an integrated printer. Instead, it relies on a seamless connection with a Fujifilm Link printer, such as the Mini Link, Square Link, or Link Wide. This means you have the flexibility to choose between mini, square, or wide formats for your prints.
The Instax Pal comes loaded with an array of features that redefine instant photography. One standout feature is the remote shooting capability, allowing you to control the camera using your smartphone. This feature empowers you to take group photos, and selfies, and capture moments from unique angles effortlessly. Additionally, the interval shooting function lets you create captivating narratives by capturing a series of images at different time intervals. You can even personalize the camera’s pre-shutter sound to add your own touch to every shot.
To enhance your vintage-inspired photos, the Instax Pal Smartphone App comes to the rescue. The app offers a variety of filters, text overlays, and stickers to add creativity and personalization to your prints. Whether you want to create a nostalgic look or add a touch of whimsy, the possibilities are endless.
One of the most exciting features of the Instax Pal is the Instax Animation feature. This innovative function transforms your photos into animations, reminiscent of traditional flipbooks. What’s more, you can even “print” these animations, and each resulting film includes a QR code. Scanning this code with your smartphone allows you to play the animation, breathing life into your cherished moments.
The Instax Pal boasts internal storage capable of holding up to 50 images. For those who need more space, you can easily expand storage by using a Micro SD card. Fujifilm is set to offer the Instax Pal as part of a bundle, which includes the Instax Mini Link 2 printer and a 10-pack of film, all for a price of US$199.95. While the individual price of the camera is yet to be disclosed, it’s expected to be an attractive option for photography enthusiasts.
Fujifilm’s Instax Pal is a testament to the brand’s commitment to preserving the charm of instant photography while embracing the convenience of the digital age. With its compact design and innovative features, the Instax Pal promises to redefine the way we capture and share spontaneous moments. Set to launch in late October, this tiny marvel is poised to become a must-have for those who crave the nostalgia of instant prints with a contemporary twist. Keep an eye out for the Instax Pal and be prepared to embark on a new era of instant photography.
The post Fujifilm Once Again Redefines Film Photography with its Instax Pal: Without An Inbuilt Printer first appeared on Yanko Design.
Dubbed the Instax Pal, this tiny portable camera is a point-and-shoot wizard that lets you send photos directly to your Instax Link printer. Think of it as an everyday carry for someone who wants to quickly take multiple photos without needing to fish out their phone, unlock it, and start the camera app. The caveat, however, is that the Instax Pal is so compact, it doesn’t come with a viewfinder… and its internal storage is only good for about 50 photos (there’s an SD card slot for added storage). It does come bundled with the Instax mini Link 2 printer, as a consolation, with both costing just $200.
Designer: Instax
The Instax Pal’s only noteworthy highlight is its sheer portability. After all, the company manufactures instant cameras that develop photos seconds after clicking them, and instant printers that let you print photos on command… so it only made sense to build the one last product left in that ecosystem – a portable camera that didn’t do any printing, but rather, delegated the printing to an instant printer. Given that the Instax Pal and mini Link 2 come as a bundle, it seems that the folks at Fujifilm (Instax’s parent company) hope to make the Pal your everyday photography companion.
About as small as the Polaroid Cube from as early as 2014, the Instax Pal packs a fairly respectable camera setup, with a 16.25mm equivalent lens sporting an f-stop of 2.2 and 5MP output with a 1/5″ sensor. The Pal also has an LED flash, a tiny speaker, and a shutter button on its rear. As mentioned earlier, it lacks the viewfinder, but somewhat makes up for it with a silicone ring that attaches to the top, acting like a makeshift eyepiece for roughly composing your shot. Alternatively, you can place the camera on the ring as if it were a trivet, using it as a stand instead.
The camera has the capability to print on three different sizes of Instax film: mini, square, and wide. By using the app, you can shoot remotely with a live view and apply filters and frames before or after taking the photo. Additionally, you can customize your own “pre-shutter sounds” that will play through the camera’s speaker before each click.
Point, click, and shoot, and the Instax Pal captures photos to its internal memory. Although the built-in storage on the camera isn’t good enough to write home about, an SD card slot lets you store more photos for future review. When connected to the upcoming Instax Pal app, the camera will transmit photos to your phone, letting you edit them and upload them to social media, or send them to the mini Link 2 printer. Conversely, a ‘Link mode’ on the camera allows you to skip the app and print directly from an Instax Link printer or hybrid camera as soon as you take the picture, mimicking the true experience of an instant camera.
Instax plans on selling the Pal in 5 color options, priced at $199. Along with the camera, you also get the mini Link 2 printer and a 10-pack of photo sheets. Despite this peculiar arrangement (of separate hardware devices for cameras and printers), it is evident that the company’s intentions are clear. The Instax brand has gained immense popularity and profitability, prompting Fujifilm to fully embrace its entertaining charm in order to captivate a younger demographic. The Instax Pal is also perfect for children, given its uncomplicated design/format, and its compact form that makes it a great gift for parents to give their shutterbug kids. Alternatively, it’s a nifty toy for photographers and influencers too, practically becoming an affordable EDC that they can string around their keychain and carry around wherever they go!
The post The Tiny $200 Instax Pal Camera is basically keychain-sized EDC for Photographers and Influencers first appeared on Yanko Design.
Although it might not be as hyped or as loud as before, there is still a strong “retro” design trend today as people continue to rediscover and appreciate the aesthetics and values of their forebears. Vinyl records and players are still attracting audiophiles, while the iconic “Polaroid” photo format continues to tickle the fancy of even younger generations. The latter is, of course, possible with any smartphone and a specialized printer, but that only delivers half the joy of the instant photo experience. That other half is courtesy of a dedicated instant camera, and the latest addition to that roster is perhaps the biggest and boldest attempt at appealing to all generations of shutterbugs, bearing details from not one but two “old-school” cameras for modern people to enjoy today.
Designer: Fujifilm
It’s almost surprising that the Instax line of Polaroid-like cameras would take the photography market by storm despite their inherent technical limitations. Despite their attachment to social media and selfies, the “instant” generation found themselves drawn to these rather adorable non-digital cameras, appealing to their sense of instant gratification, desire to share, and love of novelty. The new Instax SQUARE SQ40 retains these qualities, particularly with the use of a special photo paper and instant printout of photos, but it also takes the design in another direction to grab the attention of more earnest photographers.
Right off the bat, the Instax SQUARE SQ40 looks bigger than its predecessors, though the brand promises it is designed to easily fit in your hand. In this regard, it takes some cues from traditional cameras, such as those that Fujifilm produces, including the use of a textured leather-like black surface that gives it a more stylish and elegant appearance. There’s even a camera case specially designed for this shooter that also uses a kind of tactile material not unlike leather.
Although it pays homage to instant and traditional cameras of the past, the Instax SQUARE SQ40 has its feet, pardon the pun, squarely planted in the present. An auto-exposure feature lets you take usable photos even in the dark without having to fiddle with settings or dials. More importantly, a twist of the telescopic lens ring activates the camera’s “selfie mode,” revealing a tiny mirror that will help you frame the perfect shot, even if you have to squint a bit.
The Instax SQUARE SQ40 not only continues the retro instant camera trend but upsizes it and gives it a bit of a different character. Of course, there will be plenty of practical arguments against this kind of camera, especially with a larger size that makes it hard to easily stash in bags. For avid photographers who want to share a unique and truly one-of-a-kind photo, however, the $149.95 price tag might actually be just fine, though you’ll have to also take into account the boxes of film you’ll also have to buy in the long run.
The post Instax SQUARE SQ40 makes a literally big gamble on the fusion of past and present first appeared on Yanko Design.
With the explosion of TikTok and the growth of video on YouTube, Twitch, Instagram and other platforms, interest in vlogging has increased exponentially since we last updated our guide. If you’re one of those vlog creators and a smartphone is no longer good enough, it may be time to upgrade to a purpose-built vlogging camera.
Some models are specifically designed for vlogging, like Sony’s ZV-E10 mirrorless camera that launched last year, or Panasonic’s compact G100. Others, like the new Panasonic GH6, Sony A7S III and Canon EOS R6 are hybrid cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and image stabilization. Prices, features and quality can vary widely among models, though. To that end, we’ve updated our guide with all the latest models designed for every vlogger from novice to professional, in all price ranges. Engadget has tested all of these to give you recommendations for the best vlogging cameras, and we’ll even discuss a few rumored upcoming models.
One caveat to this year’s best camera guide is that a parts shortage has limited production of many cameras, causing shortages and higher prices. Sony, for one, halted production of the aforementioned ZV-E10 for a time, and models from Fujifilm and others are also hard to find. The good news is that the shortage appears to be easing, so hopefully we’ll see normal supply levels in the near future.
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It has to be good not just for filming yourself, but other “B-roll” footage that helps tell your story.
The number one requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some still do it better than others.
If you move around or walk a lot, you should look for an action camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of the limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
4K recording is another key feature for video quality. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K video recording at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts, etcetera, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when you go to edit your vlog.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with an external microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
Last time around we recommended the original Osmo Pocket, but the Pocket II (no more “Osmo”) has some big improvements. As before, it’s mounted on a three-axis gimbal and has impressive face tracking that keeps your subject locked in focus while video recording. However, the new model has a larger, much higher resolution 64-megapixel sensor, a faster lens with a wider field of view and improved microphones. As before, you can get accessories like an extension rod, a waterproof case and more.
What really makes the Pocket II great for vlogging are the follow modes combined with face tracking. If you’re working solo, you can simply set it up and it’ll rotate and tilt to follow you around. That also applies for walk-and-talk vlogging, so you don’t have to worry about focus or even pointing the camera at yourself. For $346, it’s not only good for beginners, but is a handy tool for any vlogger.
Buy DJI Pocket II at Amazon - $349The Hero10 Black is what we called a “big, invisible upgrade” over the Hero9, itself a much improved camera over the Hero8 Black we recommended last time. That’s largely due to the new processor that unlocks features like higher-resolution 5.3K 60p and 4K 120fps video, much improved Hypersmooth 4.0 stabilization, an improved front-screen and more. All of that makes the GoPro Hero10 Black ideal to mount on a drone, vehicle, helmet, bicycle and more, at a very manageable $350 price with a 1-year GoPro subscription.
Buy Hero 10 Black bundle at GoPro - $350DJI took a much different approach compared to GoPro with its latest Action 2 camera – no with more Osmo branding. Rather than being a standalone camera, it’s a modular system with a magnetic mount that lets you add a touchscreen module with a secondary OLED display and three additional microphones, or a battery module for longer life and an extra microSD slot. As with the Pocket 2, it offers tons of accessories like a 3-in-1 extension rod and more. It’s a versatile option if you do more than just action shooting, and is priced well starting at $399.
Buy DJI Action 2 at Amazon - $399Compact cameras are a step-up option from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, it’s the best option.
Sony’s ZV-1 came out in 2020 and it’s still the best compact vlogging camera available. Based on the RX 100 V, it has a decently large 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm equivalent lens. Based on the RX100 V, it has a 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm (equivalent) lens. It also offers a lightweight body, built-in high-quality microphone (plus a microphone port), flip-out display, best-in-class autofocus and excellent image quality. It also has vlogging specific features like “product showcase” and background blur.
While the $799 ZV-1 can’t shoot 10-bit video, it comes with Sony’s S-Log picture profiles that give you increased dynamic range for shooting in challenging lighting conditions. The flaws include a lens that’s not quite wide enough when you’re using electronic stabilization, mediocre battery life and the lack of a true touch display and headphone port. That aside, if you’re looking to step up from a smartphone, it does the job nearly perfectly.
Buy Sony ZV-1 at Amazon - $799
Canon’s G7 X Mark III should also be front of mind for vloggers looking for a compact option. It also packs a 20-megapixel 1-inch sensor, but has a 24-100 mm f/1.8-2.8 35mm equivalent zoom — quite a bit longer than the ZV-1 at the telephoto range. It can shoot 4K at up to 30 fps, while offering optical image stabilization, a microphone input (though no headphone jack) and even the ability to livestream directly to YouTube. The downsides are contrast-detect only autofocus and a screen that tilts up but not to the side. For $749, it’s still a great option, though.
Buy Canon G7 X Mark III at Amazon - $749This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, extra complexity and higher prices.
Fujifilm’s X-S10 has displaced the X-T4 as the best vlogging camera out there, thanks particularly to the more affordable price. It ticks all the boxes for vloggers, offering in-body image stabilization, 10-bit 4K external video with F-Log recording (at up to 30fps) along with 1080p at a stellar 240 fps, a screen that flips out to the side and easy-to-use controls. It also comes with a headphone jack and USB-C port that doubles as a headphone jack. The main downside is the limited touchscreen controls, but you get a lot of camera for just $1,000.
Buy Fujifilm X-S10 at Adorama - $999The best Sony APS-C camera for vlogging is now the ZV-E10. While using many of the same aging parts as the A6100, including the 24.2-megapixel sensor, it has a number of useful features for self-shooters. High on the list is Sony’s excellent autofocus, which includes the same background defocus and Product Showcase features found on the ZV-1 compact. It also offers electronic SteadyShot, a fully articulating display and more. The biggest drawback is rolling shutter that can get bad if you whip the camera around too much. If you can find one, it’s priced at $700 for the body or $800 in a bundle with Sony’s 16-50mm F/3.5-5.6 power zoom lens.
Buy Sony ZV-E10 at B&H - $698Panasonic GH6 and GH5
Panasonic’s GH5 was an incredibly popular vlogging camera for a very long time and was actually replaced by two cameras, the $2,200 GH6 and more budget-oriented $1,700 GH5-II. The GH6 is a large upgrade in nearly every way, offering 5.7K at 60 fps and 4K at up to 120 fps, along with ProRes formats that are easy to edit. It also comes with the best in-body stabilization on any camera and great handling. The downside is sub-par contrast-detect autofocus and battery life that’s not amazing.
It’s also worth a look at the GH5 Mark II, which is not only $500 cheaper but particularly well suited for live-streamers. It’s not a huge upgrade over the GH5, but does more than most rival cameras for the price, offering 4K 10-bit 60p video, a fully articulating display and excellent in-body stabilization. As with the GH6, the main drawback is the contrast-detect autofocus system.
Buy Panasonic GH6 at Amazon - $2,200Buy Panasonic GH5 at Amazon - $1,700Panasonic’s G100 is purpose built for vlogging like the ZV-1, but also allows you to change lenses. It has a fully-articulating flip-out screen, 5-axis hybrid (optical/electronic) stabilization, 4K V-Log-L video at up to 30 fps (though sadly cropped at 1.47X for 4K video), 1080p at up to 60 fps, and contrast detect AF with face/eye detection. The coolest feature is the Nokia OZO system that can isolate audio to a specific person via face-detection tracking — something that can theoretically improve audio quality. Best of all, you can grab it right now with a 12-32mm lens for $750.
Buy Panasonic GH100 at Amazon - $750Another good buy if you’re on a budget is Canon’s EOS M50 Mark II, particularly if you’re okay with 1080p video only. While not a huge upgrade over the original M50, Canon has made it more compelling for vloggers with a fully-articulating display, continuous eye-tracking in video and live streaming to YouTube. It does support 4K, but with a heavy 1.5 times crop and contrast-detect autofocus only. Still, it’s a good option for folks on a budget, selling for $699 with a 15-45mm lens.
Buy Canon EOS M50 Mark II at B&H - $699If you’ve got the budget for it, Canon’s EOS R6 offers nearly every feature you need in a vlogging camera. You can shoot 10-bit 4K video at up to 60 fps, and the Dual Pixel autofocus with eye and face tracking is incredibly reliable. It also offers 5-axis optical stabilization, a flip-out display and a relatively compact size. As you may have heard, overheating can be an issue, but firmware updates have improved that issue and it only applies to the more demanding video settings.
Buy Canon EOS R6 at Amazon - $2,500The Fuijfilm X-T4 is a great all-around mirrorless camera for vlogging. It has everything you need, including a fully-articulating display, continuous eye- and face autofocus, 10-bit 4K log recording at up to 60 fps, 5-axis in-body stabilization, microphone and headphone jacks (the latter via USB-C) and lower noise in low light.
Image quality, especially in the skin tones, is lifelike and the sensor has minimal rolling shutter. It also offers good battery life and comes with dual UHS-II card slots. Finally, it’s fairly light considering all the features, and Fujifilm has a good selection of small lenses ideal for vlogging. What I don’t like is an autofocus system not quite as fast or accurate as Sony’s and the fairly steep $1,700 asking price for the body only.
Buy Fujifilm X-T4 at Amazon - $1,700If you want to look great while vlogging, check out Nikon’s stylish Z fc. It’s largely identical to the Z50, with features like a 20.9-megapixel APS-C sensor, 4K at 30 fps and a reliable phase-detect autofocus system with face detection. However, the Z fc brings a vari-angle touchscreen to the party and has a beautiful vintage body covered with convenient manual controls. It doesn’t have built-in optical stabilization, but you can get that via a lens. The best feature, though, is the price – you can get one for $1,100 with a 16-50mm lens.
Buy Nikon Z fc at B&H - $1,100If you’re not quite ready to buy, there are some interesting options on the horizon. Canon just announced the EOS R7, a mirrorless EOS R version of its popular EOS 7D DSLR. It has an APS-C sensor and all-new RF-S lenses, meaning that it might replace Canon’s current M-series cameras. Specs include a 32.5-megapixel APS-C sensor, 4K 60 fps video, an articulating display and more. All of that will make it a top vlogging option, if our upcoming review confirms the hype.
On top of that, Canon also announced a cheaper EOS R10 model with a 24.2-megapixel sensor that could also be an ideal vlogging camera. Both cameras are coming out towards the end of 2022.
In addition, Fujifilm just launched the X-H2S, its new $2,500 flagship mirrorless camera. With a 26.2-megapixel stacked and backside-illuminated sensor, it offers a raft of impressive features. Some of the highlights include 40 fps blackout-free burst shooting, faster autofocus, 6.2K 30fps video, a flip-out display and 7-stop in-body stabilization. If you’ve got the budget, this could be a solid vlogging choice when it arrives on July 7th.
If you’re a content creator or YouTuber, camera companies increasingly want your business. Last year was no exception, with several new vlogging-specific models released by Canon, Sony, DJI and others. That means there are now over a dozen on sale, alongside regular mirrorless cameras that also do the job well.
Models specifically designed for vlogging include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 or Canon’s compact PowerShot V10. Others, like the new Panasonic G9 II and last year’s Canon EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It must be good for filming yourself as well as other “B-roll” footage that helps tell your story. The biggest requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some (notably Canon and Sony) do it better than others.
If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of its limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts and so on, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when it’s time to edit the footage.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
Compact cameras are a step up from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, they’re the best option.
This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, more complexity and higher prices.
If your loved one is into action sports, filmmaking or photography, a camera or accessory would be a highly appreciated gift, to say the least. And there’s never been a better time to own a new camera, as the latest technology will let them take better photos and video than ever. It can be difficult to know where to start, though, with all the camera models out there, let alone the numerous accessories like backpacks, memory cards, tripods and more. Fortunately, we’ve done all the research and found cameras at a wide range of prices, along with accessories that will help your giftee get the most out of their gear.
Though it just came out, Canon’s EOS R10 is near the top of the list for desirable camera gifts, thanks to a mix of great handling and strong performance. It has a nice big grip and generous controls, so it’s easy to change commonly used settings. It can shoot bursts at up to 23 fps, and the eye- and face-detect autofocus is powerful enough to keep up. Video is solid too, with up to 4K 60p resolution, 10-bit color and super slow-mo (1080p at 120 fps). It also comes with a flip-out display and built-in flash. The main drawback is the lack of in-body stabilization.
Buy Canon EOS R10 at Adorama - $979The Hero 11 is GoPro’s most refined action camera yet, so it’s guaranteed to please any adventurous folks on your gift list. It now comes with a 27-megapixel sensor, offering a significant bump over the previous 23-megapixel chip. With that, you get the highest resolution video of any action camera (5K 60p and 4K 120p), with 10-bit color across the board. It also has a faster f/1.9 aperture. The higher resolution enables the horizon-leveling feature that keeps things steady when the camera tilts, on top of GoPro’s class-leading HyperSmooth stabilization, now in its fifth generation. You probably don’t need to update if you’re coming from a Hero 9 or 10, but it’s far and away the best option otherwise.
Buy GoPro Hero 11 at Amazon - $500Sony’s A7 IV is a follow up to the immensely popular A7 III, and would be guaranteed to please any photographer for Christmas. Resolution is up over the last model to 33 megapixels and image quality is much improved overall. And video is finally on par with rivals as well, with 4K at up to 60 fps and high, billion-color 10-bit quality. Autofocus is incredible for both video and stills, and the in-body stabilization does a good job correcting camera shake. The biggest drawbacks are rolling shutter that limits the use of the electronic shutter and the relatively high price.
Buy Sony A7IV at Adorama - $2,498Panasonic’s GH5 II is an update and not an overhaul of the original GH5, but it’s still the best value in a mirrorless camera for video – and a great gift for a videographer. New features include improved stabilization, 10-bit color for 4K 60p video, All-I capture, PD charging via USB-C and new video streaming options. The drawback is the continuous video autofocus that’s not up to par with rivals, but it’s better than before. For around $1,700, it costs less and delivers more than most rival cameras.
Buy Panasonic GH5 II at Adorama - $1,698Having a good fluid-head tripod is a must for shooting video, but they can get quite expensive. For a gift that won’t break the bank, Libec’s TH-X is a great choice. It can handle cameras up to 9 pounds, and includes a sliding plate that makes it easy to balance your camera. It offers smooth tilting and panning, easy leveling, a quick-release plate and 2-stage legs. It weighs just 3.1 KG and best of all, costs only around $200.
Buy Libec tripod at Amazon - $209One of the most useful accessories out there for vlogger on your Santa list are Joby’s famous mini-tripods, and the best one for the money is the GorillaPod 3K. Attaching your camera couldn’t be easier thanks to the secure clip-in mounting plate with a built-in level. And the flexible legs let you set your camera anywhere to shoot, or even wrap it around a tree or other object. And of course, you can bend them out for the ideal vlogging angle and steady out your shooting, to boot. Best of all, you can now pick one up at Amazon for just $45, a bargain for such a versatile tool.
Buy Joby GorillaPod 3K at Amazon - $46The ProTactic 350 AW II from Lowepro is a versatile camera backpack that makes a great gift for any photographer. It’s comfortable whether you’re doing a shoot across town, in the middle of nowhere or in another country, and spacious enough for a generous amount of photo or video gear. Lowepro claims you can carry a Pro DSLR and 24-70mm zoom, plus eight extra lenses or flash units, along with an additional DSLR and 13-inch laptop. It’s also modular, with adjustable dividers, removable straps and multiple pockets.
Buy ProTactic backpack at B&H Photo - $190With its rugged, practical design, Peak Design’s Everyday Messenger Bag is an ideal gift for adventurous or photo-shooting loved ones. It’s built with a lightweight yet durable 100-percent waterproof recycled 400D shell with the ingenious Flexfold dividers in the main storage area. It also offers a pair of zipped pockets, two elastic side pockets and a compartment big enough for a 13- to 15-inch laptop. I own one myself and find it practical both for work and daily activities, letting me fit a camera, lens and laptop along with my wallet and keys. It’s not the cheapest bag out there at $230, but your Dad won’t have to buy another for a good long while.
Buy Everyday Messenger at Peak Design - $230If you’re not interested in paying for Adobe’s subscription services, the best video editing software gift idea is Blackmagic Design’s DaVinci Resolve 18 app. It gives users two ways to edit, with a Cut mode for quick projects and Edit for more advanced videos. Plus, you get Resolve’s well-known color correcting tools, the Fairlight audio editor, along with the Fusion graphics and compositing system – everything needed to deliver a project.
Buy DaVinci Resolve at Blackmagic - $295A good light is an awesome tool in your favorite photographer or videographer’s arsenal, and a relatively affordable gift to boot. One of the best all-around models is the Nanlite LitoLite 5C RGBWW Mini LED Panel. It weighs just 4.8 ounces, but offers dimmable lighting across a range of colors, with adjustments either on the fixture or via a smartphone app. It mounts on any wall or light stand via a magnet or quarter-inch threads, has cordless operation and a battery that runs for 1.5 hours at full power (charged via USB). The most interesting feature is special effects that range from a cop car’s flashing lights, flames, candlelights, a lightning storm and more.
Buy Nanlite LitoLite 5C at Amazon - $75If the vlogger in your life doesn’t already have one, Rode’s wireless and shotgun microphones are solid, affordable gifts. The VideoMic Go is ideal for interviews and run-and-gun shooting, thanks to the crisp directional audio and relative ease of use. It comes with a shock mount to eliminate bumps or vibrations that could interfere with sound and doesn’t require a battery, unlike past Rode models. Meanwhile, Rode’s Wireless Go II is one of the most popular wireless lavalier mics out there, functioning as both a microphone (for up to two subjects) and wireless transceiver. It offers a reliable connection and good audio quality, or you can maximize clarity by connecting external 3.5mm microphones like Rode’s $80 Lavalier Go, the Sennheiser Pro Audio ME2 or others.
Buy Rode VideoMic Go at Amazon - $66Buy Rode Wireless Go II at Amazon - $187There’s no point in buying your favorite photographer UHS-I cards anymore when faster UHS-II models can be found at nearly the same price. That’s the case with Lexar’s 64GB or 128GB 1667x V60 UHS-II cards, available at just $33 and $50, respectively. While not as fast as a top-of-the-line 2000x card, you still get faster read and write speeds (250 MB/s and 120MB/s) than any UHS-I card for a fraction of the price. If speed is of the essence, then SanDisk’s top-end V90 cards with 300MB/s read and 260MB/s write speeds can be found for $80 and $150, respectively.
Buy Lexar Professional 1667x at Amazon starting at $33Many new camera models these days, including the Panasonic GH6, Fujifilm X-H2, Canon EOS R3 and EOS R5, along with others include CFexpress Type B slots that are multiple times faster than SD UHS-II cards. Prograde’s Type B Gold with 1700 MB/s read and 1500 MB/s write speeds are a good value, available in 128GB and 256GB versions for $100 and $140 respectively. And if even more speed is required for 8K or RAW capture, ProGrade also offers the 165GB and 325GB Type B Cobalt versions compatible with 8K and RAW on the EOS R5 for $180 and $450, respectively.
Buy CFexpress 2.0 card at ProGrade - $100Nothing ups video production value like a camera slider for doing “dolly” moves, and one of the most affordable and gift-friendly models is Edelkrone’s SliderOne V2. It’s relatively lightweight and small at just 20 centimeters (8 inches), so it’s portable enough to fit in a camera bag. It offers smooth operation that’s easily programmable from a smartphone, and works nicely with other Edelkrone products like the HeadONE motorized panning system.
Buy SliderOne V2 at Edelkrone - $499