Yesterday, at the Disney APAC Content Showcase in Singapore, the company revealed Volume 3 of Star Wars: Visions. This anthology of nine short animations from nine separate anime studios is set to release next year. In keeping with tradition from prior volumes, each studio is allowed considerable creative freedom and will likely produce shorts with distinctive art styles that fans will recognize instantly.
Based on the Star Wars website’s blog post, we can immediately see four returning studios: Kamikaze Douga, Kinema citrus Co., Production I.G and TRIGGER. These studios are responsible for anime adaptations of JoJo’s Bizarre Adventure, Made in Abyss, Haikyu!! and Kill la Kill, respectively.
To improve the diversity of styles, Disney invited five new studios to create the remaining shorts. They are ANIMA (collaborating with Kamikaze Douga), David Production, Polygon Pictures, Project Studio Q and WIT Studio.
ANIMA is an animation studio specializing in 3D CG movies, and you may know it as the studio behind cutscenes from Xenoblade 3, certain Fire Emblem Heroes movies and Pokemon Unite. David Production animated Fire Force and Undead Unluck, among many other anime. Some Star Wars: The Clone Wars episodes and Tron: Uprising were Polygon Pictures’ work.
Project Studio Q is a less-known name, but it’s responsible for some 3D animation in DARLING in the FRANXX episodes. As for WIT Studio, it’s of Spy x Family and Attack on Titan (the first three seasons) fame.
With such a stacked roster of studios, Disney is sparing no expense on this anthology. The wait might be long, but Volumes 1 and 2 are still available on Disney+.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/star-wars-visions-volume-3-is-coming-in-2025-164557738.html?src=rss
Dolby Atmos has integrated into spaces like movies, home theaters, and headphones over the decade plus since it launched in 2012. Now, its entering the live theater space for the first time since thanks to Kenneth Branagh Theatre Company’s take on King Lear. It has been used for live events before, however, like concerts at the Dolby Live in the Park MGM Las Vegas.
Kenneth Branagh, who stars in the production, has previously used Dolby Atmos as a director of films like Belfast. "Kenneth Branagh’s brilliant implementations of Dolby Atmos in film, like for his Oscar-winning Belfast, demonstrate the power artists have to immerse audiences in ways never before possible," said Jed Harmsen, Head of Cinema and Group Entertainment at Dolby. He added that the "collaboration with Dolby will break ground in bringing Dolby Atmos to the world of stage performance and use intentional sound design to plunge audiences into the play’s universe."
King Lear will run for nearly two months from October 26 to December 15 at The Shed’s Griffin Theater in New York City. Dolby Atmos will create audio effects and music around the audience and above the actors.
This article originally appeared on Engadget at https://www.engadget.com/audio/dolby-atmos-is-making-its-live-theater-debut-144150814.html?src=rss
Waymo and Uber are planning to bring their robotaxi service to more locales in the near future. Waymo One will arrive in Austin and Atlanta by early 2025. Folks in the two cities will be able to take a ride in Waymo’s autonomous, electric Jaguar I-PACE vehicles via the Uber app.
Waymo employees in Austin are already using the service. The company will open up access to a limited number of public riders via the Waymo One app before moving the service to Uber early next year. The Atlanta public can start taking rides in the robotaxis in early 2025, and the companies plan to gradually expand Waymo One in that city.
The Austin operations have been a long time coming. Waymo first revealed plans to expand to the Texas state capital back in 2023, and it initially planned to do so that fall.
Waymo One riders currently take more than 100,000 trips each week across San Francisco, Phoenix and Los Angeles. Waymo said in May it was facilitating 50,000 paid trips every week.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/waymo-and-uber-are-bringing-their-robotaxi-service-to-austin-and-atlanta-by-early-2025-154417860.html?src=rss
When you’re not watching Barkitecture or the Weird Al movie on your Roku, the device turns on its familiar scrolling, purple city-scape. Now you don’t just have to settle for a Flintstones-esque background of neoclassical buildings and the occasional billboard for PlutoTV when your Roku goes into rest mode. The TV viewing platform is introducing a new screensaver feature called Backdrops.
The new viewing feature turns your TV or viewing device into an Amazon Echo Show 8 Photos Edition, except Roku hasn’t taken away the only feature that gave it its name. Backdrops will show pictures of classic works of art by masters like Claude Monet and beautiful photos of landscapes that you can choose to display on your Roku device. The new Backdrops feature will start appearing on Roku-branded TVs and third-party Roku TVs in the next few weeks while customers with Roku streaming players and streambars will have to wait until the fall.
Roku
There are thousands of works of art and photos to choose from and even include descriptions so you can learn a little art history and geography while you’re vegging out in front of your TV. It’s not like you were doing anything important anyway on your couch on those sweatpants you don’t even wear outside when you’re taking out the garbage.
Roku’s Backdrops doesn’t just limit your choices to what it has to offer. You can also upload your own photos to your Roku account on the website from your computer and connect your Google Photos collection to your Roku. Backdrops can basically turn your boring wall into a museum if the entire museum could move around you to each work of art instead of the other way around.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/rokus-new-feature-will-turn-your-tv-into-a-fancy-art-delivery-system-214841525.html?src=rss
Starting next year, Stranger Things fans will be able to watch its stage play spin-off on Broadway. The prequel to the popular sci-fi/horror series, Stranger Things: The First Shadow, won two Olivier Awards and several other accolades since it premiered in London's West End in December 2023. Its West End production will run until sometime in 2025, thanks to an extended run, but performances on Broadway will also begin on March 28, 2025. That said, the play will officially open at Marquis Theatre in New York on April 22, 2025.
The First Shadow is set in 1959, before the events in the Netflix series. Jim/Hop, Joyce and Bob — who was played by Sean Astin — are seniors in the story who all just want to graduate and leave town. "When new student Henry Creel arrives, his family finds that a fresh start isn’t so easy... and the shadows of the past have a very long reach," the play's synopsis reads. It's based on a story by the Duffer Brothers, the creators of Stranger Things who will also serve as the play's creative producers, and will be directed by Tony award winner Stephen Daldry.
Casting for the production hasn't been announced yet, but fans can already sign up to make sure they get early access to pre-sale tickets. Those who sign up on The First Shadow's official website will be able to buy pre-sale tickets first, starting at 11AM on September 13. Everyone else will be able to purchase tickets when they go on sale to the general public a few days later on September 17.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/stranger-things-will-make-its-broadway-debut-in-march-2025-140015764.html?src=rss
The Boys may be one season away from ending but it’s not done caking your screens with blood and torn muscle tissue. Cast member Jensen Ackles who plays Soldier Boy on The Boys revealed at the San Diego Comic-Con that Amazon will produce a prequel of the superhero show called Vought Rising.
The new prequel will take place in the 1950s during the early days of the evil Vought empire, the mega conglomerate that runs the entire superhero industry in The Boys’ universe. The new series will show the early exploits of characters like Soldier Boy and the almost-immortal Nazi supe Stormfront played by Aya Cash. The story will revolve around some kind of “twisted murder mystery about the origins of Vought,” according to executive producer Eric Kripke and showrunner and executive producer Paul Grellong.
Vought Rising sounds like a reimagining of Watchmen without the brooding and self-importance. That’s not to say Watchmen is bad. Those things and its brutal honesty about the nature of its characters are what makes it great but would it kill Rorschach to make just one curse-laden pop culture reference?
The Boys has become Amazon’s Game of Thrones. Even when the main series ends, it won’t be the last we hear from it. The same Comic-Con panel also revealed its college themed spinoff Gen V is getting another season, according to GamesRadar+. There’s also another spinoff in development called The Boys: Mexico with Diego Luna, Gael García Bernal and Blue Beetle writer Gareth Dunnet-Alcocer, according to Deadline.
There’s also The Boys Presents: Diabolical, the animated anthology series in which some of the original series’ writers and producers like Garth Ennis and Seth Rogen and special guest stars like Awkwafina and Andy Samberg penned original stories about supes and presented them in different animation styles. Not to sound ungrateful but when are we gonna get another season of that?
This article originally appeared on Engadget at https://www.engadget.com/amazon-is-giving-the-boys-the-prequel-treatment-201058614.html?src=rss
San Diego Comic-Con is a popular time to announce any big news for the geekdom, but it's also a popular time for big news to accidentally get revealed early. Today, an attendee took a photo of the booth for comic publisher Dark Horse that may have leaked plans for a remaster of two Soul Reaver games. The image shows a statue of characters Raziel and Kain, and the artwork is accompanied by a sign with branding that reads Legacy of Kain: Soul Reaver I and II Remastered. The sign has since been removed from the display.
Dark Horse Comics Vice President of Product Development and Sales Randy Lahrman spoke to GameSpot at the convention about the leak. He said the statue in question would be available in August and that more details would be forthcoming, but he did not comment on the possible game remasters.
The Soul Reaver games were made by Crystal Dynamics. Legacy of Kain: Soul Reaver initially came out in 1999 for the original PlayStation, and sequel Soul Reaver II came out two years later. Both projects were helmed by director Amy Hennig, who went on to work at Naughty Dog on the Uncharted and Jax and Daxter franchises. Crystal Dynamics may be best known for its work on the rebooted Lara Croft series, and the company was acquired by Embracer Group alongside Eidos-Montréal and Square Enix Montréal in 2022.
It does seem plausible that remasters are in the works. Earlier this month, news dropped about a planned prequel graphic novel titled Legacy of Kain: Soul Reaver - The Dead Shall Rise. It will be a Kickstarter project by Bit Bot and Crystal Dynamics.
We've reached out to Crystal Dynamics about today's leak and will update the story if we receive any official information.
This article originally appeared on Engadget at https://www.engadget.com/comic-con-leak-sparks-rumors-of-two-remastered-soul-reaver-games-223906020.html?src=rss
The following article discusses spoilers for the first season of X-Men ‘97.
I was excited about the return of the ‘90s Saturday morning cartoon version of the X-Men. Still, I wasn’t sure Marvel, under the auspices of Disney, could deliver on the flavor of the original while also making a modern show that older fans, now adults in their 30s and 40s, could enjoy. And X-Men '97 is a total play on our nostalgia, which makes it even odder that it delivers. And is better than the original in pretty much every way.
And of all the Marvel baubles that needed some affection, the X-Men arguably needed it most. The ten-episode run managed to cram in so many plotlines, cameos, comic sagas, villains, plot twists and even deaths that, at times, it was hard to process everything — but I utterly loved how relentless it all was. X-Men ‘97 goes hard, especially if you’re already an obsessive fan.
When Marvel first launched an all-you-can-read comic book app, I went in hard on the X-Men back catalog, especially stories by Chris Claremont and Grant Morrison, two of my favorite writers. X-Men ’97 mines a lot of my favorite characters and stories. Magneto is put on trial, and begins a (brief?) redemption arc, Jean Grey turns out to be a clone, and the cartoon crammed a roughly-year-long comic arc, Inferno, into a single episode. Other arcs either included wholesale, or with some riffs, include Lifedeath, Fatal Attractions, Motendo, Operation: Zero Tolerance and more.
The highlight of this first season (a second is already underway) has to be the crushing episode 5, where the mutant nation of Genosha is devastated by a high-powered sentinel mothership… thing. Just before the attack destroys mutant adults, mutant children and eventually even an X-man, Cable, the time-traveling son of Scott Summers and Jean’s clone. (See: Inferno, mentioned above) reappears to stop the attack. But he fails again and his mother dies.
Magneto is left helpless as mutants are slaughtered and he’s forced to relive the genocide he suffered as a child. Eventually, Gambit sacrifices himself and lights up the entire robot with his mutant ability. This is after Rogue reignites a romance with Magento, changes her mind, and decides to be with Gambit. As I said, each episode is a lot.
I may be alone in this, but I still prefer the older series’ animation style and look. A cartoon can look a little scrappy, in my opinion —or maybe I’m just 39 and also not a Disney executive. The majority of the action scenes are great, too. Cyclops is finally not done dirty and gets to thrive in fights. There are some great combination attacks comparable to the iconic fastball special.
Sometimes, the show can feel a bit too “anime” (And I love anime, don’t at me!), where the ridiculous scale of the fight removed a lot of my interest in it. Cool, Bastian has metal wings in the final episode. Yes, yes, very cool. But didn’t one of his super sentinel underlings wipe the floor with the X-Men mid-series? And did we need the Phoenix to reappear (again!) so that Jean can save her 50-something son from the future? Probably not.
But, it’s the X-Men. It wouldn’t be the X-Men without this kind of nonsense.
I also adored the attention to detail. How Storm changed back to her original comic-book attire, Rogue transitioned to her green and white look, Magneto wore the same black-and-white costume while on trial, just like the original comic book. X-Men '97 doesn’t miss the chance to sprinkle in other Marvel characters, too. Captain America pops up a few times, we spot an out-of-costume Spider-Man, with Mary Jane Watson, watching the fall of Asteroid M. The Silver Samurai, who got his own episode in the original series, stares on as Tokyo loses power due to Magneto’s attack on the whole of Earth.
In other episodes, an aged Polaris, Rachel Grey and more mutants briefly appear in a vision of the future. The series is bursting at the seams with references, easter eggs and surprises. Did you know that Bastian is briefly, obliquely, on-screen during the horrific attack on Genosha, long before he’s revealed as the X-Men’s primary antagonist? Well, he is. It’s a show that’s ripe for debate and discussion in an era of Reddit, Discord and YouTube reactions.
Marvel Studios President Kevin Feige stipulated that both the cast and the music had to return for the project to happen. I’m glad it did and I’m glad the theme song still slaps.
This article originally appeared on Engadget at https://www.engadget.com/x-men-97-didnt-have-to-go-that-hard-140023964.html?src=rss
The following article discusses spoilers for the first season of X-Men ‘97.
I was excited about the return of the ‘90s Saturday morning cartoon version of the X-Men. Still, I wasn’t sure Marvel, under the auspices of Disney, could deliver on the flavor of the original while also making a modern show that older fans, now adults in their 30s and 40s, could enjoy. And X-Men '97 is a total play on our nostalgia, which makes it even odder that it delivers. And is better than the original in pretty much every way.
And of all the Marvel baubles that needed some affection, the X-Men arguably needed it most. The ten-episode run managed to cram in so many plotlines, cameos, comic sagas, villains, plot twists and even deaths that, at times, it was hard to process everything — but I utterly loved how relentless it all was. X-Men ‘97 goes hard, especially if you’re already an obsessive fan.
When Marvel first launched an all-you-can-read comic book app, I went in hard on the X-Men back catalog, especially stories by Chris Claremont and Grant Morrison, two of my favorite writers. X-Men ’97 mines a lot of my favorite characters and stories. Magneto is put on trial, and begins a (brief?) redemption arc, Jean Grey turns out to be a clone, and the cartoon crammed a roughly-year-long comic arc, Inferno, into a single episode. Other arcs either included wholesale, or with some riffs, include Lifedeath, Fatal Attractions, Motendo, Operation: Zero Tolerance and more.
The highlight of this first season (a second is already underway) has to be the crushing episode 5, where the mutant nation of Genosha is devastated by a high-powered sentinel mothership… thing. Just before the attack destroys mutant adults, mutant children and eventually even an X-man, Cable, the time-traveling son of Scott Summers and Jean’s clone. (See: Inferno, mentioned above) reappears to stop the attack. But he fails again and his mother dies.
Magneto is left helpless as mutants are slaughtered and he’s forced to relive the genocide he suffered as a child. Eventually, Gambit sacrifices himself and lights up the entire robot with his mutant ability. This is after Rogue reignites a romance with Magento, changes her mind, and decides to be with Gambit. As I said, each episode is a lot.
I may be alone in this, but I still prefer the older series’ animation style and look. A cartoon can look a little scrappy, in my opinion —or maybe I’m just 39 and also not a Disney executive. The majority of the action scenes are great, too. Cyclops is finally not done dirty and gets to thrive in fights. There are some great combination attacks comparable to the iconic fastball special.
Sometimes, the show can feel a bit too “anime” (And I love anime, don’t at me!), where the ridiculous scale of the fight removed a lot of my interest in it. Cool, Bastian has metal wings in the final episode. Yes, yes, very cool. But didn’t one of his super sentinel underlings wipe the floor with the X-Men mid-series? And did we need the Phoenix to reappear (again!) so that Jean can save her 50-something son from the future? Probably not.
But, it’s the X-Men. It wouldn’t be the X-Men without this kind of nonsense.
I also adored the attention to detail. How Storm changed back to her original comic-book attire, Rogue transitioned to her green and white look, Magneto wore the same black-and-white costume while on trial, just like the original comic book. X-Men '97 doesn’t miss the chance to sprinkle in other Marvel characters, too. Captain America pops up a few times, we spot an out-of-costume Spider-Man, with Mary Jane Watson, watching the fall of Asteroid M. The Silver Samurai, who got his own episode in the original series, stares on as Tokyo loses power due to Magneto’s attack on the whole of Earth.
In other episodes, an aged Polaris, Rachel Grey and more mutants briefly appear in a vision of the future. The series is bursting at the seams with references, easter eggs and surprises. Did you know that Bastian is briefly, obliquely, on-screen during the horrific attack on Genosha, long before he’s revealed as the X-Men’s primary antagonist? Well, he is. It’s a show that’s ripe for debate and discussion in an era of Reddit, Discord and YouTube reactions.
Marvel Studios President Kevin Feige stipulated that both the cast and the music had to return for the project to happen. I’m glad it did and I’m glad the theme song still slaps.
This article originally appeared on Engadget at https://www.engadget.com/x-men-97-didnt-have-to-go-that-hard-140023964.html?src=rss
Disney+ has released the first trailer for its upcoming animated series X-Men '97, and it feels like a blast from the past for fans of the animated series that aired in the 90s. Its story picks up from where the old series left off, with the trailer showing how the team makes an effort to work together after the death of Professor X who was seriously injured by the end of the Saturday morning cartoon. That means viewers can expect the same roster of mutants from the original show, including Cyclops as team leader, Wolverine, Jean Grey, Beast, Storm, Rogue, Gambit, Jubilee and Bishop. By the end of trailer, we also get a glimpse of Magneto, who apparently inherited everything Professor X had left behind.
X-Men: The Animated Series was arguably the best adaptation of the comic books. The new show has a similar look and feel to it, but its animation quality thankfully looks a lot better. It features voice actors already known for the role, including Alison Sealy-Smith as Storm and Cal Dodd as Wolverine, but it also features new ones like Ray Chase as Cyclops. According to Entertainment Weekly, Divergent star Theo James is also part of the cast, but showrunner Beau DeMayo refused to reveal who he's voicing other than saying that it's a "fan-favorite character." Marvel Animation's X-Men '97 starts streaming on Disney+ on March 20 and will have 10 episodes in all. The streaming service has yet to reveal its release schedule, but it typically adds an episode a week for its shows — whether it'll also release an episode every Saturday morning remains to be seen.
This article originally appeared on Engadget at https://www.engadget.com/marvels-x-men-97-will-pick-up-from-where-the-90s-animated-series-left-off-082615903.html?src=rss