Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT's mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your "start" button, check the PR for the entire skinny.
Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K originally appeared on Engadget on Sun, 09 Sep 2012 06:11:00 EDT. Please see our terms for use of feeds.
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We've seen plenty of 4K cameras, and we've even heard a whisper or two about 8K, but the quality of a viewing experience isn't tied only to resolution -- frame rate also comes into play, especially with fast-moving subjects. NHK's prototype Super Hi-Vision camera doubles the capture rate from the standard 60Hz to a much speedier 120Hz, yielding sharper motion. While the difference isn't noticeable with static or slow-moving scenes, it certainly comes into play when filming rapid-motion sporting events or panning the camera. The Japan Broadcasting Corporation's latest model was on hand at IBC in Amsterdam, and the advantages of a 120Hz cam were immediately crystal clear.
Filming a rotating image that paired ordinary objects and cityscapes with letters and numbers, you could see the difference instantly, with the 120Hz image on the right side yielding far shaper details, while the left side was often a blurry mess. There's no software smoothing on hand here -- because the higher frequency comes directly from the source, it appears perfectly natural, and much more pleasant. We captured a video demonstrating the expo floor rig, but because our camera doesn't sport the same spec, you won't notice a difference in the hands-on clip after the break. You can see the difference in our stills gallery below, however, and you can take us on our word -- the improvement is quite dramatic.
Filed under: Displays, Home Entertainment, HD
NHK 8K Super Hi-Vision camera captures native 120Hz footage, we go eyes-on at IBC (video) originally appeared on Engadget on Sat, 08 Sep 2012 16:29:00 EDT. Please see our terms for use of feeds.
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Motorola may have held a fancy event for the launch of its 2012 RAZR line up, but it's saved the unveiling of its new raft of set-top boxes for the IBC show floor. No fewer than 10 models running Moto's KreaTV OS are on display at the event, possibly putting a dampener on rumors of Google selling the business off. Four of the set-tops are earmarked for IPTV services, with the different options accounting for variations in storage capacity and processing power. An additional four bear the Microsoft Mediaroom branding, and are distinguished by their differences in HDD capacity, wireless performance and feature set. Two cable boxes round out the selection, offering cost-effective simplicity and DVR capability, respectively. If you'd like more info on the ins and outs of each model, check out the PR below for the family newsletter.
Continue reading Motorola launches 10 new set-top boxes at IBC 2012
Filed under: Misc, Home Entertainment, Household, Wireless, HD
Motorola launches 10 new set-top boxes at IBC 2012 originally appeared on Engadget on Fri, 07 Sep 2012 19:41:00 EDT. Please see our terms for use of feeds.
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You may be familiar with EchoStar's satellite-based (Dish Network) and Sling Media (Slingbox) products, but the company also manufactures set-top boxes for third-party providers, as well as free-to-air services in the UK. It's this last grouping that'll be able to take advantage of the Android-based device we saw today, assuming it does in fact make its way to market. The HDX-410 runs native Ice Cream Sandwich, and is available in two versions -- one supports IP content and local storage exclusively, while a second can also accept terrestrial Digital Video Broadcasting (DVB) programming, letting you play back live TV shows in addition to content from a local server, pulled from the web or stored on attached media or an inserted microSD card. It connects to the web using Ethernet or WiFi, and includes USB ports on both the front and the rear, Bluetooth, HDMI out, digital audio out and a standard-definition connection. It's also paired with a QWERTY keyboard-equipped remote manufactured by Philips with gyroscopic or directional-pad curser control, along with pinch/zoom gesture capability.
We had a chance to check out the ICS box at EchoStar's IBC booth today, where the device was running Android 4.0.4 and an early version of the company's hybrid app, which groups "favorited" content alongside terrestrial channels, letting you use the standard channel up/down button to navigate through stored TV shows, IP content or live programming quite seamlessly, as if all of the media was playing from the same source. It's clearly not yet ready for primetime, but the interface was sleek and speedy -- the set-top box performed very well overall. EchoStar reps were unable to confirm whether or not the HDX-410 would be coming to market at all, but they did add that the solution may be made available to third-parties in the future. Click past the break to take a closer look in our hands-on video.
Filed under: Home Entertainment, Internet, HD
EchoStar HDX-410 set-top box runs native ICS, supports terrestrial broadcasts (hands-on video) originally appeared on Engadget on Fri, 07 Sep 2012 12:29:00 EDT. Please see our terms for use of feeds.
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Well, that's a mouthful of a headline. Going a bit more in-depth, a new professional solution from Sony allows broadcasters to capture side-by-side 4K video at, say, a sporting event, then use a standard camera zoom device to select small portions of each feed for 720p or 1080i output. On the receiving end, you'll see a live image that looks indistinguishable from something you'd capture with a moving camera, with a few extra benefits to boot. Sony demonstrated the system using feeds from an F65 4K camera earlier this year at NAB, but was only able to present a simulation at that point, with pre-recorded output cropped from larger-format footage.
Now, as we saw today at IBC in Amsterdam, the technique works in realtime, so an adjustable smaller portion of the video is pumped out seamlessly and instantaneously. The 4K video can also be recorded at full resolution simultaneously, letting you change the framing long after an event takes place. Sony only had the demo configured to pull live video from the left portion of the feed, but eventually the entire capture will be enabled, giving producers access to an entire football field, as you'll see in the hands-on video after the break. We wouldn't expect this solution to replace human camera operators anytime soon, but it's certainly a viable method for adding angles and placing a bit more control in the hands of production teams, even after the fact.
Filed under: Cameras, Displays, HD
Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output (video) originally appeared on Engadget on Fri, 07 Sep 2012 10:41:00 EDT. Please see our terms for use of feeds.
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NVIDIA just announced that its new Quadro K5000 GPU will be available on Mac Pros, offering 4K display compatibility and support for up to four displays, not to mention 4GB of graphics memory and about 2x faster performance than the Fermi-based Quadro 4000. While the Kepler-powered chip won't actually hit Apple systems till later this year, we got a first look at the K500 on a Mac here at IBC. NVIDIA demoed Adobe After Effects and Premiere Pro CS6 on a Mac Pro with dual K5000 GPUs.
As you'll see in the video below, with 11 streams of 1080p video at 30 fps in Premiere Pro (and one overlay of the NVIDIA logo), GPU acceleration handles the workload seamlessly, letting us add effects in real time without any processing delay. Switching to software rendering mode in the editing program shows a night-and-day difference: video playback is extremely choppy, and processing moves at a crawl. Even with two K5000 chips in this desktop, Premiere Pro utilizes just one, but After Effects takes advantage of both GPUs. In this program, NVIDIA showed us ray-tracing, a computationally intensive 3D imaging feature, which only became available in After Effects with the release of CS6. Like in Premiere Pro, the program runs smoothly enough to let us edit images in real time. Take a look for yourself by heading past the break.
NVIDIA Quadro K5000 GPU for Mac offers significant Premiere Pro performance boost, we go hands-on originally appeared on Engadget on Fri, 07 Sep 2012 06:39:00 EDT. Please see our terms for use of feeds.
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NVIDIA's Kepler-powered Quadro K5000 GPU will be making its way to Apple's Mac Pro systems, the company announced today at IBC. The professional graphics card made its debut earlier this summer and is slated to ship beginning in October for $2,249. Timing for the Quadro K5000 for Mac isn't quite so firm, with NVIDIA simply stating that it'll ship "later this year," though pricing is expected to be in line with the previously announced flavor. The next-gen GPU is said to offer up to 2x faster performance over the Quadro 4000, while also delivering 4K display support, quad display capability through two DVI-DL and two DisplayPort 1.2 connectors, and 4 gigs of graphics memory. Furthermore, each Mac Pro will be able to support up to two separate cards, should you need the extra power. You'll find full details in the press release after the break.
NVIDIA announces Quadro K5000 for Mac Pro, brings 4K support, 2x performance over Quadro 4000 originally appeared on Engadget on Fri, 07 Sep 2012 04:00:00 EDT. Please see our terms for use of feeds.
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