Have you ever wondered what would happen if two people from different time periods or locations met and worked together? Short of breaking the laws of time and space, we can only take a guess based on the works and ideas they left behind, though some “what if” collaborations feel more natural than others. The legendary industrial designer Dieter Rams, for example, has influenced generations of designers, some of whom became legends themselves and even carried on the spirit of his design philosophy. Perhaps nowhere is this association more pronounced than in the Ive-era Apple designs, particularly those that embraced minimalism to their very core. We might not need to imagine what a Rams-Ive collab would look like based on this rather simple yet intriguing iPhone dock that utilizes Standby Mode to become a modern version of the Braun DN 40 alarm clock that Rams designed.
Although probably best known for his Ten Principles of Good Design, Dieter Rams’ industrial designs not only became Braun products but also served as the inspiration for the likes of the original Apple iPod or the first Sony Walkman. His designs espoused a “less but better” philosophy, a foundation of modern minimalism, and among them was the DN 40 electronic, a funnel-shaped alarm clock that, as you might have guessed, did that and only that. There are dozens of alarm clocks today, of course, including an iPhone if you charge it horizontally to activate Standby Mode.
Inspired by this concept, musician OVERWERK created an initial prototype that simply housed a circular iPhone MagSafe charger to hold the phone at a specific angle similar to Rams’ design. It was basic, functional, and a bit cumbersome and wasteful. To take out the iPhone that sits flush inside the body, you have to press on one end of the phone to raise the opposite end and then pry it out. The rest of the clock’s chassis also held no purpose since there were no electronics to put in there as well.
Working together with designer and YouTuber Scott Yu-Jan, the design took an interesting turn and, thus, the iPhone DN 40 Dock was born. Two simple yet crucial changes were made to the original design, including adding an ejection button at the top that pushes the iPhone forward, detaching it from the MagSafe charger. Yu-Jan also added a space for the small Apple Watch MagSafe charger underneath the top cover at the back, allowing you to charge your AirPods on top. As a bonus, charging the AirPods case has a satisfying feeling when you simply put it down on top of the clock and it slides into place thanks to the power of magnets.
The result of this collaboration between two modern-day designers is a design object that feels like a collaboration between Rams and Ive, two designers with great respect for one another but never got the chance to work together. It has the minimalism of the original DN 40 clock but is made even simpler because you only need an iPhone and MagSafe chargers. You do need a 3D printer to make your own, though, and you might need to modify the design since this was made specifically for an iPhone 15 Pro. Fortunately, the design files are freely available so anyone can now have their own Rams-inspired iPhone Alarm Clock by their bed or desk.
It’s been four years since Apple’s design head Jony Ive parted ways to start his own design firm “LoveFrom” and there’s not been any hardware project by the design genius ever since. That’s until now, as LoveFrom has collaborated with British audio brand Linn for the 50th-anniversary edition of its most revered Hi-Fi turntable.
Yes, we are talking of the Sondek LP12 turntable that sees a refreshing remake, and only 250 models of the music equipment will be manufactured. In its own rights, Linn’s Sondek LP12 turntable has witnessed half a century of continuous evolution with over a million units sold to date. Now, Apple’s design pro unearths his love for music with the perfect canvas to showcase his magic.
It all started over a meeting offer on Linkedin by Ive’s team, and the two companies eventually decided to collaborate. Initially, Linn thought an email by Ive was a spam message and deleted it. Thankfully he retrieved it from trash, and turned out to be the iconic Apple designer himself.
While the original makers heavily focus on the turntable’s sonic elements, LoveFrom takes a different approach with industrial design as the main focus. For instance, the design upgrade from the squared-off components including the top plate and arm board to have smoother edges. Also, the plastic rocker power button gives way to the aluminum circle. The two creative firms also updated the plinth that now is crafted out of a single block of unique wood. This elevates the look of the turntable while lending superior acoustic performance for a different sound signature.
The project is pro bono wherein Ive does it for the love of doing it. Just like a major percentage of their work that’s done because it’s their passion. During the design process, the team always had it in their subconscious to preserve the original’s silhouette while progressing the visual design to a more modernized look without compromising the quality. As Ive very cheerfully says, “life-affirming and so joyful to work on.” He added that his team loved to “play a small part in celebrating 50 years of an icon.”
As we said, only 250 numbered units of Linn’s 50th anniversary Sondek LP12-50 will be made with a price tag of $60,000. The iconic turntable will be available in a wood finish and the Apple-ish white color variant.
The kit gives us a fleeting insight into Jony Ive’s sensibilities, and it encapsulates the two keywords we’ve come to know with his design style – minimalism, and luxury.
Now I don’t mean luxury in the conventional sense, but rather in the way Apple’s own products are de-facto luxury items given their price tags. The kind of objects Ive carries in his toolkit are similar in that nature – they’re high-quality top-notch tools of trade, perhaps the type that most people won’t be able to afford – Jony carries an Hermès measuring tape that costs $530 of your fine American dollars.
In a special interview with Financial Times (a sensible choice of publication considering his entire toolkit costs well over $10,000), Jony gave the world a look at 12 tools of his trade “for making, for marking, for measuring, and carrying with you every day.” The toolkit is far from your average hex-bits and wrenches. Jony prizes himself in carrying products that inspire him and embody his design philosophies – to that end, the images below include everything from a fountain pen to the tonearm from a turntable. Here’s a look at the EDC collection from the most prolific designer of our time.
The two objects right above cost over $6,000 alone. On the left is a 3/8″ Drive Adjustable Click-Type Fixed Ratcheting Torque Wrench, with a price tag of $399, and right beside it, a Linn titanium Ekos SE tonearm that costs a whopping $5,645. Why does Jony proudly carry a 5-grand turntable tonearm with him? Didn’t the man design the iPod??
This color-coded hex L-Key set from Wiha is one of the more affordable objects in his toolkit, and arguably the most fascinating. Priced at just $37.39, these colorful hex keys remind me of the colorful iPods, begging the question – what came first, the hex keys or the anodized aluminum colorful iPods? (It was probably the latter)
Moving onto stationery, Jony carries his more frequently used tools of trade in a leather pouch from Visvim (we couldn’t find the price, but it’s probably in the $300 ballpark). These tools include a $26 genuine bone paper folder from H. Webber & Sons, a vintage brass folding magnifier by Leitz Wetzlar (if that logo looks familiar, Leitz Wetzlar rebranded to Leica in 1986 – a company that Ive has worked extensively with in the recent past), a vintage fountain pen from Montegrappa, a $123 platinum-plated eraser from Graf Von Faber-Castell, and finally that infamous $530 leather-encased measuring tape from Hermès.
With a couple of grand to spare we reach the final effects of Jony’s EDC. These include a Mitutoyo 6in universal bevel protractor worth $325, a $355 Starrett 440Z-3RL depth micrometer gauge, and perhaps the second most bizarre piece of EDC yet – a $1,960 ship clock and weather station from Wempe Instruments’ Navigator II series. One could argue the iPhone is equally good at telling the time or the weather, but then again, if I had a net worth of $500 million, I’d want to buy a nautical clock to tell the time too!
Ive famously left Apple in 2019 to start his own design studio LoveFrom with fellow designer Marc Newson. He’s also the current Chancellor of the Royal College of Art, London.
Airbnb has brought Jony Ive onboard to help the company design new products and services over the next few years. The company’s co-founder and CEO Brian Chesky has announced Airbnb’s multi—year deal with Ive’s new design firm LoveFrom, calling it “a...
Famed designer Sir Jonathan Ive announced earlier this year he would be leaving Apple, the company where he made his name. Now, it's official -- his name and image have been removed from Apple's executive leadership page.
Before you paint me as an Apple Naysayer (and some of you will, I’m sure), I’m a proud owner of not one but TWO iPads which I love, and my critical approach only comes from wanting what’s good for the company. Having said that, the fact that Apple launched the AirPods Pro at a separate, un-televised event says that the company probably doesn’t believe the product deserves its massive reveal. What’s really worth asking is that is this yet another one of Jony Ive’s ‘serving-his-notice-period’ designs, or is this the work of Apple’s new design heads?
Apple just wound up a product launch event in September, approximately a month and a half ago. Cook could have easily teased the AirPods Pro then, right? Here’s a personal opinion. The AirPods Pro basically are a slap in the face for anyone who just bought the AirPods 2. The AirPods 2 are barely a year old and they’ve already been apparently bested with a product that Apple claims is better… and doesn’t slip out of the ear when you’re doing parkour in the streets. Here’s the lowdown on the AirPods Pro. It’s smaller, which is the most significant improvement. It comes with grippy, customizable silicone tips that honestly make it look less like the iconic AirPods and more like something else (I’ll leave that to your imagination). The new earbuds feature active noise cancellation, adaptive EQ which is a fancy way of saying it sounds better, and a transparency mode, which allows you to hear the outside world so you don’t get hit by a car because you were vibing to Marshmello. The AirPods Pro are, simply put, just marginally better than your regular AirPods… and the fact that Apple’s wireless earphones JUST got noise-cancellation in 2019 is honestly embarrassing. The Pro earbuds are much smaller, which also means their battery isn’t as powerful as the AirPods or the AirPods 2 (it provides 30 minutes less listening time)… which begs the question, which of the three generations really stands out as the solid winner? I’m not sure if I know the answer.
I feel that the AirPods Pro could have gotten a slight upper edge if Apple had taken its design more seriously. The AirPods Pro now come with a silicone sleeve that sits inside your ear, which means you need to wipe the earpieces clean every time you take them out. It also gives the earbud a strange silhouette, and the somewhat lack of a proportion-led design approach makes the earbuds look like an older, stouter, hunched-over version of last year’s AirPods. Maybe we’re all missing something. Maybe Cook and Ive didn’t really want to work on this product, but the market-research team did, which is why it got its cold launch, outside of Apple’s grand keynote. Or maybe the AirPods Pro are the ‘best earphones designed to work seamlessly with the best smartphone on the market’ and I’m just disillusioned by the “we need to release a new product every year” business model.
Would you rather design the world’s first diamond ring that’s entirely made out of a single diamond stone? Or would you try to design an 8mm slab of a smartphone that practically looks the same as the 8mm slab of a smartphone you designed last year, because it needs to?
This keynote marks the first of many without Jony Ive lending his suave baritone to the background audio as Tim unveils the new iPhone. Jony Ive left Apple earlier this year, moving on to forming his own design studio LoveFrom along with long-time friend and design collaborator Marc Newson.
There’s no room for Apple to innovate in industrial design, as the company isn’t really set to launch new products anymore. They scrapped AirPower and pulled a disappearing act on the entire ‘smart-car’ project. The last product that Ive could really go wild with was the infamous 2019 Mac Pro, and that design isn’t changing at least for the next 5 years.
I remember a time when Ive allegedly expressed intent to leave Apple (a year after Jobs’ passing), and was made to stay by being promoted to the position of Chief Design Officer. Now at a position that is just second to the CEO, there isn’t much room for Jony to move upwards, and the company’s pivot to services like Apple Pay, Apple TV+, and Apple Arcade means Ive can finally move out of Apple’s structure, extending and experimenting beyond designing notches on 8mm slabs of metal and glass, putting arguably the most disastrous keyboards on their flagship laptops, and over-designing a $1999 display stand for a $5999 cheese-grater-esque computer.
So onto the new iPhone. The iPhone 11 and 11 Pro are, like every iPhone, the greatest iPhones ever made. They showcase design similar to their predecessors, but with major upgrades to the inner hardware and software, including a chip that provides better CPU and GPU capabilities with lesser power consumption, and camera features that are really professional-grade. The merits of the new iPhones aren’t really visual, but rather strictly technological. Remember the visual jump from the iPhone 3G to the 4, from the 5 to the 6, and from the 8 to the X? They were all spaced roughly 2-3 years apart, but the iPhone X is perhaps the last stop for the iPhone’s industrial design journey (I hope to stand corrected). With an aesthetic that’s now sort of in the sweet spot, Apple’s focus is now on making each subsequent phone perform better than the last.
To reiterate, the new iPhones aren’t really NEW LOOKING iPhones. They’re old iPhones with new tricks. There’s no way in hell that Apple’s teasing a folding iPhone yet, or a 5G iPhone before the infrastructure is ready… or even a bezel-less iPhone because that would need a sliding camera module which would make the iPhone thicker, a cardinal sin in Jony’s design playbook. In fact, the iPhone can’t even get much thinner than it already has, thanks to the limitations of Moore’s Law.
Tim’s pivot to services is probably his lasting legacy as CEO, and it doesn’t have much room in it for radical industrial design. Ive stuck around to help complete Jobs’ vision of releasing the best consumer products, but if anything, those products are now Apple’s undoing. iPhone sales have gradually seen a steady decline, in part because it isn’t worth spending over a grand on new phones each year, but also because Apple’s gadgets stand the test of time, with people on an average using their phones for over 3-4 years before finally making the switch (my flatmate still uses a 6S; pretty happily, if I might add). The bendgate debacle was perhaps a blip in Apple’s otherwise long-standing record of making products that last longer than the competition (they’ll last even longer now, ever since Apple’s begun advocating for the Right To Repair Act that allows third-parties to officially fix broken Apple gadgets). Couple that with the fact that each flagship iPhone now costs more than a grand, and you’ve got a product line that’s losing its annual hype.
So, I ask again… would you willingly choose to play second fiddle to engineers, strategists, UI/UX designers, and service designers, condemned to a lifetime of minutely redesigning old products? Probably not for long, right? The new iPhone is remarkable in many ways, but it also marks the perfect departure for Apple’s design legend who deserves to be able to do MUCH more.
Apple’s product lineup under Jobs was radically different from its lineup under Cook. Cook’s vision for Apple and the iPhone is to take the existing and make it better. Take the earpods and turn them into wireless Airpods, take the iPad and turn it into an iPad Pro, and now with the iPhone, take the world’s most popular smartphone, and turn it into a serious instrument for content creation.
The iPhone 11 Pro is, just like every iPhone, the best damn iPhone ever made, but without Jony Ive, the keynote seemed to evoke a lot of déjà vu. Nothing much has changed as far as the design goes, for starters. There’s a third lens, an A13 bionic chip, and a new color, Midnight Green. Other than that, the iPhone 11 isn’t a dramatic visual upgrade, like the iPhone X was, or the iPhone 6 was. Apple’s innovation, for the most part, has been fueled by cutting-edge hardware and software developments. The new phone has a Super Retina XDR display with industry-leading brightness, vividness, and contrast ratios, while at the same time consuming lesser power. Three lenses give the iPhone 11 Pro superior camera props, allowing you to shoot telephoto, wide, and ultra-wide from the same vantage point, with incredible detail, and also the presence of a low-light night-mode. The cameras on the front are a dramatic improvement too, with a wide lens giving you wide-angle selfies, and a portrait feature on both sides allowing you to calibrate the depth-of-field. The iPhone 11 Pro shines in the video department, with stunning 4K video recording, and tools that allow you to edit video in powerful new ways. The iPhone 11 Pro, as its name suggests, is the consumer-favorite iPhone, but tweaked to suit the demands of a professional. Oh, did I mention, it comes with a free 1 year subscription to Apple TV+ too? That’s just Tim’s way of reminding us that Apple isn’t an industrial-design-driven company anymore, it’s a service-design-driven company now.
With Sir Jonathan Ive’s exit from Apple just days ago, it’s finally the end of an era that Steve Jobs envisioned back in the 90s. Ive left his design agency Tangerine to formally Apple in 1992, recruited by Jon Rubinstein at the time. It wasn’t until 1996, when Steve Jobs made a return to Apple (an almost-bankrupt company at the time), when Jonathan Ive’s career really took off. Along with Ive’s eye for design, and Jobs’ attention to need, detail, and usability, the two formed one of the most successful creative alliances in recent history, taking the company to a valuation of $665 billion in 2011, around the time of Jobs’ demise, and finally to the trillion dollar mark in 2018.
Ive’s journey at Apple can be distinctly broken down into these phases, that roughly fall into the decades too. We’re here to look at the work of Jobs through the lens of time, as he went from product to product and strength to strength with each passing decade. The video above provides a very rare look into Ive’s and Apple’s elusive design process, while the products below aim to codify and categorize Ive’s 27-year-long design journey with one of the most innovative companies on earth. Here’s a look at Jonathan Ive’s 27 years at Apple, in products.
1992-96 Jonathan Ive leaves Tangerine for Apple. Steve Jobs hasn’t made his comeback yet.
There honestly isn’t much to look at here. This was pre-Jobs comeback, when Apple was facing financial difficulties. Ive made his way from Tangerine to Apple, only to realize that most of the design team was being let go of. Rumor has it, he almost tried to quit around the same time, but was pep-talked into staying by Jon Rubinstein. Ive, under Apple, designed a few not-so-successful products at the time… like the Newton MessagePad, shown above. However, his experimentation with transparency (top right) led to a few breakthroughs later when Steve made a comeback.
1997-2011 Apple’s renaissance period under Jobs and Ive. Apple Design follows Dieter Rams.
Design flourished when Steve Jobs made a comeback in 1996. The iMac G3 and the iBook explored curves, and the use of transparency and translucency. Jobs was adamant that the insides of the computers be beautiful enough to showcase to the world, rather than make more white boxes. Ive’s design efforts went into making ‘computers sexy again’.
Ive’s obsession with transparency evolved further, while products that were previously curved, started taking on a more slick appearance. Shown above are the Apple Cinema Display, the iMac G4, and a rare non-Apple product, Harman Kardon’s Soundsticks that were designed by Ive!
Nothing put Apple more on the map than the iPod. It revolutionized everything, and truly made Jobs stand out as a visionary, and cemented Ive’s role in the company. The iPod also owed a big debt of gratitude to Dieter Rams, who’s design language at Braun truly began influencing Ive’s work. The circular jogdial, the no-nonsense design, the philosophy of “Form Following Function”, and the liberal use of white, all were owed to Dieter Rams. While naysayers saw this as Apple ‘not being original enough’, iPods flew off the shelves, and Apple finally became a household name.
As iPods grew popular, Ive strived hard to make them sleeker too. As a result, the Nano and the Shuffle were born. With an iPod for everyone, these came in a variety of formats, stored as many as 2000 songs, and now came in color! Another subtle innovation was that Ive discovered the material that would change the consumer tech industry forever… aluminium.
Aluminum allowed Ive to truly explore Apple’s new aesthetic of beautiful, premium, and sleek products. Aluminum was abundant, could be machined to precision, and Ive even devised a way of utilizing spare aluminum parts from the Mac Pro to make the MacBook bodies (discussed in Gary Hustwit’s Objectified). Ive pushed the limits to how beautifully sleek products could be made, and in 2008, Steve Jobs walked out on stage with a Manila envelope, carrying the world’s thinnest laptop within it… the iconic 19.4mm MacBook Air!
One more thing… arguably the three most important words in Apple’s history. The iPhone is considered to be Jobs and Ive’s magnum opus. So much is owed to the birth of the iPhone. Industries, companies, technologies, materials, the iPhone created them all. The first iPhone, introduced in 2007 was the first true smartphone. It came with a touchscreen you could use with your fingers, and boasted of Apple’s iOS and the birth of the app marketplace. Further iterations only grew better. The iPhone 4 came with a glass front and back, but a slick aluminum frame that made it one of the thinnest phones of its time. It was the perfect size (some still believe so even today) and had Siri, Apple’s voice AI. In 2012 came the iPhone 5, a reiteration of its successful predecessor, with a standard-setting aluminum unibody, a revolutionary 16:9 display, and the world’s first fingerprint sensor on a phone. The iPhone 5 was considered to be the last iPhone co-created by Jobs and Ive.
The iPad debuted in 2010, just a year before Jobs’ demise. Ive designed it to be the sleekest tablet on the market, following the footsteps of the iPhone and the MacBook Air, although the idea for the iPad came to Jobs much before the iPhone. Jony developed a device so iconic that it remained the only strong contender in the tablet market with practically no competition for roughly seven years.
2012-19 Apple finding its post-Jobs identity, & becoming a trillion dollar company.
The 2013 Mac Pro came at a time of uncertainty. Two years since the death of Jobs, Apple was looking for its next great product. The iPhone and the iPad proved to show how great Jobs was at envisioning new products. Apple hoped a redesigned Mac Pro would show people that Apple was still capable of innovation. Jonathan Ive’s redesign didn’t receive much praise, and was often referred to as the trashcan Mac, for its dustbin-shaped appearance. For the people that bought it too, the Mac Pro had quite a few problems, ranging from its heat issues, to the fact that it wasn’t easy to upgrade… a pretty necessary feature considering how much the 2013 Mac Pro cost.
The following year was one of redemption. Apple’s recent recruitments to the design team included designer Mark Newson and CEO of Yves Saunt Laurent, Paul Deneve. These two stalwarts aided Ive in building consumer electronics that were comparable to fashion items, with their sheer sense of style (and even a price tag to match). The Apple Watch was born, kicking off a wearables market. It featured a small screen, a touch-sensitive UI and a rotating crown, all encased in a remarkable aluminum body. The watch came with wireless charging, and featured a built-in heart-rate sensor… a feature that would soon define the Watch’s use-case. As a consumer-friendly medical wearable.
Among other noteworthy design achievements, Apple acquired Beats by Dre., a company that considered Robert Brunner’s Ammunition as their design partners (Brunner was an ex-Apple design lead). Alongside that, Ive’s team even designed the iPhone 6, a smartphone with an incredibly slick design that received mixed reviews, while also being one of the most sold smartphones in the world. Ive’s obsession with slim devices finally led to what became the Bendgate. The iPhone 6 was so thin, it would bend if kept in your back pocket. Apple eventually fixed the problem in the iPhone 6S with a stronger chassis and a harder aluminum alloy. The 6S also gave birth to the era of Rose Gold, a color that Apple debuted in 2015 which became a standard in almost all subsequent iPhones and even in the new MacBook Air.
Later in 2016, Apple announced the iPhone 7, which infamously ditched the headphone jack. The absence of a 3.5mm jack on the phone meant the release of the Airpods, Apple’s incredibly small truly wireless intelligent earbuds. Perhaps not the most consumer-friendly decision, the Airpods were a runaway business success. The Airpods were convenient, incredibly well-paired with the iPhone, and came with touch-sensitive surfaces that let you control playback as well as the iPhone’s core features without taking your phone out. The Airpods were sleek, well-built, and came with their own charging case that you could carry around with you. 2016 was also the year Apple killed ports on the MacBook, leaving just a USB Type-C port and a headphone jack (a strange decision there) on the side. The 2016 MacBook also ended the tradition of having glowing Apple logos on MacBooks.
2017 saw the release of the HomePod, Apple’s foray into the smart-speaker market. Ive pretty much revived the cylindrical design (of the Mac Pro) to create a powerful speaker capable of throwing out high-fidelity sound in all directions with equal intensity. The smart-speaker featured a touch-sensitive upper surface, and could respond to “Hey Siri”. Available in white and black, the HomePod came perhaps too late, with Amazon beating Apple to the smart-speaker market by three whole years.
Towards the end of 2017, Apple announced the AirPower, a tray capable of charging all of Apple’s wireless devices… simultaneously. The announcement was perhaps a little premature, considering two large things. A. The Airpods didn’t charge wirelessly, and B. The technology wasn’t perfected yet. Ive’s design showed how easy it was to lay your products on the AirPower mat and have them charge, but Apple’s engineering team couldn’t get it to work without heating up tremendously. The AirPower was finally shelved in 2019.
2017 also marked a full decade since the launch of Apple’s greatest product ever, the iPhone. Alongside the iPhone 8 (which was due at the time), Ive designed the anniversary iPhone, titled the iPhone X. With a stellar dual-lens camera capable of clicking portrait images with computational blurring, the iPhone X actually sold more than the 8, even with its $999 price tag… and its notch! The notch became a standard detail for almost all other smartphones to follow, as Ive’s vision for a truly bezel-less smartphone became more and more possible. It also meant saying goodbye to the good old TouchID and hello to Apple’s new FaceID, its revolutionary facial recognition system. The new iPhone was also a departure of sorts from Ive’s love for aluminium, since the metal wouldn’t support wireless charging.
The 2018 iPad Pro was the tablet every creative professional needed. With an incredibly powerful processor (as powerful as the Xbox One), a great camera, a redesigned stylus (that charged wirelessly), and virtually no bezels, the iPad Pro became a standard for the creative industry. It also came with a Type-C port, showing users exactly how versatile the tablet was designed to be, as it could be connected to pretty much any other device, and not be inhibited by Apple’s lightning charger.
As Apple’s hardware sales slowed down (nobody wanted to buy a new iPhone every year), the company finally made a pivot to services. The Apple Card was one of them. Machined out of titanium, the card was an exercise in sheer minimalism, thanks to Ive and the design team. it came with a machined Apple logo, and an etched name on the card… that’s it!
Ive’s last product at Apple, the Mac Pro sent quite a few mixed messages. At the time of his death, Jobs made it clear that Ive’s work was not to be interfered with, and he was answerable to no one. The Mac Pro 2019 was proof of Ive’s free reign. It came with a dual-machined airway system that gave the Mac Pro an appearance of a glorified cheese-grater, with an incredibly hefty price-tag. Apple’s trillion-dollar valuation, and Ive’s ability to design without any constraints resulted in one of the most talked about designs of the year so far… that’s until Ive finally put in his resignation along with Marc Newson to form LoveFrom, an independent design outfit that considered Apple as one of its top clients. Let’s see what the 2019 Apple October event has in store for us!
A lengthy Wall Street Journal article described design chief Jony Ive leaving Apple as a process that started long before it was announced last week, and specifically linked it to issues with CEO Tim Cook. The article claimed Ive was "dispirited" by...
Famed designer Sir Jonathan Ive announced earlier this year he would be leaving Apple, the company where he made his name. Now, it's official -- his name and image have been removed from Apple's executive leadership page.
A lengthy Wall Street Journal article described design chief Jony Ive leaving Apple as a process that started long before it was announced last week, and specifically linked it to issues with CEO Tim Cook. The article claimed Ive was "dispirited" by...