If your EV wasn’t already on the bleeding edge of technology, with sensors and cameras galore, the folks at Tesla decided to spice things up even further. Meet the CaraokeMic a set of wireless microphones designed to let you host your very own episode of carpool karaoke with all the professional gear you could possibly need – indoor dashcam not included. The set consists of two wireless microphones and one receiver that plugs into your car’s infotainment center. Set it up and your microphones let you sing along with any music playing on your car’s sound system. Sure, you could yell out the lyrics without a microphone too, but there’s something truly dignified (and fun) about belting tunes into a mic as if there’s an imaginary crowd cheering for you!
To harness the full potential of the CaraokeMic, your Tesla needs the 2024.26 firmware update and either an Intel Atom or AMD Ryzen processor. Once equipped, you can seamlessly integrate the microphones with Tesla’s media apps, including the dedicated Caraoke app. Whether you’re in the driver’s seat or a backseat passenger, the magic of karaoke is just a touch away on either touchscreen. Each microphone boasts an impressive battery life of over 10 hours, ensuring uninterrupted performances. ‘Anti-howling’ technology guarantees crystal clear vocals, while the wireless design maintains easy access to vehicle controls.
The Tesla CaraokeMic starts as a $215 kit and is currently only available in the USA excluding Puerto Rico, Alaska, Virgin Islands, and Hawaii.
Streaming is big business these days to the point that some kids even declare it to be their dream job. And like any other dream job, the reality is that video streaming isn’t as easy or as magical as it sounds, at least if you’re really aiming to go pro and bring in all the views. You will need to invest in quality equipment that not only makes their work more comfortable but also makes the overall experience more enjoyable. These concept products try to do exactly that, assisting streamers to make them feel more alive, whether onscreen or especially offscreen.
Designers: Mariana Aréchiga, Isaac Saldaña, Ricardo Zerón, Adriana Cruz, Jonathan Gonzalez, Alondra Alvarez, Mariana Pedroza, Juan Muciño
It’s admittedly easy to get started in the live streaming industry. All you need is a decent camera, a reliable Internet connection, and content that will capture the attention of the fickle masses. Going viral and staying relevant, however, requires not only hard work but also tools that will help carry you through both the good times as well as the bad. Alive is a series of product design concepts that try to elevate the streaming experience and beyond, focusing on the things that help streamers stay in control all the time.
One example is a wireless streaming mic that frees you from your desk with its detachable design. While it looks like an ordinary studio mic when on its wireless charging stand, you can easily pick it up and move around without missing a beat or dropping out. It has a helpful ring indicator that quickly clues you in on the volume level without having to check your app’s or computer’s controls.
Lighting does more than just illuminate your face during streams, it can also help set the mood or even indicate your own mood. This conical desk lamp concept delivers that kind of emotional lighting but also provides direct physical controls that don’t leave you at the mercy of buggy apps and spotty network connections. Any streamer will testify to the stress and tension that occurs whenever those supposedly smart lights feel rather dumb due to those technical difficulties.
Power strips are designed to expand your wall socket, but most of them seem to still embrace the limitations of those fixed outlets. This streamer-friendly design, however, has sockets you can rotate so that they adjust to your cables and plugs, not the other way around. There’s also a section of the strip that offers battery backup to make sure critical devices stay powered up even during an emergency. These features might sound trivial, but every small thing that gives streamers peace of mind also helps them create better content.
Magnetic attachments allow more freedom where to use the transmitters
Eye-catching touch screens allow for showing brand logos in addition to recording information
Supports both real-time streaming and on-board recording
CONS:
Extra strong magnets can easily pinch the skin if not careful
RATINGS:
AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY
EDITOR'S QUOTE:
Magnetic attachments and customizable touch screens add incredible value to an already excellent wireless microphone.
With plenty of focus being lavished on cameras, optics, and image sensors, you’d almost think that all we have on our heads are eyes. While the visual quality of content is definitely important, it’s also easy to demonstrate how poor or even no audio can completely ruin an experience. Audio recording equipment, particularly microphones, sometimes comes as an afterthought, a decision that filmmakers and creators often immediately regret. Finding the right mic can be a daunting experience, especially when you’re forced to choose between small lavaliers with discrete designs but barely passable recording and large mics with studio quality but distracting sizes. The Saramonic BlinkMe B2 promises to save you from that dilemma with the promise of a small yet distinctive design and unbeatable audio recording, so we naturally had to put it through the test to see how it measures up to real-world use.
Designer: Saramonic
Aesthetics
If you were expecting a small clip or some small rectangular box, you’ll be pleasantly surprised that it isn’t the case at all. The entire Saramonic BlinkMe B2 system comes in a rather unique package that is closer to some hi-tech gadget than what you’d normally see in wireless microphones. When joined together, the three parts look like a short square box with two smaller discs at the top and the bottom. You’ll probably be too focused on production to actually appreciate how distinctive the BlinkMe B2 looks, but it definitely puts the product a level higher than its peers.
The wireless mic’s personality, however, really shines the moment you use it, particularly when you separate these three pieces. You’ll immediately discover that they aren’t held down by flimsy locking mechanisms that get in the way but only by the sheer power of very strong magnets. These make it easy to remove the transmitters from the receiver base while still holding them securely when not in use or when charging. Once you pull off the transmitters, however, you immediately see the most visible feature that makes the BlinkMe B2 extra special.
Both transmitters have circular touch screens covering their faces, making them look like smartwatches without straps. In fact, you operate them exactly like smartwatches, swiping and tapping through controls and options. There are, of course, also physical buttons on the side that, unsurprisingly, might also remind you of smartwatch buttons. This is more than just an embellishment, though. While it’s definitely dandy to see the mic’s gain levels from a distance as you record an interview, its real value shines when you realize that you can actually customize what’s shown on the screen.
In essence, you can upload your studio’s logo or any other graphic (that fits a circle area) from the Saramonic mobile app to the transmitters and have it always on display while shooting. Considering how conspicuous this disc-shaped mic will be on your chest, it’s a great opportunity to do some subtle advertising. Conversely, that also means that the BlinkMe B2 transmitter will always be visible, though not everyone will actually realize that it’s a mic and presume it’s just some sort of fancy LCD badge.
Ergonomics
Saramonic’s use of magnets and touch screens isn’t just for show. They actually make the BlinkMe B2 one of the easiest wireless microphones to use. Need to start recording almost immediately? Simply pop off the transmitters. Need to charge one of the little pucks? Just have them snap back onto the top of the receiver. And since the transmitters can record audio on their own, you don’t even have to worry if you accidentally left the cables that would connect the receiver to a camera. It’s as simple as that.
Operating the three pieces themselves is a piece of cake thanks to the touch screens, though there are also physical buttons for the most important actions you need to have quick access to. What actions would those be? Actually, you get to decide that since you can customize what each button does through the Saramonic mobile app. The distinctive yellow button on the transmitters, however, has a single function, and that’s to toggle Noise Reduction on or off. That color might seem garish, but you won’t miss it even in a dark environment.
The magnets on the transmitters aren’t just a one-trick pony. Thanks to this design, you can easily stick the transmitters anywhere on a shirt, not just the edges. The package comes with four magnetic attachments that let you sandwich clothing between these two discs, though there’s also a magnetic clip in case you do need to go old school. You can even stick it to doors, posts, and any other metallic surface if you want to keep it out of the way. One word of caution, though. The magnets are so strong that you risk pinching the skin of your finger or, worse, certain body parts if you’re not careful how you connect two pieces together.
For all its ease of use, this magnet-based design does have one drawback. To charge the transmitters, you have to attach them to the receiver, which functions as the charging station. You can’t charge them independently using some accessory, so you’ll probably want to keep tabs on their battery levels. Given how the receiver is usually mounted on top of a camera, it also means you can charge only one transmitter at a time. Then again, if you do need to charge both, you’ve probably stopped recording anyway.
Performance
If we stopped at the BlinkMe B2’s unique aesthetic, people would simply pass it off as a pretty face. Fortunately, that is definitely not the case, because Saramonic’s smartest wireless definitely punches above its weight. You get clear and usable audio recordings even when there’s some busy activity around you, as we ourselves experienced on the hectic CES 2024 floor.
Even more impressive is that neither the signal nor the quality actually drops from a distance, even with some obstacle between the transmitter and the receiver, making it an excellent tool for sports or action footage. With the transmitter’s built-in recording functionality and 8GB of storage each, you don’t even have to worry when the stream does get cut off. As a bonus, the transmitter also has a “Safety Track” that’s recording at -6dB that’s meant to buffer against clipping and distortion, ensuring you will always have usable audio no matter the condition.
With wireless mics, battery life becomes just as important as audio quality, and fortunately, the BlinkMe B2 doesn’t skimp in that area either. Of course, Saramonic’s advertised 24 hours for the receiver and 8 hours for the transmitter are a tad too generous, but even hitting 22 hours and 6 hours, respectively is already quite an accomplishment. They charge fast, too, so you can be up and running for an additional hour with just a few minutes charge.
As mentioned earlier, controlling all the pieces of the BlinkMe B2 system is as easy as pie thanks to the sensitive touch screen. The transmitters, in particular, operate almost like smartwatches, with a swipe from the top revealing quick toggles and a swipe from the bottom going back to the main screen. The only slight complication is the smaller screen on the receiver, which is better used for displaying information rather than controlling the device. All in all, the BlinkMe B2 offers an unbeatable experience, not just in the quality of audio it produces but especially in the unique features it offers.
Sustainability
Saramonic introduced many features in the BlinkMe B2 that you won’t find in other wireless microphone systems, and thankfully, they’re all useful and essential to delivering an excellent audio recording experience. Unfortunately, that also makes the design of the device a little bit more complicated, which also means that repairs are going to require more specialized skills and components.
Although a wireless mic such as this is expected to be able to weather different environments, the presence of screens actually puts their durability at more risk. And the use of plastics and less eco-friendly materials are present all around, though not surprising considering it’s still the status quo in consumer electronics. Hopefully, the day will come when Saramonic puts sustainability as a major bullet point on its marketing material, allowing creators to make great content while also feeling good about their positive impact on the planet’s future.
Value
The Saramonic BlinkMe B2 is hardly a cheap kit, setting you back at about $249. There are definitely more accessible streaming mics in the market right now, with some of the popular ones just under $200. That said, those also have plenty of flaws of their own, like taking the form of a traditional mic that you need to place on a table. If you need something that can go the distance, literally, there are few that can outdo the BlinkMe B2.
The audio clarity and volume are just impressive, especially considering how crazy it always is at CES in Las Vegas. The fact that it can deliver more than just decent recordings at great distances is a huge boon for those who want to record more dramatic footage from a safe distance. Magnets make using and placing the transmitter easier and more hassle-free, and the ability to turn these recording devices into advertisements is definitely a great help for creators and studios. Even better, that price includes an entire kit, from four magnetic attachments to two magnetic clips to even a handy carrying case that lets you bring your precious equipment with security and convenience.
Verdict
It’s almost too easy to take the importance of quality audio for granted until that dreaded moment when you realize you barely recorded anything intelligible. Reliable audio that you can use is even more critical for those moments that will never come to pass again, including interviews you might not be able to retake. It’s in those moments that you’ll wish you had an audio recorder you could also rely on, just like your camera or smartphone.
The Saramonic BlinkMe B2 smart wireless microphone system is definitely ready to step up to the challenge. It breaks away from mic design conventions to deliver a product that has just enough tech to deliver convenience and a unique aesthetic without overburdening the user with inessential details and options. It’s powerful, a little bit quirky, and, most importantly, reliable, delivering quality audio recordings even in the most trying conditions. Yes, it’s also a bit pricey, but it’s an investment that will pay for itself throughout the coming years of creating high-quality audiovisual content.
Adorning your home office/PC gaming setup with Logitech’s lineup of LIGHTSYNC RGB products is an honorable goal on its own. But if you already own a LIGHTSYNC keyboard, mouse, headphones, and computer speakers (to be fair, I really love those G560s!), you’re probably dedicated to the bit by this point. Good news: it’s time to expand your RGB setup yet again. Even if you already have those aforementioned accessories — which work remarkably well together, producing quite the lightshow when synced with in-game visuals via the Logitech G Hub software — you’re still going to need a microphone for your desk. And that’s where Logitech’s newest array of LIGHTSYNC-equipped Yeti microphones comes in.
The Logitech G Yeti Orb — and, separately, the Yeti GX — are Logitech’s newest desktop mics, ditching the old Blue brand in favor of Logitech G. Both use cardioid pickup patterns, which is optimal for recording a single speaker, but the Orb is a condenser mic whereas the GX is a fancier dynamic mic, and the latter is a bit more expensive as a result. That said, it sounds like no matter which of the two you get, Logitech’s newest microphones are gorgeous thanks to their LIGHTSYNC RGB integration, and both are easy to install and set up thanks to their reliance on a single USB-C cable.
The Yeti Orb condenser mic is the lower-priced of the two new Logitech mics, and… it’s quite cute. The rather small, orb-shaped microphone stands upright on its packed-in mini tripod, making it perfect to stick on top of a desk alongside a laptop. The mic design itself is cut in two by a matte ring, which features the RGB-backlit “G” letter candidly positioned on top. According to Logitech, this is a carbon neutral design, made with “a minimum of 74% certified post-consumer recycled plastic by weight.” Moreover, Logitech claims the packaging itself is sustainably sourced from FSC-certified forests.
Several reviews of the Yeti Orb condenser mic indicate the audio quality on it is notably clear for the price, with Tom’s Hardware calling out its budget-friendliness at an MSRP of $59.99. The software itself sounds easy to use, especially if you’re already familiar with Logitech G Hub. All you need to do is plug it in, and then you can get started customizing your lighting and audio preferences. It even comes with several voice presets through the integrated BLUE VO!CE mode, which gives you control over the Yeti Orb’s acoustic calibration — even allowing you to do silly things, like apply special effects to make your voice sound extra deep or ethereal.
As someone who sits in front of a computer all day, there’s nothing better than working at a desk that I assembled and decorated myself. Likewise, if you’re working out of your very own home office – where you ideally have space to get creative with the elements that make up your work area – you may want some tips on how to fill that space with items that offer both function and form in equal measure. The possibilities are limitless, and everyone has different tastes. Some of us like putting succulents in our workspaces, others don’t. Regardless, aside from obvious purchases like pens and notepads, there are ten staple desk accessory “categories” that you probably shouldn’t ignore. If I were shopping for a new home office right this moment – from scratch – these are the ten items that would sit at the top of my shopping cart:
1. PowerPic mod Wireless Charger
The PowerPic mod Wireless Charger is a decently-priced yet gorgeous wireless charger that is widely compatible with all types of phones. It’s slated to work with MagSafe and non-MagSafe iPhones, Android phones, and it even lets you customize the frame with your own 4×6 image, allowing it to blend with nearby furniture and match the overall style you’re going for. It only requires a single USB-C cable hooked into the base to power it, making for a clean appearance with no messy stray cables laying about.
2. Lamicall Headset Stand H1
The Lamicall Headset Stand H1 is an inexpensive way to store over-ear headphones on your desk without skimping on quality. The upper lip is designed to protect your headphones’ padding against damage, and the base appears sturdy enough to sit firmly on a desk without slipping and sliding around whenever you remove or replace your headphones. This is a simple product, but it makes total sense to have around; storing your headphones on their side on the desk surface is a missed opportunity to let them shine, and thanks to multiple color options, you can make the Lamicall Headset Stand work with any desk.
3. Shure MOTIV MV5
Shure is one of the best microphone brands on the market, and you don’t even need to purchase one of its premium XLR mics like the popular SM7B. The Shure MV5 is an excellent, affordable, and compact condenser mic that is well-known for outputting high-quality audio while taking very little desk space. This little orb comes in two slick color palettes; white ribs with a black chassis, or an all-black exterior accented with a red inlay. Not only is the versatile MV5 a great microphone for a streamer, a podcaster, or an office worker wanting to sound clear in video calls; it could also be useful for the traveling musician who wants to bring their recording studio on the go.
4. HappyLight Luxe by Verilux
It’s fall, which means seasonal affective disorder is coming sooner than many of us are comfortable with – at least, up here in the Northern Hemisphere. That said, the rather tiny and comparatively affordable HappyLight Luxe Therapy Lamp could be a great assistant to get rid of the SAD by tricking your brain into believing the sun is fully visible, even when it’s dark outside. Its convenient tablet shape makes it way easier to fit on a packed desk than some of the other, bigger therapy lamps on the market. But it doesn’t compromise on power to achieve such a slim and slender form factor; the HappyLight Luxe is rated to output 10,000 lux, which is roughly how bright it is outside in the middle of a clear summer day.
5. LEATHER VILLAGE Vintage Leather Bound Journal
The Leather Village Vintage Leather Bound Journal is a rather unconventional alternative to smaller, cheaper journals. But hear me out: how much cooler would it be to write work notes and conduct journaling sessions with a giant, leather-bound journal that looks straight out of Middle-Earth? Leather Village balances rustic charm with eco-friendly principles, vowing to only use leather from water buffalo that died of natural causes and paper made from recycled cotton waste. In any case, this is one of the most stylish journals I’ve ever seen – perfect for stationary enthusiasts.
6. Bose 700 Headphones
Sure, the Bose 700 Noise Cancelling Headphones are on the expensive side relative to other noise cancelling headphones in this range, but the key difference is that this pair is also wireless. You can’t argue with Bose’s durability and sound quality, and the Bose 700 is built with high-quality materials to provide a balanced sound stage and decent noise cancelling features with a 20 hour battery life. Its extra mics allow it to pick up more of your voice as well, making it a strong daily driver for phone calls and video conferencing.
As far as $300 headphones go, this is an all-rounder that hits every box on the checklist of features you might want when isolating yourself from annoying sounds in your work environment, and it also sounds good, looks good, and lasts for a long time without needing a charge. When you do finally need to recharge it, it should only take about two and a half hours plugged into the wall via USB-C. It comes in black or luxe silver.
7. Goblintechkeys Pastel Pink Seaside Desk Mat
Goblintechkeys’ Pastel Pink Seaside Desk Mat is one of several custom desk mats from Goblintechkeys, and though it happens to be my personal favorite, all of them look gorgeous and immediately breathe life into any desk surface they’re placed on. It’s advertised to use 100% natural rubber to create a spill-resistant, non-slip surface that works great as a mouse pad, a desk surface protector, and a cushy place to rest your wrists. I recommend the extra large (90x40cm) desk mat, which can comfortably seat a keyboard and a mouse on a desk surface while livening up the entire workstation.
8. YETI Rambler 46 Oz Water Bottle
Everyone needs to drink more water. Fortunately, water bottles are always in fashion, and the YETI Rambler 46 Oz Water Bottle is just as useful in an office as it is in the middle of a desert. Yes, this is an expensive bottle, but YETI bottles are famously sturdy, clean, aesthetically appealing, and designed to maintain internal temperatures longer than other brands. This is probably the fanciest water bottle you’ll ever buy, but it’s also potentially the only water bottle you’ll ever need to buy. It comes in several color options, including navy, charcoal, seafoam, black, and white.
9. Serenilite Hand Therapy Stress Ball
Working long hours in one position is stressful business, which is why I always keep my Serenilite Hand Therapy Stress Ball nearby in my own home office. Squeezing these colorful little balls can build up your hand and wrist muscles while easing tension in your body. I even gave it a few good squeezes while writing this article, but the best part of using it so often is it’s never scratched or torn; in fact, it still looks exactly like it did the day I bought it in 2020, when I was first setting up my workspace. Fortunately, Serenilite offers these in packs of three (in case you lose one) including soft, medium, and hard options if you have a preference for one or the other.
10. Samsung T7 Shield
USB storage options are abundant nowadays, but I don’t regret purchasing a Samsung T7 Shield earlier in the summer when I needed a way to migrate all of my data from an older external HDD to something faster and more secure. This tiny portable SSD can carry up to 4TB of storage space and is now shipping for a relatively low price, though you can buy a 1TB model at sub-$100 these days. Thanks to USB 3.2 connectivity and the T7 Shield’s lightweight design, you can use it to easily store and transfer information between all of your devices – allowing you to let Windows, Mac, Android, Linux, iPad Pro, or even gaming devices like the PlayStation 5 transfer files between one another.
I personally keep my T7 Shield hooked up to my PC, where I offload Steam games and play those games directly from the drive, which works way better in practice than I expected, given that it’s an inexpensive way to seamlessly add terabytes of storage to my device.
What makes it truly stand out, however, is just how durable and secure it is. As a Windows user, I can use Samsung’s proprietary software to set a password on my T7 Shield, which locks anyone out of accessing or even viewing the drive partition unless I personally unlock it from my Windows computer. This means nobody is going to be able to break into it and access my data if it gets stolen. It’s also rated to survive up to 9.8 ft drops and is even rated as water resistant and fully dust-proof.
No-one can hear you scream in the mutalk. That’s because it purportedly lowers your voice by around -30 dB, making it nice and quiet – as if your mouth weren’t emitting any sound at all.
There’s a long-running joke that virtual reality is kinda like headphones for your eyes, and now thanks to Shiftall – the creator of mutalk – there are headphones for your mouth as well. This is great news for gamers (like me) who love staying up late playing online games with buds, or public transit commuters who want to talk on the phone without irritating nearby passengers, or people who simply don’t want their private conversations overheard.
If you want to see the mutalk in action for yourself, this demo is extremely convincing:
Granted, this VR headset-shaped microphone may not be the comfiest-looking fit at first glance. It almost looks like a torture device, but that’s admittedly part of the appeal. There’s an element of humor in watching someone voluntarily place a muzzle over their mouth to get some privacy in public, though there’s a cost-benefit equation to be had: is the added privacy worth the risk of stares and comments from onlookers?
In any case, the $200 asking price is easily worth being able to speak on the phone or communicate in online games late at night – away from prying eyes, mind you – without risking waking up roommates or family members, or evoking the wrath of neighbors.
The mutalk is also just a solid wireless microphone on its own merit, thanks to a robust array of features. Shiftall promises up to eight hours of battery life, only one hour of charge time, and a secure-looking strap system to easily put the mutalk on and take it off. It connects to client devices via Bluetooth 5.1 or 3.5mm AUX, and charges via a single USB-C cable. There’s even a mute button, which comes handy if you need to shout expletives in the middle of a conversation or game match, but don’t want anyone – online or offline – to hear you. It also has comfortable-looking foam padding to let the microphone sit comfortably over your mouth and nose.
Shiftall first released the mutalk in Japan, where it’s had a strong reception, selling “thousands of units” according to a press release in June 2023. Now that it’s finally available in the USA for $200, it may be worth picking up as a holiday gift for your favorite gamer – or, someone who you want to ask to be quieter without making them feel bad.
Looking somewhat like the spiritual successor to the Braun T3 radio and the classic iPod, the CM-15 is Teenage Engineering’s latest device to fit into its music-tech ecosystem. The condenser microphone boasts a design so clean it looks like it was made by Jony Ive himself, with an all-metal design, a compact body, and a whopping 1-inch condenser diaphragm on the inside to give you the most crystal clear audio capture ever. Offering a combination of 48v phantom-powered mini XLR, USB-audio interface + preamp, and 3.5 mm line output (with an internal battery), the CM-15 works with a wide range of devices including directly with your phone/laptop, or even with the company’s TX-6 handheld mixer and OP-1 synth if you’re looking to make music or record audio/podcasts on the go. The CM-15 is compact enough to fit into your bag or even your pocket. It comes with a tripod stand adapter, and even has a flip-out kickstand if you want to keep your setup frugal… and you’ll probably want to, given that the microphone has a whopping price tag of $1199.
Designer: Teenage Engineering
The condenser microphone’s design screams sophistication, with a simplicity that’s difficult to ignore. It has two controls and three ports – that’s it… but boasts compatibility with a wide range of interfaces and devices, and has the ability to record everything from studio drumsets to ASMR-style voiceovers. This is, thanks to the microphone’s massive 1-inch diaphragm, which seems unusually large when compared to the mic’s own diminutive size. The condenser offers a super-cardioid pickup pattern, making it great at capturing sounds on the front while isolating sounds coming from the side and canceling sounds from the back.
A switch on the side lets you power the microphone, while another one on the back lets you choose your gain level depending on what you’re recording. Set the gain to zero for loud sounds, and for softer, more delicate audio, adjust the gain to the II position to capture even the faintest of sounds. Meanwhile, the mic supports three types of output – a phantom-powered mini XLR, a USB-C with its own power supply, and a 3.5mm out that’s supplemented by the CM-15’s own built-in battery. What’s rather spectacular is that the CM-15 supports all three outputs being used simultaneously, allowing you to send recorded audio to three interfaces at the same time.
The elephant in the room, however, is the microphone’s staggering $1,199 price tag. Priced much higher than most other condensers, the CM-15 costs about as much as the iPhone 14 Pro, although that shouldn’t come as a surprise considering that the iconic OP-1 synth itself is priced in the $2,000 ballpark. However, I’m nobody to judge if you’re an audiophile with a deep pocket and an appreciation for iconic minimalist design. The CM-15 is listed on the Teenage Engineering website but won’t go on sale until ‘this summer’, according to the site.
The audio tech company’s heavily known for making products that democratize music production by letting you use software and hardware along with readily available devices like iPhones and iPads. The iRig Stream Mic Pro opens yet another avenue for budding podcasters to record crystal-clear audio for everything from podcasts to streams, videos, and even professional music production. The condenser microphone comes with 4 switchable polar patterns for all sorts of recording settings, a hi-pass filter that lets you instantly cut out rumbling sounds and other noises, and an audio interface that supports connecting a host of devices like keyboards, mixers, turntables, soundboards, etc. The microphone can be hooked to anything from a studio setup to a laptop, iPad, or iPhone, giving you the freedom to either scale up or scale down your setup, depending on the need.
Designer: IK Multimedia
The iRig Stream Mic Pro comes with a gold-sputtered ½” electret condenser diaphragm that allows it to record in pristine quality, but even supports the ability to choose between four polar patterns – cardioid, omnidirectional, figure-eight, and stereo, based on the space you’re recording in and the elements around you. A central knob forms the most noticeable element of the microphone’s design, doing multiple things from letting you cycle between patterns to controlling gain, headphone level, monitor mix, and even the high pass filter.
The iRig Stream Mic Pro is a little more than your average microphone. Sure, it matches up to some high-grade condenser mics in its capabilities, but what really sets it apart is the fact that it’s practically an entire studio inside a microphone. You can connect it right to your smartphone and begin recording, but if you’ve got more on your mind, the Stream Mic Pro lets you push boundaries. An aux input lets you hook your mic up to audio input devices like a keyboard, turntable, soundboard, or smartphone, and have the audio mix right into your recording. A headphone out lets you play with the levels too, allowing you to tune up your vocals or the audio playing from the input device. The Stream Mic Pro’s built-in audio interface gives it the ability to connect various devices to the mic without requiring any additional gear. The final recording then can be sent to your DAW on your phone, tablet, or laptop, saving you the trouble of requiring expensive gear and a technician.
Want to have better control over your master recording? The iRig Stream Mic Pro offers IK Multimedia’s groundbreaking Loopback+, letting you not only add music from your phone or tablet to your recording or stream but even route the mic signal into a separate app to add reverb, EQ, or noise-reduction before sending it to apps like TikTok or Instagram, which don’t normally let you process audio or add background music. This effectively gives you studio-level control in your social media apps, setting your content miles apart.
The mic comes with an ultra-portable design that cuts your need for additional gear in half. It connects to tripods or mic stands using a threaded mounting system at the back, and hooks to your smartphone, tablet, or laptop via USB-C (or lightning for your iPhone). The mic records in 24-bit at 96kHz, and offers a choice of stereo or multi-channel mode. The microphone connects to your device, working right out of the box without any extra software, and an MFi certification means you can even charge your iPhone while using iRig Stream Mic Pro to record with the (optional) DC power supply. The iRig Stream Mic Pro starts at €169.99 ($185.4 USD) and ships with a 2-year warranty.
These days it’s not necessary to go to a giant studio with overpriced, pro-grade gear to record a Grammy-winning record. You can do it right from the comfort of your own bedroom in fact, using tools priced for even the most casual of hobbyists. It's not news that the tools of creation or the avenues for distributing art are accessible to more people than ever. But the cultural institutions that have dominated popular music for so long can no longer ignore the bedroom producer or budding Soundcloud star.
Maybe you've been inspired to build your own home recording studio. And maybe, you're not quite sure where to start. Well, an audio interface, a good mic and a decent set of headphones will get you pretty far. But the first thing you'll need is probably staring you right in the face: a computer.
Computer and a DAW
Ableton
Justin DeLay, Director of Product and Category Marketing at Reverb, drives home just how important the computer is: "You can strip away everything else and as long as you have a computer you can still create music," he told me. He suggests you "spend the money on a good computer and get other gear — such as audio interfaces, mics, headphones, etc. — used or at reasonable price points."
But, truthfully, you can do quite a lot with whatever computer you have on hand. Joe Pecora, the engineer and producer at Red Room Studio, says your set up "could be as simple as an iPhone/iPad with Garage band." (I know someone who recorded an entire album this way.) While he agrees that the most important part is your computer, he argues it doesn't have to be super powerful. It doesn't even have to be a desktop. JDilla famously created many of his beats on a Roland SP303, and you can basically recreate that experience with an iPad and the $4 Koala Sampler for iOS. And don't forget that Gorillaz recorded an entire album on an iPad.
Which leads us to the next thing you'll need: a DAW, or digital audio workstation. If you're a Mac user, then you're lucky enough to have access to Garage Band, a surprisingly capable free option. And upgrading to Logic Pro X is only a $200 investment. If you're on Windows (or just don't like Logic), I often recommend Ableton Live (starting at $99). But honestly there are plenty of great options out there, like FL Studio, BitWig and Cubase all of which start at $99. And often, stripped down versions come free as part of a software bundle when you buy music-making hardware like MIDI controllers and audio interfaces.
Assuming you already have a computer and you just need the accessories to get recording, you can pick up everything you need for under $500 new. But, if you’re patient, you could build a well equipped bedroom studio with used gear for as little as $250.
MIDI controller
Engadget
Speaking of which, one of the first additions to your studio should be a MIDI controller. DeLay says this is a piece of gear often overlooked by beginners. "It's not just for playing keyboard sounds," he explained, "it can be used to write drums and percussion, to control mixes and more. It's the creative interface of music production, and you don't have to play the piano in order to harness its power."
Unfortunately there's no gear that will magically turn you into a breathy pop goddess, but a decent mic and audio interface can at least help you sound your best. Now, you could get a USB microphone, like Blue Microphones’ $130 Yeti, and it will certainly get the job done. Heck, that album I mentioned earlier was recorded using the wired headset that came with the iPhone.
But, honestly, your better bet is to get a regular XLR mic and an audio interface. Pecora specifically warns against splurging too much here. "People will look at their favorite artist and see that they use a certain mic or preamp or plugin and want to use the same thing thinking it will get them the same sound." On early singles like "Ocean Eyes" Billie Eilish used an Audio-Technica AT2020 condenser mic, which costs just $100. And I’ve stuck almost exclusively with cheap Shure SM58s and 57s ($100 new, $50-$75 used) whether I was recording demos with my band in college or voice over for review videos at Engadget.
If you fancy yourself a future pop sensation and want to make sure your vocals are the star of the show, you could consider using a significant chunk of your budget on something like the Rode NT1-A ($229) or Shure SM7B ($390). You will get better results with more flexibility for post production, but you can clearly get excellent results with more affordable options.
Audio interface
Scarlett
As for the interface, there are tons of great options out there. Companies like Focusrite, Arturia and Tascam make excellent ones. But our new favorites in the budget interface space are Universal Audio’s Volt series. If your budget allows for it we strongly recommend the $299 Volt 276. Though, the $189 Volt 2 is also excellent, it just doesn’t standout from the crowd quite as much.
If you’re trying to save a few bucks, it's hard to beat the Scarlett series from Focusrite (just make sure to get the second- or third-gen models). You can get the latest Scarlett 2i2 for around $130 used, but it's just $180 new (and includes a huge bundle of very useful software).
The reason to opt for an audio interface instead of a simple USB mic is because it offers you a lot more flexibility and room to grow. For one, it offloads a lot of the audio processing from the CPU. Second, it will allow you to connect not just mics (and swap in different ones for different purposes), but also instruments, turntables or anything with an audio-out jack. An audio interface is also necessary if you plan to connect a pair of studio monitors.
Studio monitors and headphones
Will Lipman Photography for Engadget
This is an area that DeLay advises caution. While a good set of studio monitors will obviously be better than the speakers on your laptop and will result in a better mix, it's too easy to get caught up in what he calls monitor envy. "The reality is that monitors at a $300 price point are going to work just fine in most spaces," he says. Plus, your bedroom probably doesn't have the space to really make the most of large, powerful monitors. So, save your money.
And if you're just starting out, you're probably better off getting a decent set of headphones. There're tons of amazing and affordable studio quality headphones out there for under $200, like the $179 Beyerdynamic DT990PRO (currently down to just $179 on Amazon). But one of our favorites is an old workhorse from Sony, the MDR-7506. They're well under $100 and actual pros have used them for decades to mix music.
One tip DeLay offers for novices: Double check your mixes in the real world. Headphones can over emphasize bass, while smaller studio monitors can have trouble delivering accurate bass response. So make sure to listen to your track on laptop speakers or in a car to get a sense of how it will sound in the wild.
And that's really the key — have the patience to develop your skills and make the most of the gear you have. It's really easy to catch a bad case of GAS (gear acquisition syndrome) when you're first starting out — trust me, I know. But there's no need to shell out thousands of dollars for high-end gear to start making music. You don't even need to buy new gear. Pecora suggests the only thing you absolutely should buy new are headphones. And, presumably, that's just because you don't want to be wearing years worth of someone else's sweat on your ears.
These days it’s not necessary to go to a giant studio with overpriced, pro-grade gear to record a Grammy-winning record. You can do it right from the comfort of your own bedroom in fact, using tools priced for even the most casual of hobbyists. It's not news that the tools of creation or the avenues for distributing art are accessible to more people than ever. But the cultural institutions that have dominated popular music for so long can no longer ignore the bedroom producer or budding Soundcloud star.
Maybe you've been inspired to build your own home recording studio. And maybe, you're not quite sure where to start. Well, an audio interface, a good mic and a decent set of headphones will get you pretty far. But the first thing you'll need is probably staring you right in the face: a computer.
Computer and a DAW
Ableton
Justin DeLay, Director of Product and Category Marketing at Reverb, drives home just how important the computer is: "You can strip away everything else and as long as you have a computer you can still create music," he told me. He suggests you "spend the money on a good computer and get other gear — such as audio interfaces, mics, headphones, etc. — used or at reasonable price points."
But, truthfully, you can do quite a lot with whatever computer you have on hand. Joe Pecora, the engineer and producer at Red Room Studio, says your set up "could be as simple as an iPhone/iPad with Garage band." (I know someone who recorded an entire album this way.) While he agrees that the most important part is your computer, he argues it doesn't have to be super powerful. It doesn't even have to be a desktop. JDilla famously created many of his beats on a Roland SP303, and you can basically recreate that experience with an iPad and the $4 Koala Sampler for iOS. And don't forget that Gorillaz recorded an entire album on an iPad.
Which leads us to the next thing you'll need: a DAW, or digital audio workstation. If you're a Mac user, then you're lucky enough to have access to Garage Band, a surprisingly capable free option. And upgrading to Logic Pro X is only a $200 investment. If you're on Windows (or just don't like Logic), I often recommend Ableton Live (starting at $99). But honestly there are plenty of great options out there, like FL Studio, BitWig and Cubase all of which start at $99. And often, stripped down versions come free as part of a software bundle when you buy music-making hardware like MIDI controllers and audio interfaces.
Assuming you already have a computer and you just need the accessories to get recording, you can pick up everything you need for under $500 new. But, if you’re patient, you could build a well equipped bedroom studio with used gear for as little as $250.
MIDI controller
Engadget
Speaking of which, one of the first additions to your studio should be a MIDI controller. DeLay says this is a piece of gear often overlooked by beginners. "It's not just for playing keyboard sounds," he explained, "it can be used to write drums and percussion, to control mixes and more. It's the creative interface of music production, and you don't have to play the piano in order to harness its power."
Unfortunately there's no gear that will magically turn you into a breathy pop goddess, but a decent mic and audio interface can at least help you sound your best. Now, you could get a USB microphone, like Blue Microphones’ $130 Yeti, and it will certainly get the job done. Heck, that album I mentioned earlier was recorded using the wired headset that came with the iPhone.
But, honestly, your better bet is to get a regular XLR mic and an audio interface. Pecora specifically warns against splurging too much here. "People will look at their favorite artist and see that they use a certain mic or preamp or plugin and want to use the same thing thinking it will get them the same sound." On early singles like "Ocean Eyes" Billie Eilish used an Audio-Technica AT2020 condenser mic, which costs just $100. And I’ve stuck almost exclusively with cheap Shure SM58s and 57s ($100 new, $50-$75 used) whether I was recording demos with my band in college or voice over for review videos at Engadget.
If you fancy yourself a future pop sensation and want to make sure your vocals are the star of the show, you could consider using a significant chunk of your budget on something like the Rode NT1-A ($229) or Shure SM7B ($390). You will get better results with more flexibility for post production, but you can clearly get excellent results with more affordable options.
Audio interface
Scarlett
As for the interface, there are tons of great options out there. Companies like Focusrite, Arturia and Tascam make excellent ones. But our new favorites in the budget interface space are Universal Audio’s Volt series. If your budget allows for it we strongly recommend the $299 Volt 276. Though, the $189 Volt 2 is also excellent, it just doesn’t standout from the crowd quite as much.
If you’re trying to save a few bucks, it's hard to beat the Scarlett series from Focusrite (just make sure to get the second- or third-gen models). You can get the latest Scarlett 2i2 for around $130 used, but it's just $180 new (and includes a huge bundle of very useful software).
The reason to opt for an audio interface instead of a simple USB mic is because it offers you a lot more flexibility and room to grow. For one, it offloads a lot of the audio processing from the CPU. Second, it will allow you to connect not just mics (and swap in different ones for different purposes), but also instruments, turntables or anything with an audio-out jack. An audio interface is also necessary if you plan to connect a pair of studio monitors.
Studio monitors and headphones
Will Lipman Photography for Engadget
This is an area that DeLay advises caution. While a good set of studio monitors will obviously be better than the speakers on your laptop and will result in a better mix, it's too easy to get caught up in what he calls monitor envy. "The reality is that monitors at a $300 price point are going to work just fine in most spaces," he says. Plus, your bedroom probably doesn't have the space to really make the most of large, powerful monitors. So, save your money.
And if you're just starting out, you're probably better off getting a decent set of headphones. There're tons of amazing and affordable studio quality headphones out there for under $200, like the $179 Beyerdynamic DT990PRO (currently down to just $179 on Amazon). But one of our favorites is an old workhorse from Sony, the MDR-7506. They're well under $100 and actual pros have used them for decades to mix music.
One tip DeLay offers for novices: Double check your mixes in the real world. Headphones can over emphasize bass, while smaller studio monitors can have trouble delivering accurate bass response. So make sure to listen to your track on laptop speakers or in a car to get a sense of how it will sound in the wild.
And that's really the key — have the patience to develop your skills and make the most of the gear you have. It's really easy to catch a bad case of GAS (gear acquisition syndrome) when you're first starting out — trust me, I know. But there's no need to shell out thousands of dollars for high-end gear to start making music. You don't even need to buy new gear. Pecora suggests the only thing you absolutely should buy new are headphones. And, presumably, that's just because you don't want to be wearing years worth of someone else's sweat on your ears.
