Moshe Safdie’s vibrant timepiece puts a Delaunay-inspired collage on your wrist

 

They say staring at art is supposed to make you lose track of time, but this timepiece may actually be a little different! Moshe Safdie’s “Ode to Delaunay” watch, designed for Projects Watches, pays tribute to the vibrant world of Orphic Cubism, particularly the work of French artist Robert Delaunay, while simultaneously telling time through the movement of colors across your wrist.

The “Ode to Delaunay” is a visual feast, bringing Safdie’s architectural sensibilities and composition to abstract geometric art. Its design is inspired by Delaunay’s 1938 painting, “Rythme n°1,” known for its dynamic use of color and form. Safdie, leveraging his architectural brilliance, translates this into a wristwatch that’s both a time-telling device and a statement piece. The watch is a composition of three colorful spinning discs, each representing the hours, minutes, and seconds. These discs, with open holes cut into them, reveal the passage of time in a manner reminiscent of Delaunay’s circular geometries.

Designer: Moshe Safdie for Projects Watches

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Stare at the watch long enough and you’re likely to enter into a trance. While Delaunay’s paintings were known to hypnotize viewers, the watch brings literal movement into the picture with a series of rotating discs that indicate the hours and minutes. The watch’s face stimulates you from every corner, with practically no blank spaces in its visual composition. It’s a stark difference from the functionally pure watch faces you’d see on more classic timepieces that opt for a more form-follows-function route. Here, however, function and art coexist harmoniously, creating a watch that’s always exciting to look at!

The watch itself is a hallmark of minimalist elegance and contemporary design. Encased in black stainless steel with a 40mm diameter, it strikes a balance between boldness and subtlety. The black leather band complements the watch’s overall aesthetic, making it versatile for various occasions. Moreover, its water-resistant feature adds a practical edge to its artistic allure.

Behind this inventive timepiece is Moshe Safdie, an Israeli-Canadian-American architect whose career spans six decades. Safdie is a figure synonymous with socially responsible and human-centric design. His iconic works include Habitat ’67, a model housing complex for Expo 67 in Montreal, the Yad Vashem Holocaust History Museum, the Marina Bay Sands Integrated Resort in Singapore, and the Crystal Bridges Museum in the United States. Safdie’s designs are not just structures; they are narratives in concrete, glass, and steel, reflecting his commitment to creating spaces that enhance human experience and interaction.

Safdie’s original sketch for the Ode to Delaunay watch.

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The post Moshe Safdie’s vibrant timepiece puts a Delaunay-inspired collage on your wrist first appeared on Yanko Design.

Jenga Architecture of Montreal!

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This Brutalist building looks like an urban Brazilian favela with the way it spreads all over the place creating a 3D landscape of buildings. Designed by renowned Israeli/Canadian Architect Moshe Safdie, the Habitat 67 is now considered one of Montreal’s finest pieces of architecture, and a Canadian National Heritage Site… not to mention a source of inspiration to architects world over.

The habitat comprises 158 homes stacked above one another, forming a 12-storey complex located beside the Saint Lawrence River in the center of the city. Each home has its own rooftop garden, as a result of the way the concrete boxes are arranged. To allow the prefabricated construction process to take place on site, a factory was set up adjacent to the site to produce the concrete modules, which were then connected by high-tension rods, steel cables and welding. The building was debuted at the Montreal World Expo back in 1967, commissioned by the Canadian government. According to Safdie, many of the original occupants continue to live in the building, and the architect also owns a private residence there.

From 1st June to 13th August, the Habitat 67 will be part of a special exhibition titled “The Shape Of Things To Come”, hosted by the Université du Québec à Montréal (UQAM) Centre de Design. The exhibition in Montreal aims to trace the trajectory of Safdie’s work and analyze the design principles implemented in the Habitat 67 project (his very first) and his works thereafter. As part of the opening of the exhibition, the University will host a free Moshe Safdie lecture on May 31, 2017, 5:30 pm, at the Salle Pierre-Mercure of Centre Pierre-Péladeau, Montreal, Quebec.

Designer: Moshe Safdie Architects

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