Topographic wooden coffee table puts the Rock of Gibraltar in your room

Coffee tables these days aren’t just places to put down books and drinks. They’re often the center of a room, specifically a living room, both in location and in design. They do more than just add visual interest in a space but, in many homes, also reflect the owner’s tastes and sometimes their aspirations.

That’s especially true if you get the opportunity to design your own coffee table or get someone to do it for you. This wood and glass design, for example, tries to capture feelings of welcoming warmth as well as structural strength. And what better way to represent those ideas than by putting the semblance of a glorious mountain right in the center of your living room.

Designer: Prerna Panjwani

The Rock of Gibraltar is a majestic sight that inspires awe not just with its height but with its distinctive shape as well. It’s almost like a ship resting in the ocean and a testament to the Earth’s geological history. It isn’t as imposing as other mountains, making it the perfect fit for a coffee table design.

The Vista coffee table, however, doesn’t simply mold or carve the shape of the mountain. It instead assembles layers of rosewood panels cut to the rough shape of the Rock of Gibraltar. The layers are held together by a few sticks of wood, creating very visible gaps in between each step.

The resulting aesthetic is similar to those cardboard topographic maps some students are told to make for their science projects. It’s almost like an artistic representation of a geographic form, leaving just enough details for our minds to fill in the gaps. At the same time, this layered design is like a metaphor for the natural formation of the mountain itself, built up layer by layer over hundreds if not thousands of years.

The Vista coffee table tries to combine the lofty image of mountains with the grounding materials of wood. It’s definitely a conversation starter among guests seeing it for the first time, or even between friends revisiting memories of the table’s arrival. Perhaps an unintended feature of the design is the gaps that can be used to hold or hide objects, almost like the man-made structures that have been built around the mountain, also a metaphor for the clutter that humans create around nature.

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Japanese wooden satellite launched to help curb space trash

The media focus on rocket launches, moon landings, and Internet satellites has inspired many to look to the stars for the future of mankind. There are still plenty of areas on the Earth that can be explored, but our expansion can only expand upward at this point. But even before we get there, we are already filling our outer skies with dozens if not hundreds of small metal objects known as satellites, and their numbers are only expected to grow as we move forward.

Satellites have various applications, from communication to observation, but none of them so far remain in orbit in perpetuity. We are, thus, facing a two-headed problem of a myriad of these objects cluttering the space around our planet as well as plummeting back down, sometimes with disastrous results. To find out if there are more sustainable options, the world’s first wooden satellite just made its extraterrestrial voyage in the hopes of replacing metal with wood in the future.

Designers: Sumitomo Forestry, Kyoto University

Satellites can orbit the Earth for years, but they will eventually be decommissioned and fall back to Earth. Most of their mass will burn up on re-entry, but the burning metal will release dangerous aluminum oxide pollution into the atmosphere. Wood will also burn up, of course, but the effects on the environment will be significantly smaller.

Made from Japanese hinoki or cypress wood, the boxy LingoSat satellite is designed to test the theory of replacing metal satellites with wood-enclosed versions. The sides of the box are held together without screws or glue, using a traditional Japanese craft technique similar to dovetail joints. This method will help minimize the use of metal or potentially toxic materials that would burn in the atmosphere.

The experiment will test how well wood will fare in the harsh environment of space, such as extreme temperature fluctuations, and how well it can shield electronics inside from space radiation. The latter could have useful applications back here on Earth as shielding for semiconductors in data centers. If successful, this design could significantly help solve the problem of space trash and debris falling back down.

The LingoSat wooden satellite launched into space last Tuesday and will be heading to the International Space Station. From there, it will spend six months in orbit at a height of 400km (250 mi) above the Earth. Like any other satellite, it will eventually be decommissioned and fall down but with less fanfare.

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Bamboo drone explores a more sustainable way to fly and deliver things

Some see them as annoyances and others consider them as privacy and security risks. That said, flying drones, just like their quadruped terrestrial counterparts, will inevitably be a part of our near future. That does mean there will be more mass-produced drones, more than what we already have today, and the materials used to make them aren’t always accessible or sustainable. But just as plastic is being replaced in other design industries, there’s also an opportunity to test other materials that are just as suitable for these flying robots. One experiment does exactly that, and it chooses a rather unexpected option that’s much loved in the design industry: wood.

Designer: Deepak Dadheech

Wood is not something you’d immediately associate with electronics, let alone robotics, but it is finding its way to more appliances and gadgets. In those cases, the material is prized for its sustainability and aesthetics, the latter of which isn’t exactly a priority among unmanned aerial vehicles or UAVs like drones. That said, not all wood is created equal, and one particular type could very well be suitable for the demands of a drone.

Bamboo, in particular, is known for being lightweight yet also durable, especially when it comes to its tensile strength. Unlike hardwood, which could splinter and break on impact, bamboo can absorb a bit more strength. It’s also in high supply or easily renewable, unlike other trees that take a longer time to mature. Because of these properties, it could make for a good substitute for both plastic and carbon fiber, as the Bamboo hexacopter drone demonstrates.

Of course, the whole drone isn’t made of bamboo. In addition to the circuitry and brushless motors, the propellers are still made from plastic. Only the main frame, legs, and arms use bamboo, which is the largest use of plastic or carbon fiber in drones anyway. For only around $12 worth of bamboo, you can have a drone that weighs only 350g, half that of typical plastic builds.

The question, however, is whether such a strategy will actually be effective or if it will have too many compromises for the sake of sustainability. The Bamboo Drone does fly indeed and it can, in theory, carry light payloads like tools, emergency supplies, or scientific instruments. How it will fair against strong winds and light rain has yet to be tested, and that will really determine how suitable bamboo will be for a fleet of drones.

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Minimalist side table concept uses a single wood sheet with almost no offcuts

Wood is a favorite among designers, especially furniture designers, because of its innate beauty, unique grains, and sustainability. But although the material is indeed biodegradable and recyclable, most furniture designs still result in a lot of waste. There can be many uses for wood chips, sawdust, and unused wood pieces, but an even better solution would be to reduce the wasted material in the first place. That means making every square inch of a sheet of wood count, leaving very little behind once the piece of furniture has been put together. That’s the idea behind this beautiful minimalist side table, where designing for efficiency has also led to a very interesting organic shape in the process.

Designer: Deniz Aktay

Flat-packed furniture has become trendy, especially with the minimalist designs propagated by the likes of IKEA. But while these designs are indeed space-efficient and economical, most of the time they’re mass-produced in a manner that produces plenty of offcuts and waste by-products. After all, it is also more efficient to cut all the legs of tables from the same batch of wood and all the tabletops from another, even if their shapes mean there will be plenty of scraps literally left on the cutting room floor.

Slide Table is a design concept for a side table that advocates efficiency both in packaging as well as in manufacturing. Every part of the table is actually cut from a single sheet of wood, so even mass-produced versions would have the same qualities. Yes, there will still be some unused parts that are cut off to produce the gaps between parts, but the goal is to minimize this waste as much as possible rather than eliminate them completely.

What makes this efficient use of the material is the rather unique design of the table itself. The tabletop is a disc carved from the middle of a rectangular plank of wood, and the remaining section is split in half to form the legs. The legs themselves “slide” into each other, connecting in the middle and forming a cross shape on which the circular top rests. It’s a simple yet intriguing shape that creates something like an optical illusion when viewed from the side.

While Slide Table does offer a beautiful and more sustainable design, it leaves some concerns about the stability of the furniture itself. There is no clear indication of how the legs stick together, or how the tabletop stays stable. It’s certainly possible that other smaller parts of the wooden sheet can be used as dowel rods to connect the pieces, which would further reduce the amount of wasted materials. This design, however, also has its limits in how big the table can be, as the tabletop will always be proportional to the rest of the sheet that would become its legs.

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Eco-friendly tumbler uses thermoplastic made from unused wood byproducts

Coffee lovers have thankfully become more conscious of the harmful effect their drinking habit has, not on their bodies but on the planet. Plastic cups are the biggest culprits, of course, but even paper cups actually take a toll on the environment in the long run. Paper is sustainable and biodegradable, but the rate at which we manufacture the material is faster than we can grow trees to maturity. At the same time, normal wood isn’t exactly a good material for reusable cups or tumblers that are becoming the go-to solution for environment-conscious drinkers of coffee, tea, or water. This design concept tries to offer a middle ground with a seemingly magic thermoplastic tumbler that is actually made from unused wood.

Designer: Kim Jiwoo (Designer Dot)

Wood is a material well-loved by designers because of its innate beauty and sustainability. But while it does grow on trees, trees don’t grow overnight. And while there are alternatives that make use of recycled synthetic materials like plastic, these don’t easily decompose like wood, which can turn into material that nourishes the soil that trees grow on. In other words, wood is the perfect circular economy material, and it would be great if it could take on the beneficial properties of plastic as well.

CXP or Cellulose Cross-linked Polymer is that growing (no pun intended) solution that promises the best of both worlds. It’s made of wood, specifically the cellulose that is the building block of trees and plants, but it has also been plasticized through specific chemical processes that are fortunately easy to reproduce. Unlike bioplastics that need very specific conditions before they decompose, CXP behaves exactly like wood in this regard. In other words, once this tumbler has reached the end of its life, it can be even used to nourish the soil for other trees whose discarded wood will be used to make more thermoplastics.

LINK is the expression of this sustainability innovation, a tumbler that tries to signify the connection between humans and trees on multiple levels. Its handle is intentionally shaped like a branch sprouting from a tree trunk, sporting a length that is ergonomic for any hand size. The trunk, which is the main body of the tumbler, is also shaped with ridges that try to mimic the uneven surfaces of trees, while also adding to the grippiness of the container.

Unlike a regular wooden vessel, LINK can be used to hold hot beverages like coffee since it is also a conventional thermoplastic. Spills, leaks, and slips can be prevented by using eco-friendly silicone, perhaps the only concession to this design. And because of the very nature of such recycled materials, there will be very noticeable specks of color that give each tumbler a unique identity that represents its special link to all life on the planet through wood.

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Crayons from Japan’s recycled trees highlights the country’s forests

When you think of wood, the color that immediately comes to mind is brown since that’s what most of us have seen in the trees near our abodes or even when we travel. But it’s not the only color that we can extract from it, specifically from various species of forest trees. With 2//3 of Japan covered with trees and a lot of these forests remaining unharvested and unmaintained, it’s interesting to see what sustainable products can be made out of these trees.

Designer Name: Playfool

Forest Crayons is a project that uses the pigments extracted from various recycled forest trees and mixes them with other sustainable ingredients to turn them into crayons. Each one has a different shade that is based on the species of the recycled tree as well as how it was cultivated and grown. For example, you get a light green color for magnolia and a deep turquoise of fungus stained wood.

The pigments extracted are mixed with wood, rice wax, and rice oil to produce the different crayons. There are ten crayons available in the Forest Crayons set: Bayberry, Bogwood, Cedar, Chinaberry, Cybress, Hazenoki, Katsura, Kaizuka, Magnolia, and Zelkova. Some names should be familiar to most people but there are species that are native to Japan and some that have Japanese names.

Forest Crayons are actually supported by the Japanese Forest Agency and aside from producing these from recycled trees, they also want to “breathe new life into Japanese wood” so that people will have a new appreciation for the country’s forests. I would prefer the triangular shape of the crayons shown in the product shots but it makes sense of course to have them in the traditional crayon shape for functional reasons.

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Wood-encased computer adds a striking vintage touch to modern technology

The aesthetics of modern and futuristic technologies often revolve around hard metallic surfaces, straight lines and edges, and an almost inorganic characteristic, as if all the opposite qualities are considered antiquated or even medieval. Of course, design trends come and go and sometimes even come back, as proven by the retro craze that has gripped many industries, especially consumer electronics. Duality has always existed in many facets of human existence, but that doesn’t mean those seemingly contrary elements cannot work together. In fact, contrast is an important factor in creating a beautiful composition, and this combination of a desktop computer and natural wood offers one such expression that creates a unique atmosphere around what would normally be a nondescript machine, combining past and present, natural and artificial in a harmonious blend.

Designer: Keegan McNamara

They may be called “personal computers,” but the desktops and laptops of today sometimes feel more impersonal than paper notebooks and stationery. Part of it is due to the very design of these products, adhering to a language often considered sharp, harsh, cold, and distant. There is no shortage of attempts to soften that image, either with customization options or skins that give the semblance of more natural and organic materials like wood.

The Limited Edition Apollo Collection, however, is no faux wood. Utilizing genuine Walnut, Cherry, or Maple, these bespoke computers enclose three important parts of the device to create a striking visual that beautifully contrasts the straight-edged aesthetic of modern technology with the more organic shapes found in nature. It makes the PC not only truly personal but also personable, making it an art object as much as it is an electrical appliance.

The Apollo Collection computers come in three parts, with the keyboard housing the computer itself. A portable screen connects to the keyboard via a cable, while the third part, a magnetic screen stand, completes the configuration for a more typical desktop computer. If typical desktop computers came housed in wood, that is. Each part is made to order by hand, and it utilizes custom circuitry and a bespoke operating system to truly give the computer a unique feel.

Beyond the wooden materials, the design also adds details that not only enhance the computing experience but also add a bit of humanity to the use of the computer via more tactile feedback. Unsurprisingly, the keyboard utilizes mechanical switches, but there are also physical dials for adjusting the volume and brightness of the computer. The exact specs of the computer are, at the moment, not completely known, but the limited edition bespoke design’s true appeal won’t be in its computing power but in its ability to create a new kind of relationship between man and machine.

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Wood-enclosed power supply box is designed to be seen

Power strips and extension cords are now an unavoidable part of modern life. Unless you have custom-designed furniture, there will always be cases when you have too few power outlets or ones that are too far from your desk to matter. Unfortunately, these power supply accessories haven’t exactly evolved in terms of design, or at least most of them still look like appliances from the 90s rather than anything that fits modern aesthetics. Hiding these power sources has become an important part of the so-called cable management problem, which is often a source of tension and headache for some people. There are, thankfully, a few that try to embrace more pleasing designs, like this power supply box that thinks outside the box, pun intended, so that you don’t have stress over hiding it and instead proudly show it off on your desk or shelf.

Designer: OFS

Genuine wood isn’t often used as a material in many electronics, mostly because of its poor thermal handling, making it warp and deform over time due to heat. That and it’s a potential fire hazard, making it unsuitable for many devices. That doesn’t mean, however, that it can’t be used as a chassis or covering in a safe manner, especially if it can significantly change the character of a product from utilitarian to humane.

The Willow Power Supply is one such design that employs the warmth and natural beauty of wood to uplift the image of an ordinary extension cord from a tool to a decorative object. While most power strips and extension cords are painfully hidden behind or even under desks, Willow stands proudly on top. More than just boasting rights, however, this also means quick and easy access to those essential ports for your computer and devices.

Willow is available in a combination of beech or walnut shells and clear or black power boxes, though the best combination is the beech and clear or white box since it clearly brings out the beauty of the wood complimented by the minimalism of the power supply. The box itself has very little detail save for the outlet and ports in front and the braided cord coming out of its back.

While the Willow Power Supply might delight as an aesthetic product, it might disappoint as an actual power supply. There is only one power outlet, one USB-A port, and a lone USB-C port, a very basic and perhaps inadequate number for today’s needs. At $250, it does give off a feeling of being more like a designer product than one that’s made for power users, more for casual use than heavy-duty workstations. Either way, there is little doubt it adds a bit of accent to any workspace, especially matching minimalist designs with wooden furniture.

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Cut and slice with confidence with this majestic Hinoki cypress cutting board

Having a sharp kitchen knife is essential to successful and stress-free food preparation, but it’s really only half of the cutting equation. You also need a dependable cutting board on the opposite side to receive the sharp edge of the blade cutting through fish, meat, vegetables, and other ingredients. There is a variety of materials used for these cutting boards, but most of them just don’t make the cut (pun intended). Plastic ones are too soft and easily get damaged, while metal or stone boards are too hard and damage the knife instead. Wood is a good medium, but not all kinds of wood are created equal or are equally up to the task. This rather stylish cutting board rises to the challenge by calling upon the majestic properties of Japan’s Hinoki cypress tree.

Designer: Metaphys for TEUD

Click Here to Buy Now: $59

The cypress tree has always been associated with sacred legends and its Japanese equivalent takes that to an artistic level. Hinoki wood is considered to be a precious material and it has been used to build temples and palaces for centuries. The slow growth period of this sacred tree results in straight grains and an elegant pinkish color, giving it a unique and premium aesthetic that is almost too good to be used on a kitchen cutting board.

Hinoki wood is, in fact, the perfect kind of wood to be used for this kind of design. It has natural antibacterial and antimicrobial properties, which means it’s resistant to mold. The wood also has a natural fragrance that pleases the sense of smell even after having so many kinds of ingredients cut on its surface. Most importantly, it has a medium hardness that is gentle on knives, ensuring that they stay sharp longer. When paired with our dashing Ceramic Sashimi Knife, you get a dynamic duo that’s going to last you a very long time with minimum fuss.

Unlike most of its kind, the Hinoki Cutting Board’s oval shape and sloping edges give it a gentler and more visually pleasing appearance. It isn’t just for show, though, as the shape also makes it easier to drain fluids and juices off the board, coupled with the Hinoki wood’s natural drain-friendly property. And thanks to cypress wood being lightweight, the cutting board is easy to handle, clean, and store away when not needed, though you might want to have its sleek shape on display all the time anyway.

Of course, bare wood wouldn’t be good as a cutting board, which is why even the Hinoki board has a silicone coating on top for protection, especially against water and moisture. This coating penetrates as deep as 2mm into the fibrous part of the wood, ensuring that it can’t accidentally be removed or easily damaged just by cutting over the surface. Whether you’re gently slicing sashimi with our Ceramic Kitchen Knife, cutting juicy fruits, or dicing portions of meat, this regal Hinoki Cutting Board will support all your food prep needs, while making sure your knife stays sharp for a very long time.

Click Here to Buy Now: $59

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Mapu Speakers bring technology and craftsmanship together

There are people that love to pit technology against art or craftsmanship but those of us who know better know that the two can actually complement each other. There are products and designers out there who seek to fuse the two together and even bring innovation and improvements to the two worlds. One such product is a speaker that uses natural materials and is created by traditional craftspeople.

Designer: Mapu

The Mapu Speakers is a line of speakers that are made from natural materials like clay, wood, cork, and wool and handcrafted by traditional craftsmen in Chile and Portugal The goal is to create a new generation of craftspeople, “building a bridge between ancestral knowledge and technology”. Aside from having quality speakers so you can listen to your music, audiobooks, and podcasts, you also get a piece of art that you can display in your space.

The wooden cones and caps that are in the center of the driveractually optimize the high frequencies so you get a “vivid, spatial, and engaging sound”. The wool is used for the internal acoustic insulation while the leather and cork are also ideal for insulation due to their high tensile strength and heat resistance. The spherical shape of the vessel also adds to the sound quality that you get so you know that it’s not just beautiful but you get a pretty good speaker.

The Mapu Speakers are also 80% biodegradable so that’s another bonus for those who are looking for something pretty different for their speakers. The Mapuguaquén is already sold out on their website but the Mapu Preto and the Mapu Soenga, available in mono and stereo versions. The vessel-like shapes of the speaker line make it pretty attractive even if you don’t know yet the handicraft story behind it.

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